by ·Comments Off on Cult of Chucky (2017, Don Mancini)

Good sequel, tying together all previous plots, while also allowing Chucky to multiply, while also being an Elm Street 3-style psych-ward-set serial killer thriller.

Andy is back, torturing his own personal Chucky head after a cute girl from the latest Final Destination breaks up with him. Wheelchair Nika is still alive too, so is her niece (now Mike Flanagan’s Carrie) and Jennifer Tilly-as-herself and the doll version of Jennifer Tilly, and hey, why not bring back the girl from part two, it’s a party.

Andy gets himself committed by attacking a guard. They charles-lee-ray Nika. Evil wins, kills everyone and gets away with it. I would’ve been happy to watch a couple more movies like this, but apparently the followup was a three-season TV series, and I simply don’t have that many hours to devote to Chucky.

Claire, getting Very-Long-Engagemented:

In the asylum is:
Schizophrenic Multiple-Malcolm (a cop in The Long Walk)
Confrontational Claire of Cube 2: Hypercube
Mom-wannabe Madeline of House of the Dead
Angela who thinks she is a ghost (of both Violent Night and Silent Night Deadly Night Remake)
Nurse Ashley of Malcolm McDowell Silent Night
Nurse Carlos of Jessica Alba The Eye Remake
McDreamy-lookin’ Dr. Foley of The Viewing

by ·Comments Off on Seed of Chucky (2004, Don Mancini)

Follows through nicely on its opening Psycho reference, not just a fakeout joke. Appalling CG is something I’m getting used to this month after Final Destination 4. But oh no, the first scene was a first-person murder fantasy by an ugly doll, and this is a meta making-of a Chucky movie. Jennifer Tilly as herself: “I’m an oscar nominee for god’s sake and now I’m fucking a puppet.”

Young Seed is trans, feat. a nice Glen or Glenda reference, and voiced by Pippin himself. Cool-looking movie with good dollwork, but Bride hit the horror-comedy sweet spot and this one is just cheesy. John Waters plays the paparazzo stalking Tilly, whom the adult dolls are trying to knock up, while their messed-up doll-baby protects/threatens them. Feels like a lot of British people were in this. Seed finally boxing-helenas Chucky’s limbs before beheading him, but let’s see, Chuck will be back – Curse comes next, then Cult, then I am not watching the TV series.

by ·Comments Off on Tideland (2006, Terry Gilliam)

I’d long put off watching this because of reports that it wasn’t any good. But of course it is good . . . it’s just maybe not GREAT. The lead girl (Jodelle Ferland, currently playing the one-armed undead girl in Cabin in the Woods), a playful innocent surrounded by grotesque adults, is captivating and manages to carry the movie. But despite all the darkness and death, the movie manages to feel slight. Maybe you need to see it in theaters – I would’ve liked to, but never got the chance.

Jeliza-Rose (great name) lives in an apartment with her junkie parents. When mom Jennifer Tilly overdoses, dreamer dad Jeff Bridges (the same year he was in some Full Monty-meets-Zach and Miri-sounding movie called The Amateurs), always going on about Jutland (part of Denmark?), takes her to the family’s abandoned, unsafe house in the country.

Tilly, following her second Child’s Play sequel:

J-R and her late father:

Soon he’s dead as well, stinking up the place, but J-R never loses heart, has fun narrating events to her troupe of doll-heads. She befriends an idiot boy named Dickins, and runs into his (mother? sister?) Dell, an amateur taxidermist who stuffs Jeff Bridges. The lunacy increases until Dickins finally manages to blow up the “monster shark” (passing train) and J-R wanders onto the crash site, mistaken for a surviving passenger and presumably taken off to a more normal life.

A nice family dinner. In background: mummy-dad Jeff Bridges

by ·Comments Off on Bound (1996, Wachowskis)

A fully excellent “neo-noir” with Panic Room levels of tension, slick and confident, and such a perfect cast. I only know the lead actors from one decade-old movie and physical characteristic each: Gina Gershon (Demonlover/big lips), Jennifer Tilly (Bride of Chucky/high voice), Joe Pantoliano (Memento/also high voice) but it seems they deserve more. And considering what great performances the Wachowskis got out of them, it’s surprising that their follow-up films were mainly known for great visuals and cardboard acting. I guess they are genre chameleons – a noir needs complex humans and sci-fi/comic films need flat Phantom Menace acting to not distract from the computer graphics.

Gangster moll Jenny Tilly falls for handyman lesbian-next-door ex-con Gina G. and they plot to steal two million from Jen’s man Joe. But will they pull it off, and will Jenny really stick with Gina and vice versa, when betrayal would be so easy? Yes, a happy ending. Every male character in the entire movie gets killed, and the two actually end up together. Some noir.

Among the dead: Richard Sarafian (director of Vanishing Point) as the big boss, Chris “Law & Order” Meloni as his trigger-happy son and John P. Ryan (its father in It’s Alive) as the secondary mob guy who comes looking for the others. Couldn’t find any good articles on the movie, only ones that are interested in how gay the movie is (answer: not gay enough for the people writing the articles).