About what I’d expected, really. Maddin slowed down the pace of his editing to accomodate Isabella’s writing style I guess. Not much to it – She plays herself, her mom (Ingrid Bergman), David Selznick, Alfred Hitchcock, Charlie Chaplin. Talks to her dad’s giant belly. Short, good. “My dad was a genius. I think.”
Tag: shorts
Animation Extravaganza (2006)
Excellent program, sadly underattended. Used to sell out both screenings – what happened?
The Moon and the Son
The Oscar ™ winner for best short in 2006. Might not have belonged in this program, since it’s more than twice as long as any other short here. Guy venting frustration with his Italian ex-mafioso father via animation. I’m not into the whole squid-and-the-whale family bitching scene, but this was pretty good stuff. Faith and Emily Hubley mentioned in the credits, I guess as animators, though Faith died in 2001.
Bubblecraft
Kinda crappy music video to kinda crappy song. Things float by in bubbles, okay.
The Little Matchgirl
Disney cartoon that looks like Disney cartoon but moves… a little too smoothly… something seemed somehow wrong. Sad lil story of girl freezing to death set to some important music piece I forget which.
Man Drawing a Reclining Woman
Stop-motion! Director was there.
Loom
Stop motion… old woman is Death, collects thread from dying street musician’s head after he saves little girl in the street, weaves it in her loom. Director was there, spent four years on it, is angry about Adult Swim.
Dragon
Girl draws horrors from her past at orphanage, director sells drawings for lotta money, girl summons dragon to destroy director. Something about commercializing other people’s artwork… filmmaker must work for a heartless cartoon company that rakes in large profits while paying him beans. Unjust!
The Mantis Parable
I never get parables. The mantis wouldn’t save the caterpillar, but the butterfly saves the mantis, or something.
The Zit
Gross. Cat pops huge zit or something.
Drawing Lessons
Girl can’t sleep, learns to draw Picasso upside down while listening to thrift store tape or something. Director tries to nimbly jump between insomnia and drawing and tape facets of plot but didn’t seem so nimble to me. I don’t always get the point of cartoon shorts… seems like they put too much thought into being fucking nimble and end up with nothing much to say and then you’ve got everyone telling me oooh, The Cathedral is a great little movie and I should see it. Not saying Drawing Lessons is as sluggish as The Cathedral, but both focus so much on technique and nothing else – intended audience seems to be themselves and fellow animators.
The Sandbox
Now this one had something to say, I think. Maybe about the world trade center. Maybe about the tsunami, or about absent parents, or The Future? I didn’t get it… was kinda pretty, though. Kinda.
Fumi and the Bad Luck Foot
Finally a great one. Fumi’s foot is bad luck, and everything crashes into it and hurts her, till she learns to use its extreme bad luck to draw misfortune away from others. Nice closing shot, with Fumi walking through a field, tripping bulldozers and things.
Juxtaposer
By the talented Joanna Davidovich. Girl on bench just wants to get along with cat, I think.
Ichthys
The Cathedral, part 2, wherein guy at restaurant grows old while waiter catches tiny fish for dinner. Great part involving screaming and arms falling off, the rest an exercise in tedium.
Fluid Toons
Fantastic plymptoon & stimpy style badass grungy little bunch of skits with more humor in ’em than everything previous (except Fumi) combined. Voices obviously done after the fact just add to hilarity. Downloadable too! Kinda terrible, but also the one I most wanted to see again. That’ll show all you serious artists.
Chickenheads
More fluid toons, starring a chicken hunting rabbit. Artist in attendance!
Handmade Puppet Dreams (2006)
The Atlanta Film Festival brought Jim Henson’s daughter Heather to town, where she presented a collection of puppet films at the Puppetry Arts Center.
Harker (eerie puppet vampire tale)… Sammy and Sofa (and sock monkey, “jumping the shark”)… Ola’s Box of Clovers (chainsmoking puppet imagines her grandmother’s dreams)… Everloving (just a special-effects test)… Herd (alien abducts cows, convinces guy to build mysterious box)… Mother Hubbard… Mary Anning and Her Monsters… Mysterious Mose (fun music video)… Tales of the Tinkerdee (early Jim Henson program shot in Atlanta – troubadour Kermit narrates)… and Henson’s cancelled program of moralist shorts for kids, with a too-appealing baddie.
Little Girl Who Sold The Sun (1999, Mambéty)
Cute fable about a crippled girl (with blind mom) who wants to sell newspapers. Gang of boys makes throat-slitting gestures at her, shoves her off pier and steals her crutch, but never sells any papers themselves. Very good looking movie. Katy had seen it before.
Early shorts (1969-78, Peter Greenaway)
Neat DVD. Glad I resisted temptation to buy it, but made a nice rental. Now if I can carve out four hours in two days to watch the second disc…
INTERVALS is pure formalism, edits of precise length set to an even beat, all shot in Venice but with no glimpses of water. PG says the rhythm is something to do with an Italian piece of music, just to make it even more rigorous.
The next four juxtapose grainy old films with off-kilter narration, looking progressively less like home-movies as PG starts getting a bit of a budget. H IS FOR HOUSE is actually a home movie, with a narrator reciting related and unrelated words that begin with the same letter. WINDOWS tells of 37 people who fell to their deaths from windows during a certain year in a certain province. WATER WRACKETS is very nice shots of water with a fake Tolkien-esque background story on the narration. DEAR PHONE, the most diverting of the four, alternates shots of red phone booths with shots of the pages the narrator reads from, stories of people obsessed with the telephone.
A WALK THROUGH H was the best one here (fortunately, since it’s some 40 minutes long). A journey through “H” (heaven/hell?) with 92 maps, incl. backstory on the maps, the people they were acquired from, and the narrator’s spiritual guide, Tulse Luper. Almost the whole movie was motion close-ups of the maps themselves (and sometimes of the windmills that appeared as the maps faded), with bookend segments showing a gallery in which each map was displayed. Way to turn a painting career into a film career. Gives me real hope that the three-hour The Falls won’t be boring, as it seems it should be from its description. Oh, as the narrator is an ornithologist, we got some nice shots of birds too.
Was a fun disc, with scans of paintings and video introductions by PG, and gave nice insight into the genesis of the cataloguing fetish he expressed colorfully in Prospero’s Books and Drowning By Numbers. I’m into the head-smashing repetition of the Michael Nyman scores in his films, too. Still don’t get why some critics say his early stuff is wonderful and everything since (1985? 89?) is crap. Adrian Martin calls him “a totally vacuous phony”, and I know Sam hates PG too. Maybe one day it’ll hit me all at once, and I’ll sing the praises of Cache, late Woody Allen, Carl Dreyer and Robert Bresson while damning Prospero’s Books, Robert Rodriguez and Steven Spielberg.
