Fear and Desire (1953, Stanley Kubrick)

Very Twilight Zone opening narration, four soldiers crashed in enemy territory, in a forest of the mind. The lieutenant with his cocky officer’s hat suggests they build a raft and ride the river home. But first a bit of action: assault on some nazis eating dinner, they die clutching fistfuls of stew. The Lt is calm, stands around composing philosophy on the nature of war while his men are in a hurry to get to safety.

They kidnap a girl who spots them (she’s best known as the disembodied head in The Brain That Wouldn’t Die) and leave her tied up in the care of young Sidney. He immediately starts freaking out and crying, then does an unfunny improv routine and is upset that she doesn’t chuckle. Sid is extremely insecure, paws and kisses at her then releases her and shoots her dead when she runs, then he rants that the river is blood and runs off cackling. Meanwhile Mac (Frank Silvera of Dassin’s Uptight) spots an enemy general and figures they can assassinate him on the way home. The plan works out: Mac gets blasted riding the raft as a distraction while the two others storm the general’s cabin then steal his plane.

You’ll never guess who half-dead Mac meets downriver:

“I wish I could want what I wanted before.” A real tortured screenplay, overwritten but nice looking – the writer later worked on Saint Jack with P-Bog, and Kubrick disowned this film to the point of trying to destroy all copies. Why does the annoyingly wordy lieutenant also play the annoyingly wordy enemy general?