Daaamn. A mean, helluva movie. I liked Winterbottom’s Code 46 then was on the fence after 9 Songs and 24hr Party People, but this one redeems him (for its intentions alone, but I thought it was well-made). And this is a movie with intentions… it has a definite and righteous goal.

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Interesting how people call this (like Touching the Void before it) a documentary when it’s mostly re-enactments with voice-over. Three guys went to afghanistan, got caught up in the al-qaeda retreat by mistake, and got captured by the US forces. Or that’s what they say happened… whatever truly happened does not matter, because it’s what happens next, their imprisonment and torture, that really counts. Seems like the US forces can do whatever they want without repercussion, so I’m surprised they even let these guys loose to tell their stories, despite their innocence. Took ’em two years to do it, though. My favorite part is the Americans and Brits pointing at zoomed-in photographs and grainy videotapes, pointing at blurred heads in the crowd and saying to these guys “this is you, admit this is you at an osama bin laden rally”). It’s not them, and our guys have proof they were in Britain the entire year in question, but all the inquisitors want is a confession (of anything at all, however false)… and apparently all middle-eastern people look the same to them.

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As an expose of the post-terror guantanamo system, it’s a horribly necessary film. Sad, mean and awful, but with a purpose, an anti-torture agenda. Winterbottom’s a minor hero for actually travelling to Afghanistan and Iran to shoot this. The story continues, since some of the film team was detained on the way home from winning prizes at the Berlin film festival and “asked if they intended to make any more political films” Scary.

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Reporter is stalked by serial killer who turns out to be a werewolf. Then to recover from all that, she’s sent to a retreat which turns out to be a werewolf cult. Bad news!

Her doctor is a werewolf. The stalker’s family are werewolves. Her friend is killed by a werewolf. Her husband falls for a werewolf. Her husband becomes a werewolf. Your sister is a werewolf.

Your werewolf:
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Your sister:
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Another friend buys silver bullets from an antique bookstore owner (Dante regular Dick Miller), goes to the country and whups some werewolf ass, locks everyone in the barn, sets fire to it, and has a close escape… TOO close, cuz the reporter gets bitten! They expose their story by having her wolf-out live on her next newscast (to the horror of her boss, Dante fave Kevin McCarthy), then her friend shoots her and we end.

You should’ve seen him in “Piranha”:
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Keeps silver bullets in stock:
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Fun werewolf effects, movie manages to be a little scary, is less funny than the others… mostly just a good time. Star Dee Wallace-Stone (later star of Critters and Cujo, mom in E.T., Jake Busey’s co-killer in The Frighteners) has got a good scream on her. Her buddy Dennis Dugan is currently gathering bit parts in Adam Sandler movies. Her hairy husband Chris Stone was also in Cujo (he must be the Stone in Wallace-Stone). Another Dante fave, Robert Picardo (Mark Dark in 976-EVIL), is the serial killer Eddie Quist. Elisabeth Brooks is the goth hottie. John Carradine (of The Return of Frank James, Man Hunt, and Red Zone Cuba) must’ve been the old man wandering the werewolf camp, and Slim Pickens was the sheriff.

Cujo:
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Carradine?
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Katy would not have liked it. An open-road hitchhiking serial killer movie. The trucker (“wheeler”) and the cowboy (“walker”) vie for the same victim. Mean, violent fun. No eye gouging that I can remember, but it has the MOH trademark naked woman (being tortured to death).

Interesting thing about it, really the only thing that sets it apart from your standard trucker serial killer movie is that every single character is either killer or victim. No bystanders here… if we see someone, they’re kill-or-be-killed. A familiar-looking Fairuza Balk stars (ed norton’s excitable gf in American History X) with Michael Moriarty, a Cohen regular.

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Haze.

A complete nightmare, like Cube without any light or thought or the retard. Man wakes up in underground tunnels, finds his teeth wrapped around a pipe, crawls through water surrounded by blood and severed limbs. Eventually finds a woman stuck there too. Tries to escape with her, and he makes it out… but finds her dead after he escapes. Suddenly he’s an old man and they’re together then he’s alone again.

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Strangely moving… a true horror movie, terrifying, sad and thoughtful. Ambiguous in an interesting way, not a frustrating one. Our man (played by director Tsukamoto) falls asleep, awakens, has an identity crisis, may be dreaming the whole thing, may have committed murder, but at one point in the future or present, he was happy with the woman he loved, watching fireworks. Time just melts in this movie. Would like to see again. Has been wrongly compared to the recent gorefest torture movies like Hostel, actually rises far above those. I hate that I ended up liking Tsukamoto so much… may have to someday reassess the headachey mess that was Tetsuo The Iron Man.

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Renji (the guy from Dolls) may be psychologically torturing his wife, or they may have a normal, boring life. The wife may be hiding in the attic pretending she’s a spider, or she may not. Depends who you ask.

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She meets a guy I don’t remember where, and talks to him about her horrible husband… one day they are caught talking or possibly he wants to hug her or something at the house and she retreats to the attic and becomes a series of bugs eventually a giant spider that comes down the stairs and is about to eat the husband then she turns back into the girl with a scissors in her hands and he hugs her and it’s all over I think then they’re packing and maybe moving out.

An okay movie, whatever.

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40 minutes or so of short movies. The evolution of Robert Morgan!

The Man in the Lower-Left Hand Corner of the Photograph (1999)
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Too slow and draggy with meat and maggots, all Svankmajery and dingy and stuff. Lonely guy watches his neighbor kill herself, drags her home, feeds her to his pet maggot, and she sorta comes to life all maggoty and sleeps with him and he puts their photos together or whatever.

The Cat with Hands (2001)
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Short and awesome, about a cat slowly becoming human by eating people and taking their parts.

The Separation (2003)
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Another good one, slow and dreary like the first, but not overdoing it this time. Conjoined twins are separated then consider getting back together again while working at a doll factory.

Monsters (2004)
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All live action, boy has nightmares, threatens to turn psycho, sister shows last-minute sympathy. Very nice looking. Guy’s got a bright future.

Katy glimpsed parts, thought was gross.

A not-too-good Masters of Horror installment by not-too-good filmmaker Argento. I knew the ending three minutes in, and just waited patiently to be proven right. An insultingly crappy story, in which TV veteran Steven Weber (currently in that Studio 60 show) saves Jenifer (some girl with lotta makeup) from a crazy man who is trying to kill her. Kills the man, brings Jenifer HOME for some reason, wife and kids disapprove, Jenifer eats family pet and has amazing sex with Weber. Now Weber wants to keep her, so she keeps eating neighborhood people and dude’s family moves out and finally he moves out into the country and gets a simple stockboy job and all is well until Jenifer kills the store-owner’s son and now Weber tries to kill Jenifer but she’s SAVED by a hunter who kills our man and rescues her and so on.

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Not all bad – the Jenifer character is disturbing enough with the crazy face and the eating people’s guts, but not too good either. Katy didn’t watch and wouldn’t have liked.

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Saul Symonds in Light Sleeper points out all the ways this one fits in with Dario Argento’s other work: the circularity of plot, the duality of Jenifer’s character, the “strange shifts of direction”, and exploring “the manner in which a central protagonist is devoured by darkness”.

Best Masters of Horror episode yet. Why? The story is outrageous and fascinating and twisty, the visuals are always exciting, and UDO KIER co-stars.

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Theater owner who owes big money to the father of his dead wife takes on job from eccentric millionaire UDO KIER to find the rarest film of all time, an angelic snuff film that makes its viewers go homicidally insane. The director’s wife gives up the film easily, and he brings it to Udo who, despite having already imprisoned one of the angels, is still unprepared for the film and signals this by feeding his intestines into the projector. The cigarette burns of the title are jolting, and our man loses track of things each time one hits. Only time besides Fight Club I can think of those things really being discussed. Never thought they’d be the title device in a horror movie.

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Katy wouldn’t have liked this one, though she expressed an unusual interest in it.

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Still a fun movie, much better than it oughtta be, but not worth watching a whole bunch of times. Two kids are out on lake with dad, when one kid and dad are killed by a motorboat. The daughter survives and is given to nutty aunt, right? Nope, it was the son who survived, but nutty aunt gave him a girl’s name and turned him into a girl (not physically), causing him to be a twisted killer (see above photo) at summer camp. Lots of fun killing and neat makeup effects ensue.

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Katy would not have liked this at all.