As mentioned in the Loznitsa movie, I attempted to repeat White Nights Fest here, only to realize the Loznitsa was far from a straight adaptation. But once again, Bresson can be counted on for Dostoevsky fidelity. After reading the short story I rewatched the Piotr Dumala short, which makes more sense now as an adaptation, though he added the nudity and insects. In fact there’s more sex in all the movie versions than in the book, unless it’s implicit there and I missed it. No insects in the Bresson though, just monkeys, both alive and skeletal.
Our lead pawnbroker had been a bank manager in his dark past (a soldier in the book). Bresson’s film contains much media outside the main story – she listens to LPs of tinkly instrumental music, they go to the cinema to watch a Piccoli/Deneuve film, and to the theater for a Hamlet swordfight (practice for Lancelot). Bresson solves the problem of the entire book being an internal monologue by the pawnbroker after his wife has died, simply by having him speak aloud to the maid. The actors perhaps more actory than in his previous films – deadwife Dominique Sanda would go on to a long career, eventually appearing with Piccoli herself (and if not Deneuve then Nico and Bulle Ogier and LÃ©a Seydoux and Isabelle Huppert ain’t bad).