The most narratively straightforward film of the fest – it’s a process doc, showing a man at work, effort and result. It’s also the one movie we saw (until American Animals) that you could watch without guessing it’s a documentary, because the photography is so precise. We chose this one as a different view of Congo than the city-set Kinshasa Makambo, not expecting it to be one of the fest’s most beautiful films.

but this was the only scene I could find to screenshot:

Kabwita chops down an entire tree and burns it under a blanket of earth to create charcoal, which he loads into bags, which are strapped to a bicycle, which he walks thirty miles to the city. He stops at his wife’s sister’s place, drops off shoes for his daughter who lives there. Along the way he loses bags when his bike is knocked down by passing cars, and more bags to bandits. There’s no charcoal wholesaler once he arrives – he has to roam the streets to find a buyer. His goal is to make enough to buy medicine for his youngest child, plus sheet metal to make a roof for his new house, but the metal turns out to be far more expensive than he’d imagined. Before the long walk home to start the whole process again, he stops at a prayer tent, the only time he’s allowed some relaxation and release.

I thought Kabwita was a solitary mad genius with his charcoal-strapped bicycle until one amazing shot on the road when we see other men pass by with the exact same rig – it’s a local industry! The economics are different than here, but it’s still upsetting when Katy calculates each bag of charcoal netted him $1.50. Gras won the top prize at Cannes Critics Week, where this played alongside fellow T/F selection Gabriel and the Mountain, and Ava and Tehran Taboo, and one hopes that after his cinematic victory, he sent our man some sheet metal.

Tim Grierson in Paste:

Observation elevated to the level of poetry — but not at the expense of dramatizing Kabwita’s plight — Makala is a powerfully meditative film that’s also highly sensitive to the struggle of those in impoverished circumstances … Work is slow and grueling in the film, and Gras strips it down to its essence, encapsulating a lifetime of drudgery into Kabwita’s arduous journey to the market … With no interest in prettified poverty porn, Gras is drawn to the man’s stoic diligence, and soon so are we.