Mother K receives a bit of bad news: her husband went to work and murderer-suicided his boss. She gathers the family (son Ernst and his wife Irm Hermann, dancer daughter Corinna), and their situation attracts reporter Jorg and a communist couple. Everyone involved exploits the tragedy in their own way, also a sharp movie about political fractures within families.

L-R: Mother K, son, Irm, bearer of bad news

Communists:

Mom is the lead from Fear Eats the Soul in another big role. Ernst (star of Fear of Fear the same year) and wife Irm Hermann get the hell out of there and return pregnant. Mom’s daughter Ingrid Caven (a Year with 13 Moons star and a Suspiria Remake teacher) shacks up with the reporter (the large-faced star of Eight Hours Don’t Make a Day) and finds a job in town playing off her family’s infamy. After the daughter leaves, mom calls up communists Peeping Tom and Petra von Kant, who were the last people to be nice to her, but she wants real action while they say things like “it’s a slow process / we can’t work miracles / we won’t forget you.” Falling in with increasingly radical groups, Mother K meets anarchist Horst (Matthias Fuchs of Decoder) whose plan is to bring guns to the newspaper and demand a retraction of the reporter’s sensationalist article. We get a couple of possible ways out of this: a bloody shootout via intertitle, then a happy fantasy where Mother K survives, is abandoned by everyone again, and meets a nice lonely man.

dancer, reporter:

Back to basics, just Joel and Joshua Burge alternately amusing themselves with fire or glowsticks and driving each other nuts in the woods. As their growing tension and weird vibes and the movie’s awesome poster indicate, the end goal is a double suicide, but squirrely Joel can’t follow through, so his head is exploded by a supercharged firecracker while Josh gets a half-hour coda of legal issues and regret. Really messed-up movie, a perfect addition to the Joel/Josh canon.


Ludovico Testament (1999)

Best-case scenario of early homemade short films. This is exactly the sort of lifesize stop-motion that I would’ve made in my VHS-cam days if I’d seen The Secret Adventures of Tom Thumb the year it came out instead of eight years later.


Gordon (2007)

Gordon takes his kid to the playground and dies unexpectedly, then comes back a few months later as a zombie, his face deteriorated but his suit still in nice shape. Family has moved away, and nobody can stand to look at him, so he bums around town to Beck’s “He’s a Mighty Good Leader,” his teeth and fingernails falling out, then returns to his grave.


Joel Calls Indie Film Type Dudes (2020)

Conceptual comedy, Joel calls all the industry people in his phone to ask how the quarantine is going for them, then doesn’t listen to their responses and hangs up in a hurry. The joke is on Alex Ross Perry, who gets called four times, each time listing him as the director of a different film.


Unemployees (2023)

Dani and Kandy are slacker idiots with an ill-thought-out plan to get jobs and be fired then collect unemployment. After stints in an office, a factory, and a cafeteria (all filmed at Grand Valley U in Allendale MI) they take a field labor gig and discover that money does grow on trees – but trees that cause horrible skin infections.

I admit I only watched this because I’m rewatching the long Rivette film with a similar title, but it turned out to be great, currently my favorite Hausner movie. Set in the 1810s, pleasantly suicidal poet Christian Friedel can’t convince Sandra Hüller to die with him, so terminally ill poetry fan Katharina Schüttler steps up. Many quotable scenes within.

It’s been a minute (twenty years) since I’ve seen this. Officer Kitano lives a depressing life in forced retirement with his sick wife, one friend dead, another crippled and suicidal, and loansharks after him. So he robs a bank, funds the suicidal friend’s new painting hobby, and takes his wife to the beach, fighting off the gangsters and capitulating to the cops.

Won the top prize at Venice, same year as Ossos, Chinese Box, The Tango Lesson, and 4 Little Girls. As usual, Josh Lewis gets it.

Hadn’t seen this in a while. I think I bought the blu (cheap!) to rewatch when the book came out, but given my current books backlog, by the time I get to Heat 2 I’ll have to rewatch the movie again (with pleasure).

Al’s wife is Diane Venora, queen of the Claire Danes Juliet and the Ethan Hawke Hamlet, and Bob’s new girl is Amy Brenneman, who starred with Al in 88 Minutes. Danny Trejo is their driver who gets no lines or closeups until his big death scene. Disastrous new teammate Kevin Gage (May‘s dad) has a side gig killing prostitutes. Kilmer gets away.

Gage with stalwart 90s actor Henry Rollins:

Decided this movie was very silly, but as death grew nearer, I upgraded(?) to “very uneven.” Opens with so-called good friends discussing their backstories for apparently the first time, all on-the-nose dialogue, real “foreign auteur working awkwardly in English” sort of stuff, then gradually accumulates a shockingly high number of The Dead quotes. Julianne Moore is a void of a character, agreeing to vacation with terminal Tilda but sneaking away with John Turturro, all three of whom are writers. I had no idea when watching some Buster Keaton the night before that they’d unwind in this movie by watching Buster Keaton. Novelist Nunez had a second movie adaptation come out the same awards season, The Friend with Naomi Watts, which hasn’t come out yet but sounds bad from early reviews.

Convict 13 (1920)

Buster goes from incompetent golfer to escaped prisoner to prison guard via costume changes. He foils a one-off super-violent prisoner and a full-scale riot using makeshift weapons. More people get killed or injured by sledgehammers in this than in any other movie. His girl is the warden’s daughter, at least until he wakes up, the whole prison stint a dozing golfer’s dream. Running down the street from a horde of cops is always funny, as is the painter/bench bit.

When you are beginning to suspect that Joe Roberts is behind you:


Hard Luck (1921)

These made a good double feature – from trying not to get hanged to trying to hang himself. Unemployed and suicidal (I cannot relate), Buster stumbles into a gig catching armadillos for the zoo. He never finds one – we get increasingly large fishes, a fox, some horse stunts, and Buster tied to a bear. As all movies must, it ends with him rescuing a woman from bandits. Pretty good shotgun shells-in-the-fire gags.


The Black Tower (1987, John Smith)

Something completely different: male narrator is haunted by a tower appearing in all different parts of the city. He tries not going outside anymore, living on snacks from the passing ice cream van, then is hospitalized, then while recovering in the country he sees the tower again, walks up and steps inside. Story starts again with a female narrator who sees the tower while visiting his grave. Calm movie with various tricks and playing around, narrating over color fields later revealed to be closeups on household objects, editing back and forth in time to make buildings re/disappear, or masking the image so passing cars are swallowed by a mid-frame tree.

Besides Jimmy Stewart the main thing I love about this movie is that they kept the Hungarian character names and signage when adapting for Hollywood. The boss thinks Jimmy is sleeping with his wife and fires him, but fellow salesman Joseph Schildkraut was the cheater, and the boss’s suicide is foiled by the errand boy. This all leads to some holiday season personnel-shuffling in the shop, and in the final couple seconds, romantic penpals Margaret Sullavan and Jimmy finally get together. The boss was the actual Wizard of Oz the year before, the cheater won an oscar for The Life of Emile Zola, and the errand boy followed-up with Ford and Hitchcock movies.

They don’t make movies like this, and they never did. I thought I remembered this well, but I was missing most of the second half, plus the quality of light, some acting and scenery particulars, and lines like “a single wobbly stone can pry you loose from the path and serenade you with the whistling wind of the death-plummet,” so it’s always worth watching again.

George Toles named the movie’s town Tolzbad, haha. After Johan’s mountain-madness incest-suicide, his brother Kyle gets a job at the Count’s castle, then hears his mom saying she only ever cared for the count. Kyle kills the count in a duel, leading mom to kill herself in front of mute cobwebbed haunted attic-dwelling brother Franz. The late Johan’s girlfriend Klara gets a job in the mines, tries to enlist Kyle to kill her dad.