A Thousand Suns (2013, Mati Diop)
Starts with very few indications that it’s not a purely observational doc following the lead actor of Touki Bouki making his way to an anniversary screening, but by the end we’re in a new realm with nude women in the Alaskan snow. Nice use of Tex Ritter’s “High Noon”
Diop in Cinema Scope:
The sole element of reality that I kept in my film is that Magaye Niang stayed in Dakar and Myriam Niang left for Alaska. From there I took fictional liberties, but the phone conversation that is heard in the film remains quite faithful to the real conversation that I recorded between the two actors. Nothing is true and nothing is false in my film.
Metaphor or Sadness Inside Out (2014, Catarina Vasconcelos)
The metaphor is an elephant. Bookending square-frame film segments with HD in the middle, circling around memories of a mother who died when her kids were teens. More focus on family, photos and letters – a proto-Metamorphosis of Birds that stands well on its own, and an example of how to use home movies and photographs in poetic ways.
A So-Called Archive (2020, Igwe Onyeka)
Upbeat promo soundtrack introduces a museum while the camera shows its pigeon-infested remains, tracing cobwebs, tattered filmstrips and lines of decay. Filmed inside two shuttered colonial archives in UK and Nigeria, this was already a fascinating little movie and the online description only improves it.