Evangelion 3.33: You Can (Not) Redo (2012)

Where we left off, the movies were following the series pretty closely, except for one new character. That’s all out the window now, as Shinji awakens from a 14-year nap (but he’s the same age and temperament). He discovers all his friends are dead because he caused a mass extinction that destroyed most the world. But at least he rescued Rei – nope, this Rei is a soulless clone. But at leaast his coworkers are still supporting him – nope, they’ve formed an alliance to try to destroy him. But at least he makes an enthusiastic new friend – nope, a bomb collar blows that guy’s head off.


Evangelion 3.0+1.0: Thrice Upon a Time (2021)

Shinji is in one of his dark quiet moods, but at least Fake Rei (a clone of Shinji’s mom) is learning how to be human – nope, she spontaneously combusts. The characters and situations are making less sense than ever (“the cores that form the eva infinities are the materialization of souls”), but this is the best the show has ever looked. Shinji finally fights vs. his dad in identical evas in the anti-universe, then rewrites the world as a new place (“neon genesis”) where he won’t have to pilot no more giant robots.

In the midst of my disreputable movie spree I found some new movie list to obsess over, and wondered if it’s perhaps possible to watch the high framerate version of Gemini Man on a laptop screen. And it is… it is!

Will Smith is a super-elite hit man serving his country, who offhandedly mentions he’s “deathly allergic to bees” but that probably won’t come up again. After one last (successful) job shooting a fella on a moving train he tells his handler Ralph Brown (of the mid-2000s Exorcist prequel travesty) he’s retiring before he loses his touch. Starting his new vacation life he meets a girl with hair like this, clocks her as a spy, then rescues her when gov’t boss Clive Owen starts ordering everybody dead.

Benedict Wong shouldn’t smoke so close to a toucan:

The handler reports that the bosses have activated Gemini, and soon Will is getting his ass whupped in a motorcycle fight by the Fresh Prince. People get killed: Will’s boat friend Jack (Black Museum proprietor Douglas Hodge), his train friend Marino (EJ Bonilla of the latest Exorcist sequel travesty), eventually his plane friend Benedict Wong. Finally Will and Mary put together what we’ve known since the trailer came out and flee to Budapest to visit Yuri. Ilia Volok is stunt casting, having acted in Mission: Impossible 4 (American spy is disowned and pursued by his bosses) and Benjamin Button (lead actor is made younger with digital effects). And about those effects, the movie doesn’t shy away from long closeups on Fresh Prince’s uncanny face. The Prince gets talked out of assassinating himself after realizing Clive Owen is manufacturing infinite Wills Smith as suicide-mission supersoldiers.

Will and Fresh and Mary hoping their skulls don’t get added to the pile:

What turns this sci-fi twist on a spy-revenge story (from the writers of Shrek 4, The Hunger Games, and 25th Hour) into a literally insane must-see movie is the filmmaking tech. The crazy stunt action and star power say it’s a megamovie, but the ghost lighting, hollow sound design, and overall DTV look keep reminding of the no-budget festival screener DVDs I watched in 2008.

Letterboxed fisheye shot of a passing train, great:

A molten-masked third Will Smith gets blowed up:

There’s this idea going around on Vulgar Auteurism Twitter that some godforsaken JCVD/Dolph Lundgren action series got revived in the 2010s by the son of the director of Timecop, starring the 12th-billed actor in Expendables 2, as a straight-to-video 3D (?) fifth sequel shot entirely in nondescript strip-mall locations, and it was actually great. Still buzzed off The Doom Generation, I watched it to set the record straight, and it was actually great.

Not a normal DTV sequel – dank Damon Packard vibes, the scenes linger weirdly, the strobe effects more intense. Apparently I was supposed to watch Regeneration first to make any sense out of this. Scott Adkins’ family is killed in first-person oner-cam by culty home invaders. Evil plumber Magnus is freed by Dolph Lundgren in a red Mario hat, prompting a strobey JCVD appearance in a strip club bathroom and a full-house slaughter. Scott Adkins finally comes alive and destroys the plumber, then meets mystery woman Mariah Bonner and another Scott Adkins who works for JCVD, and learns we’re all clones who never had families. Murderous rages are flown into, everyone dies.

Daniel Goldhaber decodes it: “A movie about a man trapped inside of a genre movie, programmed with a stock motivation.” More from Josephine and Josh.

An hour before seeing this I learned that an NC-17 version played Sundance, but decided a missing shot or two of Skarsgard’s penis and busted face wouldn’t keep me from the theatrical experience. The Movieland’s dirty screens act similarly to 35mm film grain in helping digitally composited shots look more natural. Great title design, decent Tim Hecker score. Despite the title, we never get to see the pool. I hope he was referencing Michael Snow in some early shots… even if not, it made me think about Snow, which is always a good thing. The color-washed orgy montage a highlight. Which version/clone of Skarsgaard survives to ditch his flight in favor of the abandoned resort? What is the real motivation for the Mia Goth-led group leading him through these ordeals? Is it all a dream or a drug trip? Doesn’t matter!