Uh oh, opens with fun goofy comedy music. This is fast-paced for Ozu – it looks like Tati and there’s a lot of cartoon farting (proud of myself for making that connection, David Cairns mentions Tati in the first minute of his extra feature).

The neighborhood adults exchange petty gossip – one mom is falsely accused of embezzling from her woman’s association to buy a washing machine, one couple is correctly accused of walking around in their nightclothes all day. Meanwhile the kids are obsessed with farting (one kid keeps doing it wrong and running home for a change of pants) until they find a new past-time: staying mute and hungry until dad agrees to buy a television. Movie’s about modernization, aging, retirement, usefulness, the point of small talk – typical Ozu topics in a fart-comedy disguise.

Collection of useful subtitles for film-twitter meme-reactions:

Insane movie full of Michel Gondryish handcrafted whimsy plus whatever great combination of acting and makeup went into Daniel Radcliffe’s multi-purpose corpse.

Much of the wonderous fire-farting, boner-compass, kung-fu-chop, grappling-hook-vomiting details had already been given away by the trailer (but if they hadn’t been, I would’ve written off the movie as a Sundancey quirk-fest and skipped it). So my happiest surprises came from the plot twists as Paul Dano becomes best friends with the dead body and as Radcliffe becomes more alive we start to take Dano’s view of reality, which crashes when he finds his way back to normal civilization (the yard of his crush, Mary Elizabeth Winstead of Scott Pilgrim).

Fart recordist Steve Nelson:

One I remember was Paul Dano, who cut one loose right before a take. He just grabbed the boom mic right out of the air and delivered it … We needed farts that were not cartoonish, that were realistic but at the same time expressive. I know — my career. Mom’s really happy I went to art school.