Me (2024, Don Hertzfeldt)

A Don Hertzfeldt dystopian jukebox musical? This made my heartbeat shift in a weird way. I’m going to try to stop thinking about it for the rest of the night, will revisit at a later date.


GUO4 (2019, Peter Strickland)

Montage of still photographs set to (good) pounding noise music. Nude male locker room wrestling? Filmed after In Fabric, a time when he was clearly going through some things.


Notes on Monstropedia (2017, Koji Yamamura)

I think it’s Edward Gorey with some Adult Swim thrown in, and inexplicable harpsichord music – either the combo isn’t working or the translation is off or it’s just not clever enough. A lesser work from the Mt. Head / Country Doctor animator.


The Curse of Dracular (2023, Jack Paterson)

Cute claymation retelling of the British Dracula movies as written by the director’s dad when he was nine. Worth it for the ending, when a five year-old says “don’t like you” and kills Dracular easily.


The Tell-Tale Heart (2008, Robert Eggers)

Ornate live-action movie with stop-motion tendencies, maybe Quay-inspired, and the rich old man played by a muppet. This movie loves clocks, and it’s right, clocks are cool. Shocking to hear spoken dialogue for the first time three-quarters through the film. The actual heartbeat part is very short, this guy is driven mad pretty easily. What is this “inspired by” credit when it’s a straight adaptation?


The Events at Mr. Yamamoto’s Alpine Residence (2015, Tilman Singer)

In a similar secluded fancy euro-house to the Cuckoo home, tennis girl opens a package unleashing a self-expanding white balloon that consumes everything. Everything I watch this weekend reminds me of The Prisoner. I don’t know that this was “any good” or “made sense” but it is fun to make and watch movies.


The House of the Plague (1979, Zlatko Pavlinic)

The plague is personified as a purple-eyed woman in mummy bandages. This is animation in a loose sense, drawings cross-faded. A woman coming home into town gets blackmailed into bringing the plague along. The plague-process images are cool but the movie’s main stylistic triumph is the rhyming (in Croatian) roboticized narrator.


Light, Noise, Smoke, and Light, Noise, Smoke (2023, Tomonari Nishikawa)

I’m glad this rhythmically edited montage of fireworks with a garbage soundtrack brought joy to the avant-garde cinephiles last year. Fireworks are cool, it’s true.

Opens unpromisingly despite Ethan Hawke… actors laboriously declaiming portentous dialogue in fake accents. It does start to get trippy, with more CG than expected (incl. cartoon-ass animals), and at the “years later” jump the tedious-to-thrilling ratio is 50/50. Subwoofer cinema, a sonically unpleasant movie – I should’ve played the Harriet Tubman album again. Alexander Skarsgård (Florence Pugh’s fake bf in Little Drummer Girl) swears revenge, loses his way, meets Björk, swears revenge again, kills Fjölnir’s son and refuses to say where he’s hidden the heart. Lotta people get chopped up with swords. Three good performances in this: Björk > Skarsgård > Dafoe

Willow Maclay argues there are four good performances:

Nicole Kidman also gives one of her best performances in some time as an incestual madwoman, driven berserk by the times, and dripping with salacious fury in her scene of revelation. This contrasts with her elegant work as a Queen and mother, and suggests that a proper feminine presentation can be hiding a cannibalistic fury behind doors.

Michael Sicinski:

Virtually every landscape is CGI’ed to the point of absurdity. The Northman strives for the painterly but more closely resembles those 4K test images they show on the TVs at Costco.

Watching The Shallows, I was delighted that Blake Lively and the movie allow their injured seagull to survive to the end, but now I realize this avian assistance was the key to Blake’s survival, because Rob Pattinson’s luck turns bad when he cruelly murders an injured gull, and after a descent into pain and horror and madness, he ends up gull food. Let these sister films be warnings to any who would wish harm to our seagull friends.

Eggers sounds like a delightful interview subject:

My understanding is that they were rescue birds that were injured and rehabilitated, and after that rehabilitation couldn’t really survive back in the wild again. So giving them things to do makes them happy. So they were very eager to learn how to fly on a windowsill, peck a windowpane three times, and jump off, and then get a little food reward. Actually the seagulls were incredibly easy to work with, unlike a certain black goat that, I mean, I have no fond memories of working with.

Set in 1890ish Maine, Rob Pattinson is on the run under another man’s name, spilling his beans to crusty old Willem Dafoe, as the two of them tend a lighthouse for a season. Unclear how much time passes, or what is real vs. hallucinated, but it’s all very beautifully shot, and if this Eggers makes another dark film about witches or lighthouses I will go see it.

Maybe the darkest movie I’ve ever seen – by which I mean a lack of light, even in the outdoor scenes, to the point where I sometimes could not tell what was happening. Wondered if the projectionist screwed up, but the trailer seems pretty damned dark on my laptop too, so maybe it’s just one dark-ass film.

Settlers with proper settler-names like Mercy and Caleb, exiled from the main town are torn apart by either evil forces or their crazed, fanatical imaginings of evil forces… but let’s say it’s the former. A goat named Black Phillip and at least one woods-dwelling witch get involved. Our protagonist is eldest child Thomasin, whose dad is a deep-voiced beardo and mom is Kate Dickie of Red Road. There’s a brother and a baby and some mischievous twins – more characters for witches and spirits to pervert and murder.

Bookmarked an article called “The Witch is a radicalization narrative,” which I don’t think I’ll read after all. In summary, I don’t know where this Mr. Eggers came from, but I assume he’s the younger brother from “A Heartbreaking Work of Staggering Genius,” and if he makes another dark film-video about witches I will go see it.


Oct 2023: “Did you make some unholy bond with that goat?” Funny to rewatch this eight years later and discover that it’s a very good looking movie, so my theatrical screening must’ve been botched. Since this came out, Anya has become a star, and both parents have been in Star Wars movies.