Pumpkin Movie (2017)

Sophy in one city is skyping with a friend in Halifax while they carve jack-o-lanterns and discuss sexist aggressions from the past year.


Norman Norman (2018)

Repeat appearance by the director’s Macbook as she looks up videos about dog cloning while her own dog (Norman, elderly, in rough shape) lays with her on the bed.


In Dog Years (2019)

Interviews with owners of messed-up dogs, some near the end of their lives, with all focus on the dogs and their stories, the owners’ faces not shown. “In memory of Norman,” oh no. I was supposed to follow these up with Nine Behind / It’s Him / Grandma’s House, but already shaken by dying dogs I couldn’t take on dying grandmothers.

I did not like the lab scene where they implanted an eXistenZ gamepod port into a dog’s underside. After that, I felt free to skip ahead during the other b/w lab horrors. Observational long takes of Moscow street dogs pays off when one is filmed catching and killing a housecat. Or maybe “pays off” isn’t the term, since Kedi played theaters across the country, and this one played nowhere. Narrator (the star of Leviathan) tells of Russia’s history of firing animals into space, intercut with observational doc scenes of Moscow street dogs. The directors followed up with another Moscow street dogs movie, and their first film about people debuts in a couple days at Locarno. The Tori Amos song > the movie… Katy’s least-favorite shorts director edited.

The directors didn’t have space in mind when they started filming [Seventh Row]:

Suddenly, when we found out that Laika had been living on the streets, the film became so rich. These street dogs we see in the film are real explorers. They have to be in order to survive. They have to understand every movement in the city. They have to know how the city is changing and how they can find a place to stay and survive. We found it interesting that there were similarities between these dogs and their ancestors, the heroic cosmonaut dogs.

Okay, there was a blu-ray sale and I’ve been itching to revisit Todd Rohal so I bought Uncle Kent 2, and I know I probably do not need to watch Uncle Kent first, and I’m currently feeling end-of-world vibes from the news and am certainly not watching bad/average/filler movies on purpose, but I convinced myself that Uncle Kent 1 could be better than average, it could be a real good time, a valuable way to spend a tuesday night – and I was right.

Kent hand-draws cartoons at home, gets high, uses dating sites. Kate comes over to stay for a few days but claims to have a boyfriend, and sleeps in another room – then they meet Josephine (Decker!) on craigslist and all make out together on the couch. The most dramatic thing that happens is when Kent messes up trying to copy a nude photo from Kate’s phone and destructively covers his tracks.

I admit I only watched this because I’m rewatching the long Rivette film with a similar title, but it turned out to be great, currently my favorite Hausner movie. Set in the 1810s, pleasantly suicidal poet Christian Friedel can’t convince Sandra Hüller to die with him, so terminally ill poetry fan Katharina Schüttler steps up. Many quotable scenes within.

The humor’s in the absurd cheapness, straightfaced performances, and overwritten script. It’s very fun and silly, and I appreciate the hardcore supporters for bringing it to my attention. Personally the joke wore off halfway through the 100-minute runtime, but I’m still adding Magic Spot and Metal Detector Maniac to the queue.

Valerian “Val” DeHaan travels to a secluded German manor to work out a contract for his employer – is this based on Dracula? Upon arrival he signs some papers without reading them, then starts mad hallucinating, taking too long to realize what kind of movie he’s in. Gore’s ability to illustrate a creepy horror thing with big striking images makes me wonder if I should rewatch his Ring remake.

I guess Val dreams his mom dies after his limo crashes into a Very Digital Deer. Mia Goth plays the weird girl wandering the grounds, but then, everything is pretty weird. Val finds micro-bugs in the water, later panics when his scuba therapy becomes eel-infested. He sees eels everywhere, then tries to rally the patients to revolution but instead they zombie-attack him and the doctors pump Val full of eels – in the end, this is like The Matrix, but with eels instead of technology. I guess the incestuous mad doctor/baron Jason Isaacs (military guy in The Death of Stalin) is Mia’s dad, and they are 200 years old, kept alive through eels, until Val snaps out of his zomb-eel stupor and foils their plan. Partly based on Thomas Mann’s The Magic Mountain, which the guys who wrote Shutter Island may have also read. Someone should program a Cure for Wellness / Road to Wellville double feature.

I’ve got a bit of a backlog, and sometimes I’m in the mood for a Kiyoshi movie and wonder why I never watched this one from eight years ago, and the title Foreboding sounds generic enough, and it takes me 20 minutes to realize this is the alien invasion companion piece to Before We Vanish. This starts out effectively unsettling, with elements of the paranormal social malaise from his other movies, then as it introduces the human-concept-reaping alien Dr. Makabe (the two guys in Asako I & II) it gets silly.

The fake doctor, coming for your concepts:

Kaho of Tokyo Vampire Hotel and a Gamera movie is our lead, refusing to play the alien’s games, but her husband Tetsuo (starred in Tokyo Tribe and Lesson of Evil) is happy to lead the fake doctor to people who’ve wronged him. Health Minister Ren Osugi arrives too late in the game. Humans start disappearing from the earth, somehow this all still leads to the classic movie ending of people talking and fighting in an abandoned warehouse.

Humanity’s future rests with them:

Is this the first movie I’ve watched in full after previously watching its last ten minutes? It’s not the first time I’d watched the end of a movie and thought “this isn’t bad, I should see the rest of it” – that’d be Waxwork. This one I simply lost track, and ended up half-watching while working on something, looking up whenever someone got killed in super-slow-mo (they’re taking hummingbird-brain drugs). Some good violence, if nothing else. I noted all the important details last time – in the years since, Judge Urban has gotten involved in all the major properties, Psychic Thirlby was in Lousy Carter, Villain Headey did Game of Thrones, and the writer and DP made Trainspotting 2 together.

Zooted Dawg:

Slow-mo final boss plummet:

Coasts purely on VIBES, which is frankly losing me, everyone croaking their lines glacially, TV-Glowing too hard, all whispering portent, nothing ever happening, until the patient explodes an employee. Reminded me more than once of The Catechism Cataclysm.

The patient is Eva Bourne, and the mad doctor was appropriately in We’re All Going to the World’s Fair. He smooshes the face of his wife, or perhaps his mom, who cares. In the end he falls down and busts his head.