by ·Comments Off on After Blue (2021, Bertrand Mandico)

Toxic Roxy is young and blonde, frees buried criminal Kate Bush, who murders all Roxy’s friends then escapes, leaving the whole community angry at Roxy and her hairdresser mom. This all takes place on another planet, populated entirely by women who shun electronics and chemistry, after the earth became uninhabitable… well, only shunning these things to a point, since they have guns and androids (both named after fashion brands). While waiting for Kate, Roxy and her mom (Elina Löwensohn of course) bond with Kate’s fancy rich neighbor Sternberg, with her male android Olgar 2 and weirdo bounty-hunter bots Keifer and Climax.

Extremely horny sci-fi, Roxy masturbating at every opportunity, with dreamy visuals. We got zombie horses, geode-faced creatures, energy weapons, a pubic third eye, hats and fur coats everywhere, and everything is slimy or dripping and cross-faded onto everything else. I felt bad about not liking The Northman last night, then today I double-featured this with Mad God at the Plaza, and now I am feeling much better.

by ·Comments Off on Prisoners of the Ghostland (2021, Sion Sono)

I paused this halfway since Katy wanted to watch To the Ends of the Earth, which features a lead actor from Sono’s Tokyo Tribe – kinda thinking I should’ve rewatched Tribe instead of this. As Sono’s movies get wackier, I lose more interest… I hated Noriko’s Dinner Table, but it at least felt like he was aiming for something more than prefab cult movies for festival midnight sections and Alamo Drafthouses. Anyway, most of us are here for Nicolas Cage, and he’s good – the production design > acting > editing > writing. It’s written by an American cartoon voice actor and an actor from A Girl Walks Home Alone at Night – Sono’s tendency to slow down and repeat everything does the weak script no favors.

Sofia in Ghostland:

The Cult of the Mushroom Cloud:

Escape from New York meets that Rutger Hauer movie Wedlock where the convicts wear exploding collars. This time there are multiple little bombs in his jumpsuit, so Cage can lose an arm or a testicle and survive to the next scene. He’s a bad dude (frequent slow-mo flashbacks to a bank robbery where his partner went all Michael Madsen on the customers), as is Governor Bill Moseley who hires him to retrieve escaped daughter Sofia Boutella (Atomic Blonde and Climax). The Ghostland isn’t such a bad place, compared to anywhere else in this movie, it’s just everyone there has mass delusions. The baddie with a nuclear-melted face turns out to be Cage’s psychotic criminal partner, and Cage turns his half-arm into a weapon – what horror movie fan could’ve seen either of those developments coming?? MVP the Ratman.

Discovering Sofia:

Psycho Nick Cassavetes beneath my favorite banner:

Ratman at left:

by ·Comments Off on Upgrade (2018, Leigh Whannell)

One of the only car-competent gearhead dudes in a computerized future is crippled in a suspicious attack after a self-driving car takes him into a bad neighborhood, right after meeting a reclusive tech giant named Eron (ha) who owns the self-driving car company. The gearhead’s wife is killed, and detective Betty Gabriel (Get Out) tries to figure out who could be responsible, but we know it’s Eron because so far he is the only other person in the movie. It becomes sort of a Black Mirror Robocop John Wick, as our now-crippled dude gets an Eron-designed brainstem chip that allows him to control his body again, then gives him enhanced abilities, then completely takes over. Whannell worked on all the Saw and Insidious movies, and Logan Marshall-Green, good at taking brutal actions that his voice and face say he’s not controlling, previously fathered an alien in Prometheus.

by ·Comments Off on Sorry to Bother You (2018, Boots Riley)

As cynical and absurd as Idiocracy (and even featuring Terry Crews). Lakeith Stanfield finds something he’s good at (selling awful things to rich people) and forsakes his awesome girl Tessa Thompson and his unionizing coworkers for a taste of fortune and power. He realizes the error of his ways, but also gets turned into a horse.

by ·Comments Off on Ready Player One (2018, Steven Spielberg)

Katy says the challenges in the book are all about solving complex puzzles, and it sounds like the whole 1980’s obsession is explained better, but we’re at the movies now, so some quick backstory narration and a killer car race will do just fine. Our dude Parzival (Tye Sheridan of Joe and Mud, young Cyclops in the last X-Men) figures out how to cheat at the racecar event and win the first of three keys in a massive contest to gain control over the virtual-reality universe that all the poor suckers on the dying planet of the future spend all their time in, meanwhile falling for Artemis, a hot red avatar his own age who turns out to be an actual hot girl his own age (Olivia Cooke of Thoroughbreds). Parzival’s badass tough-dude engineer buddy H turns out to be Lena Waithe (Master of None) and his ninja friend Sho is actually 11 years old – they’re all kinda okay kids, but I don’t know if it’s a happy ending when they’re handed the keys to the global economy at the end, and besides shuttering the evil company run by lame Ben Mendelsohn, they close the internet for a couple days per week so kids have time to make out.

Alison Willmore calls it an accidental horror movie:

A lot of the pop culture references in the adaptation have been updated, improved, added to, or made more cinematic, including a sequence in which The Shining gets turned into a survival horror experience in a way that’s both blasphemous and easily the most memorable part of the movie. But onscreen, even though familiar characters (Duke Nukem! Gundam! Chucky!) fill the frame, franchises cross, and the legal fees to clear everything must have been astronomical, Ready Player One doesn’t really feel like it’s about nostalgia. Instead, it seems more concerned with escapism, and how much its characters use pop culture as a womb to shelter them from the ugly realities they’ve accepted from the world outside. It’s not about looking back so much as looking away.

by ·Comments Off on World of Tomorrow 2: The Burden of Other People’s Thoughts (2017, Don Hertzfeldt)

Emily Prime, a year older than last time, is visited by an incomplete backup copy of her third generation clone, who is using time travel to visit her own inherited memories. The clone hopes to copy Emily’s consciousness over her own, a process which somewhat succeeds, after some memory tourism, personality glitches, future history lessons, and of course, philosophizing on the meaning of life and our individual place within the universe.

The computer-animated mindscapes and off-world dystopian future visions are as great as in the previous film, which I’ve been known to call the best animated short of all time. So I had absurdly high expectations, and Episode 2 met them, feeling like a perfectly natural continuation of the first film. Not as many mindblowing new ideas in this one since he set up so much previously, but the writing (based around conversations with a six-year-old) is probably better, circling back to each idea and conversation in a self-conscious loop while expanding the ideas about memories and identity.

by ·Comments Off on Black Mirror season 3 (2016)

Six more Charlie Brooker-written dystopian fictions, now streaming in our dystopian reality.

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Nosedive

Not the best opening to the new series, too blunt and screamy for my tastes. A yelp/ebay/etc star-rating system gone out of control, with everyone rating everyone else over every interaction, and all social status and even home loans depending on personal ratings. Lacie (Bryce Howard of Lady in the Water) gets increasingly desperate as her plan to increase her ratings for a society wedding backfire, and she spirals down until she can’t even get picked up hitchhiking due to her short-term social media reputation. Trucker Cherry Jones gives her an inspirational speech about living outside society, then Lacie crashes the wedding. Directed by Joe Wright (Atonement), cowritten by Parks & Rec‘s Michael Schur and Rashida Jones, and featuring the best Black Mirror music ever, courtesy Max Richter, who incorporates the downvote sound effect into the music during Lacie’s death spiral.

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Playtest

Cooper (Wyatt Russell, the guy who pretends to still be in college in Everybody Wants Some!!), kind of a likeable idiot, gets stranded while traveling the world, signs up to earn some quick cash playtesting a VR game. I’m a sucker for movies with dream/game layers where you can’t tell what’s real, and this was a good one. The idea behind the game is a haunted-house horror experience that uses your mind’s own fears against you, and Coop’s biggest fear is losing his mind like his Alzheimer’s-afflicted father did, which is what happens when his attempts at trade-secret espionage interfere with the equipment and it fries his brain. Director Dan Trachtenberg made 10 Cloverfield Lane.

Coop playing an early, harmless demo:

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Shut Up and Dance

I don’t think this one is based on any technology that doesn’t already exist. After trying to have affairs or look at child porn or other blackmailable offenses, strangers with prankster-infected laptops get dragged around the city making deliveries and being asked to do increasingly terrible things, including bank robbery (“I saw it in a documentary. It looked easy”) and fistfighting to the death. Then their secrets get leaked to friends and family anyway, a grinning trollface sent to each of the victims. Director James Watkins made The Woman in Black and Eden Lake, lead Alex Lawther played young Turing in The Imitation Game, and his older partner in crime was Jerome Flynn of Ripper Street, not Michael Smiley like I first hoped.

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San Junipero

Just what I needed after the nihilism of the previous episode, a lovely story with complicated ideas about (virtual) life and (actual) death. Opens with a Lost Boys poster and Belinda Carlisle song on the radio and Max Headroom on TVs, pushing its 1987 setting hard, but then “one week later” we’re in 1980, and “one week later” it’s 1996. Shy Yorkie (Mackenzie Davis of Always Shine) met exhuberant Kelly (Gugu Mbatha-Raw) one night in a time-hopping Matrix fantasy world but didn’t have the nerve to follow through on their relationship, and now searches for her every week during their time-limited trials, as their actual, aged bodies live in separate nursing homes. The most human-feeling Black Mirror, and also the one that ends in the most inhuman manner, a robot arm attending to its databank of disembodied consciousnesses. The director did last season’s Be Right Back, also about personal/virtual relationships.

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Men Against Fire

Not my favorite episode, by director Jakob Verbruggen (Whishaw/Broadbent miniseries London Spy) who makes a hash of the action scenes, but it’s one of my favorite evil technologies – military implants that help soldiers kill the enemy without hesitation by making the enemy “roaches” look and sound inhuman. Lead soldier Stripe, whose equipment glitches so he can see the truth, is Malachi Kirby of the new Roots remake. He’s briefly allied with Ariane Labed (Alps, The Lobster) before his partner catches up with him, kills Ariane and his equipment is recalibrated to brainwash him back into blissful ignorance and conformity.

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Hated in the Nation

A combination of previous ideas – rogue hacker messes with people over social media leading to their deaths, and intrusive government technology leads to dystopian horror. In this case the gov-tech is bee-drones which replace the country’s dying honeybees and happen to double as ubiquitous surveillance devices. After our hacker uses a sort of twitter poll to let the people decide whose brains the bees will burrow into through their ears, cop Kelly Macdonald (voice star of Brave) tries to protect future victims. She finally gets lead beemaker Benedict Wong (Prometheus and The Martian) to try deactivating all bugs, but instead they go after everyone who participated in the online death polls, killing hundreds of thousands. A nicely apocalyptic way to leave off. Director James Hawes made a TV remake of The 39 Steps a few years back.

by ·Comments Off on Black Mirror season 2 (2013)

Finally got around to watching the rest of these episodes (though not the Jon Hamm Christmas special) in prep for the upcoming American launch.

Be Right Back

After her cellphone-addict boyfriend Ash dies in a car crash, pregnant Hayley Atwell (Agent Peggy Carter in the Marvel movies/shows) signs up for a service that analyzes his voice recordings and social media posts and creates a Siri-like program she can speak with. Then she beta tests the next version, where a folded-up pseudo-flesh Ash (Domhnall Gleeson of About Time, who plays the human in the similar Ex Machina) is shipped to her house. But it turns out the way you behave at home with your spouse can’t be easily predicted by your social media posts, and even though Ash is able to learn, Hayley finds him creepy and finally banishes him to the attic. Director Owen Harris also made Holy Flying Circus.

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White Bear

My favorite of the bunch, either because it’s the most horrific or because it costars Michael Smiley as a dystopian game show host. Victoria (TV’s Lenora Crichlow) wakes up confused and amnesiac, is told that most of the world has been consumed by a mysterious screen transmission, and those who haven’t are insanely murdering random citizens – so The Signal meets The Purge. Vic and a couple refugees come across Smiley in the woods, who first appears to be on their side, then is revealed to be one of the killers. After her thrilling escape, all this is revealed to be a complicated piece of theater. Nobody is dead, except the child Vic kidnapped and murdered, for which her punishment is to live in this nightmare, being constantly pursued and terrified, humiliated in front of a live audience, then her mind zapped with the MIB forgetfulness-ray for the next show. Director Carl Tibbetts has worked on Hemlock Grove, did a little-known plague thriller called Retreat with a promising-looking cast.

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The Waldo Moment

Comedian Jamie (Daniel Rigby of the show Jericho) who talks through a cartoon bear called Waldo finds his attack on politicians going viral. Jamie’s more of an insult comic than a politician, but his producers smell a hit and strong-arm him into continuing, even entering Waldo into the campaign, at the expense of his sanity and his relationship with a woman in the race. This isn’t quite dark enough for Black Mirror, so at the end a guy from an unnamed U.S. agency meets them wanting to use Waldo to destabilize global elections. Based on a Nathan Barley sketch, I think. Director Bryn Higgins has a series of historical hospital dramas.

Unstable puppetmaster:

Dignified debate:

by ·Comments Off on The Secret Adventures of Tom Thumb (1993, Dave Borthwick)

Happy to come across this again – haven’t seen it since the VHS days. Awesome, hour-long stop-motion with live actors interacting with the miniature creations, which must’ve been difficult. Dark sci-fi fairy-tale following tiny Tom, born to normal-sized parents, then abducted away to a torture-lab, adopted by a tiny-people society, and brought on a guerrilla mission with a well-armed little guy. Death and horror is around every corner, and pretty much everyone is doomed. The grimy, insect-filled design is marvelous, would be cool to see this in HD someday.

Stills cannot convey the majesty:

Oh no, writer/director Dave Borthwick died a few years ago, after codirecting a kids’ animated feature. Dave’s “Bolex Brothers” partner Dave Alex Riddett is a stop-motion cinematographer (Wallace and Gromit, Shaun the Sheep, way back to the Sledgehammer video), and the Bolexes also produced the great short The Saint Inspector.