A Marilyn Manson joke in the movie’s opening seconds, paterfamilias Ray Wise driving his daughter Laura, the camera hovering over the center line – somebody’s got a thing for David Lynch. It’s a Christmas road trip movie, petty griping from the back seat, until the ordinary gets interrupted by a Woman In White holding a dead baby. Figuring out what to do about the WIW the family members get separated, then they find what’s left of the daughter’s boyfriend Brad aside the road.

“This reeks of alien activity, you guys.” They appear to be on a loop road like the one in Freddy’s Dead, and whenever the Woman In White kills someone the survivors see them being taken away in a black car. After her son disappears mom goes nuts and shoots Ray in the leg, then she’s next. It all turns out to be a purgatorial fantasy when the daughter wakes up and is told she survived the car crash that killed the others.

Not a bad movie, though the music is a great crime. Most of the people who made this never worked again. The DP did an Elijah Wood thing, an exec producer worked on Voyage of Time. The mom is horror regular Lin Shaye, in Critters and The Hidden and New Nightmare, the WIW was a beer spokesmodel, and the daughter was in a Sid Haig / Bill Moseley movie that Rob Zombie had nothing to do with.

A year after part one, teen Sienna is dressing as Non-Copyright-Infringing Victoria Secret Wonder Woman for a halloween party with her friends while her little brother Jonathan is going through a (timely) nazi phase and discovering The Backstory relating to their dead artist father and killer klown Art, when his hero comes around and terribly torture-kills all of their family and friends. Looks slick, and I like Art’s new imaginary girlfriend, but all of this feels like an Elm Street sequel where each scene last too long. I was annoyed much of the time, but can’t stay mad at my best friend Art The Clown.

The girl has a musical advertisement dream sequence:

Silvia runs a lab of brightly colored liquids in bubbly beakers, and in the evenings she alienates her boyfriend then has traumatic flashbacks to the time she saw her mom having sex with some guy. Paura all around. You gotta watch at least one nonsensical Italian movie per shocktober.

Finally something happens: friend Francesca shows up dead in the tub. “They said the water must’ve been too hot… her heart couldn’t handle it.” Then Silvia splits in two, her adult and child selves having a conversation like the poster of The Tale. Young Self kills the neighbor’s cat, Older Self kills the neighbor. They murder a few more sexual harassers, and all seems to be going well, then Young Self pushes them off a roof, leading to a culty final scene where the men she’d killed gather around her body and eat her guts.

Barilli also made Hotel Fear (Pensione paura), his cowriter worked on Who Saw Her Die?, and the DP shot the Carmelo Bene movies and Padre Padrone. Older Self is Four Flies star Mimsy Farmer, and oh no, Young Self grew up to star in Ghosthouse.

Follow the trail to the titular perfume:

People seem unhappy with this movie because it’s full of cliches, is All About Trauma, and it torments and abuses and murders children. But I had a pretty good time watching Sally Hawkins learn about demonic resurrection rituals on bootleg VHS then bumble around until her plan gets so out of control that she kills herself. Also fun because both Foster Mom Sally and her cat-strangler son are dangerous, and we don’t learn until late that she has got him possessed by demons and wants to do the same with her new blind ward Piper, painting P’s older brother Andy as a problem child to get him sent away. And her cat is named Junkman, pretty good name.

RIP Liev and his Gossip Girl-friend, as the new killer goes around tricking people with an electric voice-cloner. Lance Henriksen and Roger Corman are working on their Stab trilogy, a cover version of “Red Right Hand” playing on set, when Detective McDreamy comes to investigate why cast members are being killed off IRL. The two casts mix as Parker Posey, playing Fake Gale Weathers, is dating Dewey and tailing the real Gale for character tips, and all the worst characters get slashed as our old team takes their place. They all end up on an old Hollywood mansion as the movie becomes increasingly nonsensical, the closest to Freddy dream-logic these things have been (complimentary), topped by a pre-taped appearance by the rules-explainer-guy who wants to explain how trilogies work in the event of his death in part two. Killer is film director Scott Foley, McDreamy’s Grey’s Anatomy coworker.

Framing story starts out as some kid’s stop-motion army-guy video, nice.

1. Phony from top to bottom, a punk band goes to the basement venue where another punk band died in a fire three years ago on this very night, and gets murdered by ghouls. Director Maggie Levin “is a filmmaker with rock n’ roll roots” per her bio, argh.

2. Better: sorority pledge (girl from Synchronic) is buried alive as a hazing thing, cops chase off the aboveground girls as a rainstorm is coming through. Synchronic Girl meets a sinister ghost while buried alive while drowning while covered in spiders, oof, and all the other girls get supernaturally leaky-coffin’d next. Director Johannes Roberts made two killer shark movies and a failed Resident Evil reboot.

3. Some underlit Nickelodeon game-show called Ozzy’s Dungeon is Double Dare meets torture porn. Donna competes in a doomed wish-fulfillment game that nobody has ever won, then her surviving family turns the tables on the host, taking him into the victory cave(?) beneath the set to meet the fat-suit wishmaster, but apparently the girl’s wish was to explode the heads of her family members, like a cut-rate version of The Viewing. Directed by Flying Lotus themself.

4. Older brother Dillon of the stop-motion kid is a horny teen who films himself skating and doing pranks. Their friend Boner is an apocalypse prepper – this turns out to be unimportant, as focus turns to the hot medusa across the street who turns the boys into statues for attempting to install spyware on her new imac. Only good joke in the movie is the package delivery service being called DUI. Tyler MacIntyre also made the pd187-approved Tragedy Girls, and looking up the lead actress is how I found out someone remade Castle Freak.

5. Coven is doing a summoning ceremony, but demon Fircus interferes and drags the cameraman Troy and Nate to hell, where they meet Mabel the Skull Biter, the movie’s only good character, and scramble to return to the surface when the coven’s portal opens at midnight. Also the movie’s best segment, the only one that doesn’t look like shit on purpose, so I assume it made the top ten of Vulture’s ambitious V/H/S segment ranking… nope, Dowd got it all wrong. The Winters also made a haunted house livestream influencer movie starring Mabel.

My second movie this week where someone runs a cursed antique shop – in this case it’s the blind sister of “Brian May” Ted’s murdered wife (Carolyn Bracken, playing both sisters, was my mother in You Are Not My Mother). On the anniversary of her sister’s death, Blind Darcy comes over bearing cursed antiques for the husband and his new hotgirl (“Do I look stupid?” “I have no idea what you look like. You sound stupid.”) Backstory ensues, the argument of whether Asylum Olin with weird eyes (who also had weird eyes in The Northman) or Asylum Ivan (The Hole in the Ground) actually did the murder is academic, since the husband definitely ordered it. The hotgirl and blind sister both die, the husband can’t help himself from ringing the little bell he was gifted, leading to the best final shot of the season.

Howling II: Your Sister is a Werewolf (1985, Philippe Mora)

Last watched The Howling in 2007, and last watched Howling II on channel 3 at a Motel 6. Howling sequels are famously the worst sequels, but who can remember which is which? Christopher Lee speaks an incantation, but only in voiceover. Despite your sister’s best efforts to control him, Vlad makes a big show of wolfing out and rushing the captives, then some guy with a shotgun easily kills both Vlad and your sister. A woman wearing insane clothes (Stirba!) throws a prop demon at a priest, who turns into a Svankmajer head, then Lee punches her in the stomach and they both spontaneously combust. Now that the… demon cultist werewolf vampires?… are dead, our romantic heroes enjoy a Cars concert. “Punk group: Babel,” man, this is not punk, it’s new wave. Vlad was in two Dollman movies and Lynch’s Dune, seems like a cool guy, and the girl who gets naked was predictably cast 30 years later by Rob Zombie.

Enter Stirba:

Stirba and her demon friend:

Stirba auditioning to be in Rawhead Rex:

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Howling III: The Marsupials (1987, Philippe Mora)

Gentle scenes of Australians enjoying life surrounded by colorful birds, did I get the wrong movie? Lead guy (Bad Boy Bubby’s dad) is surprised by an old friend who says it’s safe to come out of hiding, so BBB’s dad moves to California to teach at a school where all the students wear the same shirt. The worst actor they could find drops in to reveal the secret identities of the professor’s long-lost marsupial friends. That night one of them wins an oscar and transforms into a possum-person on live TV. At least part two had demons killing priests and Christopher Lee and Stirba, I dunno what this is supposed to offer.

The Substance was just a Howling sequel:

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Night of the Demons II (1994, Brian Trenchard-Smith)

I was last disappointed by the original in 2006, pretty sure I’ve seen both these sequels before on VHS. A girl being sexually harassed by a demon gets rescued by… a nun with nunchucks, get it? This is the movie with the holy water balloons and super soaker, I assumed that was Fright Night. They defeat demonmaster Angela with the power of their faith (ugh) then she returns as Golobulus and they simply defeat her again. Cast members also appeared in: Nemesis, Tremors, Dr. Giggles, 976-EVIL 2, Leprechaun in Space, and Slumber Party Massacre 4. At least Angela is the same Angela in all three of these dumb movies, and the director works on Trailers From Hell so I can’t stay mad at him.

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Night of the Demons III (1997, Jim Kaufman)

Angela’s teeth have got crazier, and she’s making the same deal with the survivors to trade one for many, with the same CG snakes backing her up. Hitting her with a car doesn’t help, she just transforms into a sphere of pure love and light, but fails to escape the same way when the kids drag her into a sunbeam. Not one of the Kaufmans you’ve heard of, Jim made an emmy-nominated talking cat movie.

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Exorcist II: The Heretic (1977, John Boorman)

A whole bunch of Linda Blairs, and the priest is hot for a couple of them, while in a different location someone sets themself on fire. The Great Locust arrives and the house starts tearing apart as the priest (Richard “Dr. Faustus” Burton) gets his bearings and rips out Bad Linda’s heart with his bare hands, breaking the curse or whatever. “The world won’t understand… not yet,” says Louise Fletcher (Invaders From Mars) and we still don’t. I remember this movie being very bad – apparently there’s a new feature-length doc arguing that yes it’s bad, but at least it’s also interesting. I ain’t sitting through all that, but I did read the Reveal interview.

Mouseover to transform Linda Blair:
image

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Exorcist III (1990, William Peter Blatty)

Serial killer Brad Dourif and detective George C. Scott are playing Silence of the Lambs mind games in the psych ward – this is a restored version with VHS-quality deleted scenes reincorporated. Dourif has sent a demon-possessed catatonic nurse (she’s also a murderer in Creepshow) to murder Scott’s family. He gets home in time for the nurse to attack him instead, then she just stops, so Scott returns to the hospital to shoot Dourif with a gun, apparently an effective method of dealing with demonic possession. Did we know that before his Exorcist movies Blatty wrote the Tashlin romp The Man from the Diners’ Club?

Comin’ at ya:

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The Guardian (1990, William Friedkin)

While Exorcist III was in production, what was original Exorcist director Friedkin working on: an even worse movie about an evil tree cult. With help from the confounding editing, hero mom hits evil nanny Jenny Seagrove (also narrator of the New Order rock doc) with her car. The cops then tell the upset parents (nobodies, though dad was in House 1 and 2) that none of this happened. Sorry I missed Miguel Ferrer, not sorry Sam Raimi dropped out of this to make Darkman, and anyway the bloody man-with-chainsaw-versus-sentient-tree climax would be nothing new for Sam. It was all worth it for this review .

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Friday the 13th (1980, Sean S. Cunningham)

Looks like the last surviving camp counselor is fixin’ to get slain by Jason’s Mom. Nobody knows how to close doors quietly in movies. J’s M here’s-johnny’s her way into the hidey closet and gets a frying pan to the skull for her troubles. The showdown continues outside, where J’s M is cleanly beheaded by a machete. I don’t know much about horror movies so I’ll assume that’s the end of it! Oh, the (un)dead kid attacking her in a canoe afterwards was just a dream… or was it?? The mom had been in John Ford and Anthony Mann movies, and this was the director’s follow-up to a couple of kids-playing-sports movies.

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Friday The 13th Part 2 (1981, Steve Miner)

If the clumsy guy in the one-eyed cloth-bag mask is Jason, he sure grew up fast. I appreciate both movies using loon sounds whenever the action moves outdoors. Again the sole surviving girl fights back with superior weapons (a chainsaw), then tries a new tactic, putting on his dead mom’s sweater and threatening him maternally. Her friend Paul does not help her kill Jason with a machete, but he does gallantly carry her over a puddle afterwards. Ending is fun, macheted zombie Jason smashing through the window and grabbing her, then inexplicable half-minute coda where she’s fine but Paul is missing. These movies were not built to last, or to be viewed by adults – when Howling II looks better than your movie, you have fucked up. Miner went on to make House and Warlock and… Soul Man.

Comin’ at ya:

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Friday The 13th Part 3 (1982, Steve Miner)

Jason’s got his iconic hockey mask and is smashing up a barn trying to find the final girl who got away. She hit him with a shovel then lynched him, of course that didn’t work. A guy arrives and gets dismembered in under a second, then the girl finds an axe and gives the iconic hockey mask its iconic axe-hole. She wakes up in a boat the next morning to the sound of loon calls and gets pulled into the water by a zombie the cops didn’t see, precisely like the first movie.

Comin’ at ya:

This is clever in its visual transitions and I like the early bits of the soundtrack composed of chill slide guitar (and Iggy Pop as a wacky DJ), but ultimately feels like a cool robot design with a movie loosely hung around it.

Dylan McDermott (also of future-robot movie Automata) and his sidekick Shades (of Jarman’s Edward II) bring the scavenged head of a self-healing military attack robot to Dylan’s off-again girlfriend Jill (Phantasm II). She puts on some Ministry before integrating the head into one of her artworks (Spielberg would use the same band to convey dystopian junkyard aesthetics a decade later).

Three guesses which one is Shades:

Unfortunately the robot was built as part of a government program to kill all the humans, and it reactivates to complete its mission. First it lets the girl’s creeper neighbor (Wm Hootkins of Death Machine) make a slow fool of himself before it megakills him. Jill lowers her body heat to undetectable levels by jumping into an open-door fridge for five seconds, then they throw the robot in the shower and it does the whole “I’m melting” bit.