In a dismal grey-brown postapocalypse, Denzel hunts and cooks a cat, robs a corpse then relaxes to listen to his zune. Even babies wear sun goggles in town, the sun deadlier than ever since the nuclear event punched holes in the atmosphere. Local warlord Gary Oldman wants a bible to help control the populace and spread his influence, but passer-through Denzel has the only surviving copy, and is an unnaturally badass fighter, so a showdown ensues. Denzel and Mila Kunis leave town down the fury road, but Gary’s caravan catches up, and more showdowns ensue. The action’s not bad – an early slaughter, backlit under a bridge, puts a reminiscent scene from Resident Evil 6 to shame.

Most importantly, we are in Tom Waits Mode, and he appears in this movie as “the engineer,” aka he runs a barter shop across the street from Oldman’s saloon. He makes an uneasy deal to charge Denzel’s zune, then reappears at the end to open the lock on the bible, revealing that it’s in braille and D escapes to the Children of Men hope island with the entire book memorized. Waits is less pivotal here than in Seven Psychopaths, is mostly around to look cool.