Great doom-groove music on the opening credits by Wil Malone, who’s worked with Black Sabbath, Massive Attack and Opeth. Sadly, it was all downhill from here, since the English don’t know what’s scary, and there’s as much pointless ritual and habit here as in a samurai movie.

Couple of hippies discover a man passed-out in the subway. Male Hippy doesn’t want to tell the cops but his girl talks him into it – he was right, since the cops (led by Donald Pleasance) are pricks. But the passed-out man disappears, because he was kidnapped by the last of a tribe of nonverbal subterranean cannibals. And obviously they’ve been feeding on subway riders for decades, but this time they got a minor government official, so the police take interest – I can’t tell if this was intentional social commentary or if I’m being generous. Why was Christopher Lee in one scene?

Cannibal vs. government man:

Christopher Lee vs. giant mustache: