It’s strange to see space alien Bruno S. playing someone besides Kaspar Hauser. Here he’s playing a version of himself, as are many of the actors, who autobiographically collaborated with Herzog on his hastily-written Germany-to-USA adventure. Reformed criminal/music lover Bruno helps Eva Mattes (Petra von Kant‘s daughter) while she’s on the run from her thug pimps (one of whom would later play Vigo in Ghostbusters II). The thugs barge in, assault Bruno and break his accordion. The neighbor who looks after Bruno (Kaspar Hauser fan-favorite Clemens) is leaving for Wisconsin, so Bruno and Eva join him.
Bad luck right off the bat as customs confiscates Bruno’s mynah bird (using its real voice, which is a big deal for birds in cinema). Werner discovers Weird Wisconsin immediately, filming two neighboring farmers on tractors with rifles. Bruno’s house is taken away for non-payment… not making enough cash as a waitress, Eva returns to prostitution and runs off with some truckers… and Clemens is arrested for robbery (the bank was closed so he robs the barber next door). Everything around him going to hell, poor Bruno wanders a live-bird amusement park then kills himself on a ski lift.
The credits thank Errol Morris, Les Blank and the documentarian who discovered Bruno in West Berlin. Supposedly Ian Curtis killed himself right after watching this movie, and yeah it’s a downer, but one night earlier I’d coincidentally watched New Order’s live set from Coachella 2013, and after seeing what a crank Bernard Sumner can be, I wouldn’t be so quick to blame the film.