I think the notes I took while watching this can stand on their own:

Girl Fishball’s prost mom gets beaten to death
He’s trying to save up for a fake ID but gets into gambling with the boys
Music is too big but maybe that’s the 1980s setting
This is 1986?

Raymond is the “employed cop” (?) of Detective vs. Sleuths
Cyclone’s doctor is looking for dead Jim’s son to kill his whole family
Chau is the doc, Lui killed his family, Jim was Lui’s killer who seems modeled after Daniel Day Lewis in Gangs of NY
Jim is Koo’s Throw Down costar

Boss Tiger lost an eye to Jim, Boss Chau his family, and Cyclone killed Jim
Cyclone was secret friends with Jim and smuggled his family out of town after killing
Our guy is Jim’s son, whitehair doc Chau is pissed
They spent a billion dollars recreating the neighborhood for this film, but needed these guys to play different ages in the 1960s and 1980s and threw some talcum in their hair
Gravity-defying fights, not going for realism despite the kowloon recreation

AV is guy with underwear mask
It uses the godzilla (??)
They all butcher each other while Lok is incapacitated
Some of the goofiest action moves since Dragon Inn
Almost everyone is dead and the cops have Lok

Sammo’s sunglasses guy King uses this fight to move in and take over
King kills his boss Sammo after killing Cyclone
King’s deal is that he is physically indestructible
The action is too choppy, but decently cool
I saw a lady for a few seconds, must have been a mistake

I’m no King Hu expert, but his final film feels flabby and dated, not so much a late masterpiece. Horny Wong (Adam Cheng, played twins in Zu Warriors) falls for hot Joey Wong (the year before she was White Snake) who is actually a gross ghost wearing a human mask while trying to escape from the limbo-cult she’s been trapped in. The energy decidedly picks up when monk Sammo Hung takes up her cause in the last half hour.

Dude survives the suicide pact with his now-dead girlfriend thanks to three blood donors: architect Eric, cop Lok, and cute girl with mental illness Joy. Now they’re all seeing blood visions and being haunted by the bald-capped dead girl. This drives them all nuts – Eric throws blood around at the girl’s funeral, a possessed Lok kills his dad, both men (and the surviving lover) die and Joy ends up in an asylum. Grim movie, to the point of stealing the Requiem for a Dream music during the blood transfusion scene.

tfw you have mental illness:

The stupidest, goofiest entry, thanks to the full line of disciples and family members from parts one through four being together for the first time – and also the most shootiest and explosionest. This time they’re fighting sea pirates, led by Elder Paco (a Yes Madam spinoff), Junior Stephen (Hard Boiled), and Elaine (The Bride with White Hair), and fortunately Katy didn’t watch this one (the pirates have an entire crate full of the severed fingers of their victims). It’s not as exciting as it sounds.

The gang:

Shaolin monks are made illegal, so all monks have to run or fight or die. Monk Fong (Wong Fei-hung in Drunken Master III the same year) and Carman Lee (between Wicked City and Lifeline) are on the run, get thrown in a trap-filled prison temple and have to fight and scheme their way out. One of the best-looking HK blu-rays around, the blood and intense brutality coming through crystal clear.

Doctor Yang (Yu Rongguang of Supercop 2, which is a different movie from Police Story 4 even though Supercop 1 was Police Story 3) goes around in disguise acting like Disney’s Robin Hood, with assistant Orchid (Jean Wang, kicking much more ass here than as 14th Aunt), making mockeries of corrupt governor James Wong (a major songwriter, also in Twin Dragons) and his lead cop Yuen Shun-Yi (of Drunken Master). Wong Fei-hung’s dad Donnie Yen (confusingly, he’ll play the title role in the sequel) is passing through town, the governor holds his son prisoner so he’ll help them catch the righteous bandit. But of course they all team up to defeat the evil master (also the evil master of Heroic Trio the same year).

Twin monkeys:

Much action ensues. I saw this on VHS or something back in the day, but it’s extremely helpful to have seen a bunch of kung-fu movies leading up to this, getting used to their plots and moves and sound effects, to appreciate this one’s particular excellence… in context of the OUATIC sequels going slowly downhill, this feels like the best movie ever made.

Like father like son:

Mad Lau stars in a firefighting action film with choreography by Yuen Bun, whose Once Upon a Time in China sequel I just watched. Alex Fong Chung-Sun (The Iron Angels series) is the strict new boss feuding with his ex-wife. Ruby Wong is the female officer trying to put career first until her boyfriend starts poking holes in the condoms. And rookie Raymond Wong Ho-yin (Ruby’s fellow PTU cop) is just a rookie with an embarrassing dad. Mad tries to date suicidal doctor Carman Lee (hot traitor cop of Wicked City). Then all these personal dramas have to be set aside when the team, from a firehouse known for accidents and bad luck, is first on the scene to a massive warehouse fire set by arsonist Lam Suet, and the movie gets extremely, impossibly fiery.

Pre-credits scene has Vincent Zhao making some very un-Jet-Li awesome moves, then his name is splashed across the screen – good, they’re not trying to hide the new guy. It’s also the first sequel to start directly after the previous one – they’re still celebrating the end of the Lion King festival when friendly Governor Zhiwen Wang (currently of the Infernal Affairs TV series) shows up and they lion-dance together.

Foon, Clubfoot, and Yan are back in the mix, but 13th Aunt is replaced by (Katy guessed it) 14th Aunt: Jean Wang of Swordsman III and Iron Monkey the same year. New director Yuen doesn’t exactly revitalize the series here. The dubbing is bad, and despite having a subplot about a group using wires to appear to fly, the movie itself is full of unintentionally visible wires, especially in the heinous horse-punching scenes (yes, there’s more than one).

14th Aunt starts a newspaper but nobody in town knows how to read – so, technologically we’ve moved from still photography to motion pictures to the printing press. Anti-foreigner sword cult Red Lantern is menacing everyone, and the foreigners have equipped their lion suits with deadly weapons. The nice governor dies, it’s very sad, then Wong takes a measured bit of revenge before withdrawing to prep for the final(?) movie.

Chin Ka-Lok is angry, I’ve forgotten why:

Ze Germans:

Due to my copy’s wonky subtitles and my general lack of historical context and, uh, my inability to pay close attention to plots and alliances in movies, I dunno what exactly happened, but I know they all died heroically in the end, for the future of China.

The Big Sword lays waste to the Japanese:

Wang Wu (Yang Fan) is our main furious swordsman, getting his entire Big Sword troop killed by the Japanese in the opening scenes. He meets young masters Ti Lung (A Better Tomorrow) and Cynthia Khan (star of a Yes Madam sequel/ripoff the same year), they team up with some government guys who are trying to “reform” the government (sword-involved reform).

Our Boy Sammo:

Plenty of wire jumps and trampolines, swordfights and beheadings, people getting shot in the face, Sammo over/under-cranking every action scene. Clearly made in the wake of the Once Upon a Time movies, with its mix of action and historical politics – and from the writer of parts II and III, and with a small role for Rosamund Kwan as a rich lady who thinks Wang is quite nice. Sammo gives himself one fight playing a prison guard – it’s great, but all the fights are great. Not sure where James Tien appeared – one of the camel riding raiders? – but this movie notably has the same ending as his Fist of Fury, which I should’ve seen coming from the title.

Nefarious Ngo (Master Wong’s dad in OUATIC3) loses to The Big Sword: