{"id":10047,"date":"2015-08-14T20:00:05","date_gmt":"2015-08-15T01:00:05","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=10047"},"modified":"2016-08-09T14:04:32","modified_gmt":"2016-08-09T19:04:32","slug":"like-someone-in-love-2012-abbas-kiarostami","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/10047","title":{"rendered":"Like Someone in Love (2012, Abbas Kiarostami)"},"content":{"rendered":"<p>Akiko (Rin Takanashi of new psycho-murder movie <em>Killers<\/em>) is sent to visit old man Takashi (Tadashi Okuno) at behest of her boss\/pimp (Denden, a cop in <em>Uzumaki<\/em>), skipping a meeting with her visiting grandmother.  She tries to avoid her &#8220;fianc\u00e9&#8221; (Ryo Kase of the <em><a href=\"\/journal\/archives\/6254\">Outrage<\/a><\/em> movies), who confronts and torments her and accuses her (correctly) of lying, then he tries to kiss up to Takashi, who he assumes to be Akiko&#8217;s grandfather.  Later he realizes the truth and shit gets real.<\/p>\n<p>Strange movie, hard to warm up to, with an unexpected ending.  Shot by Takeshi Kitano&#8217;s DP.  Played at Cannes with <em>Amour<\/em>, <em><a href=\"\/journal\/archives\/8274\">Holy Motors<\/a><\/em>, <em><a href=\"\/journal\/archives\/8101\">Cosmopolis<\/a><\/em> and <em>You Ain&#8217;t Seen Nothin&#8217; Yet<\/em>.  Title was meant to be <em>The End<\/em>, which would&#8217;ve been darkly funny if it flashed up right after the final scene.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/likesomeone2.jpg\"><\/p>\n<p>R. Porton in Cinema Scope:<\/p>\n<blockquote><p>Like Amir Naderi&#8217;s <em>Cut<\/em>, another recent films made in Japan by an Iranian director, Kiarostami employs a rather schlocky narrative schema as a means of exploring, and exploding, cultural contradictions.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/likesomeone1.jpg\"><\/p>\n<p>V. Rizov:<\/p>\n<blockquote><p>The threat of something horrid happening throughout \u2014 especially when the prof&#8217;s at the wheel, going into reverse while seemingly unaware of little kids behind the vehicle or nodding off at a red light \u2014 is finally delivered upon. This is effectively a movie that wonders about a society in which an abusive fiance can &#8220;confront,&#8221; with barely suppressed violence and much arm-grabbing and yelling, his would-be future wife in a wide open public area and not merit a glance, let alone an intervention.\n<\/p><\/blockquote>\n<p><strong>[EDIT, one year later]:<\/strong><br \/>\nI found myself thinking about this strange film lots in the past year, and after Kiarostami&#8217;s death, Glenn Kenny wrote a great article, <a href=\"http:\/\/somecamerunning.typepad.com\/some_came_running\/2016\/07\/hollywood-to-tehran-to-tokyo-the-journey-of-like-someone-in-love.html\">Hollywood to Tehran to Tokyo<\/a>, which sheds new light on the film in a roundabout way.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Akiko (Rin Takanashi of new psycho-murder movie Killers) is sent to visit old man Takashi (Tadashi Okuno) at behest of her boss\/pimp (Denden, a cop in Uzumaki), skipping a meeting with her visiting grandmother. She tries to avoid her &#8220;fianc\u00e9&#8221; (Ryo Kase of the Outrage movies), who confronts and torments her and accuses her (correctly) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,85,36],"class_list":["post-10047","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-abbas-kiarostami","tag-japan"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=10047"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10047\/revisions"}],"predecessor-version":[{"id":11249,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10047\/revisions\/11249"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=10047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=10047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=10047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}