None of the critics I follow can say anything against this movie, since they all had cameo roles in it, so allow me be the truth-teller who finally declares that this movie is… really good. I fell hard for Sallitt’s The Unspeakable Act and lead actress Tallie Medel, so it’s no wonder that I’d warm up to this one, which lands in a different way. It jumps casually forward in time through two women’s lives, like a more devastating Bob Byington story, until the weight of accumulated details hits hard in the back half of the movie – hard enough that going through the screenshots has made me emotional, and I have no further comment, even though my notes say I’m supposed to reread the thing in Cinema Scope 78 after watching this.
