“I know what people taste like. I know that babies taste best.”
My hopes were too high for Bong’s English-language debut – I found it talky and clunky and obvious. Good ending, though. Revolution within class-stratified humanity-protecting perpetual-motion train is led by Steve “Captain America” Rogers. He’s backed by wise old train architect John Hurt, loyal-to-the-death Jamie Bell, pissed-off mom Octavia Spencer and tech whiz Kang-ho Song. After dealing with company mouthpiece Tilda Swinton through various levels, final confrontation with engineer Ed Harris, who claims to have planned the revolution and wants the Captain to replace him at head of the train. Meanwhile it’s rumored that the frozen Earth has been warming, and might sustain human life again, which will be tested after Song’s daughter Ah-sung Ko (the monster-abducted girl of The Host) is the only one of these people who survives a train crash.
Things: the workers in back are fed “protein blocks” which turn out to be gelatinized cockroach. The two Koreans are addicted to a drug called chrono which doubles as an explosive. Harris claims John Hurt was secretly working with him (for the good of the train/humanity, of course). A cool bit near the end looks like 2001: A Space Odyssey.
Snowpiercer’s mental motor, its driving intelligence, is its obviousness, which allows the film to be misperceived as something silly. .. Bong, however, seems to understand something many others don’t, both about broad entertainment and the state of successful political action. Big action demands broad strokes; nuances emerge later. In fact, this is to a large degree the political subtext of Snowpiercer itself. .. it doesn’t matter who’s running the train. Bong is not telling us anything we don’t already know, but Snowpiercer’s power is precisely in its capacity to boldly visualize this shared awareness: the futility of liberal revolt, the buffoonery of our betters, the hidden human kindling that is always the tiger in our tank. .. Bong shows us that there’s only one track, and so you can’t flip the switch. You can only light the fuse, and embrace the inevitable destruction as the last picture show.