What You Gonna Do When the World’s on Fire? (2018, Roberto Minervini)

Louisiana and Mississippi, cutting between different threads. After the lovely and gentle Stop the Pounding Heart led to the intimate look of The Other Side led to the racist militia at the end of that movie, it’s nice to reset and spend time with the New Black Panther Party. And after a month of watching movies on the laptop screen, it’s nice to see this on the big(ger) screen, experiencing as close as I’ll get to cinema this summer.

Michael Sicinski on Mubi via letterboxd:

As with Minervini’s previous films, there is something both startling and a bit disconcerting about the degree of access he achieves, as well as the fact that his camera crew is almost never acknowledged. How does he get so close, capturing key emotional moments like Judy’s cousin Michael finally visiting his mother’s gravesite, or Judy herself meeting a fellow addict and describing her years of abuse? One of the things that Minervini accomplishes in What You Gonna Do…, both with these scenes, the New Black Panther meetings, and in some consciousness-raising moments in Judy’s bar, is a careful depiction of free black discourse, the kind of discussion about identity, politics, and culture that a community can have when they are not worried about how outside listeners will misconstrue their words.