{"id":10144,"date":"2015-09-04T20:00:44","date_gmt":"2015-09-05T01:00:44","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=10144"},"modified":"2015-08-30T15:43:58","modified_gmt":"2015-08-30T20:43:58","slug":"visits-and-portraits-1947-alain-resnais","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/10144","title":{"rendered":"Visits and Portraits (1947, Alain Resnais)"},"content":{"rendered":"<p>Some of the earliest-listed Resnais shorts, a series of short portraits of different artists from the year before his <em><a href=\"\/journal\/archives\/4471\">Van Gogh<\/a><\/em>, and three years before <em><a href=\"\/journal\/archives\/4471\">Gauguin<\/a><\/em> and <em><a href=\"\/journal\/archives\/435\">Guernica<\/a><\/em>.  I was surprised to come across these online.  Not sure if they were released with no sound, but the copies I found were completely silent, with no music, no clever Marker or Cayrol or Queneau commentary, so I looked up info on each artist online.<\/p>\n<p>(Mis)information: NY Times bio gets the dates wrong but claims these were indeed silent, Films de France says the 16 minute Hartung film is in color and runs 90 minutes (and is &#8220;passable entertainment&#8221;).  Richard Neupert&#8217;s French New Wave book says these were made after Resnais dropped out of film school in 1945 and did his military service in 1946.  &#8220;Resnais credited these shorts about painting as valuable testing ground for making still images come alive through editing and camera movement.&#8221;<\/p>\n<p>&nbsp;<br \/>\n<strong><em>Visite a \u00c3\u201cscar Dom\u00c3\u00adnguez<\/em><\/strong><\/p>\n<p>Some time-lapse painting, and did I see a stop-motion statue?<\/p>\n<p>Mid-Centuria: &#8220;\u00c3\u201cscar Dom\u00c3\u00adnguez (1906-1957) was a Spanish Surrealist painter &#8230; During the 1940&#8217;s, his paintings were strongly influenced by Picasso with whom he had become friends while living in Paris.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/visits-dominguez.jpg\"><\/p>\n<p><strong><em>Visite A Hans Hartung<\/em><\/strong><\/p>\n<p>Groovy looking dissolves in this one.<\/p>\n<p>Wiki: &#8220;Hans Hartung (1904-1989) was a German-French painter, known for his gestural abstract style.&#8221;  The nazis tried to arrest him for being too cubist.<\/p>\n<p><em>The artist (smoking, of course) scratching out a spiral:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/visits-hartung.jpg\"><\/p>\n<p><strong><em>Visite a Cesar Domela<\/em><\/strong><\/p>\n<p>Aha, an opening credit for commentary by A.F. Delmarle &#8211; so these were not originally silent.  This one&#8217;s in rougher shape.  Shows him using cutouts and tapping a paintbrush to get texture, sanding objects which will be affixed to the canvas, then last couple minutes is a showcase of finished(?) works.<\/p>\n<p>Wiki: &#8220;C\u00e9sar Domela (1900-1992) was a Dutch sculptor, painter, photographer, and typographer, and a key member of the De Stijl movement.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/visits-domela.jpg\"><\/p>\n<p><strong><em>Visite a Felix Labisse<\/em><\/strong><\/p>\n<p>No commentary credit here, just an opening Hegel quote then a long pan down two mighty collages.  Works shown focus on naked women and birds, two of my favorite things, and are super awesome and disturbing, reminding me of Dali-meets-Woodring.<\/p>\n<p>Wiki: &#8220;F\u00e9lix Labisse (1905-1982) was a French Surrealist painter, illustrator, and designer.&#8221;  IMDB says he has cinema experience, appearing in <em><a href=\"\/journal\/archives\/405\">Zero for Conduct<\/a><\/em> and a couple Henri Storck films.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/visits-labisse.jpg\"><\/p>\n<p><strong><em>Visite a Lucien Coutaud<\/em><\/strong><\/p>\n<p>Sci-fi landscapes, nudes and angular craziness.<\/p>\n<p>M. Adair: &#8220;Lucien Coutaud (1905-1977) was a French surrealist painter and engraver &#8230; He had 40+ years success with his artwork which has varied widely from painting, drawing, print-making, costume designing and illustrating &#8230; Coutaud has also designed opera, theater and ballet sets.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/visits-coutaud.jpg\"><\/p>\n<p><strong><em>Portrait de Christine Boomeester<\/em><\/strong><\/p>\n<p>With piano music.  Nice bit at the end showing her beginning a painting, lighting a candle, then a title card says &#8220;at dawn,&#8221; the candle has burned down and painting is complete.<\/p>\n<p>Askart: &#8220;Christine Boomeester (1904-1971) was active\/lived in Italy, Netherlands, France, Indonesia &#8230; known for abstract paintings.&#8221;  She was also married to Henri Goetz.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/visits-boomeester.jpg\"><\/p>\n<p><strong><em>Portrait de Henri Goetz<\/em><\/strong><\/p>\n<p>The big one, twice as long as the others.  The usual slow zooms and pans across the paintings (even a spiraling zoom into one), but also more process exploration, showing progression of the artist over a few years, a series of drawings with each one inspired by details in the previous, and the month-long process of creating a new painting &#8211; which is burned at the end (can&#8217;t tell if it was a reproduction).<\/p>\n<p>Wiki: &#8220;Henri Bernard Goetz (1909-1989) was a French American Surrealist painter and engraver. He is known for his artwork, as well as for inventing the carborundum printmaking process &#8230; Goetz showed the film to Gaston Diehl, leading Diehl to commission Resnais to create the film <em>Van Gogh<\/em> in the following year.  Resnais went on to win an Academy Award in 1950 for the Best Short Subject, Two-reel film for <em>Van Gogh<\/em>.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/visits-goetz1.jpg\"><\/p>\n<p><em>Mouseover to fill in the shapes:<\/em><br \/>\n<a href=\"#\" onmouseover=\"document.goetz.src='http:\/\/deeperintomovies.net\/journal\/image15\/visits-goetz2b.jpg'\" onmouseout=\"document.goetz.src='http:\/\/deeperintomovies.net\/journal\/image15\/visits-goetz2a.jpg'\"><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/image15\/visits-goetz2a.jpg\" alt=\"image\" name=\"goetz\"><\/a><\/p>\n<p>All these were &#8220;presented by Andre Bazin,&#8221; co-founder of Cahiers du Cinema and mentor of the French New Wave, who rarely appeared in any film credits himself.  Can&#8217;t find evidence that Henri-Georges Clouzot knew Resnais, or saw his art documentaries before making <em><a href=\"\/journal\/archives\/591\">The Mystery of Picasso<\/a><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some of the earliest-listed Resnais shorts, a series of short portraits of different artists from the year before his Van Gogh, and three years before Gauguin and Guernica. I was surprised to come across these online. Not sure if they were released with no sound, but the copies I found were completely silent, with no [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[416,10,93,302],"class_list":["post-10144","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1940s","tag-alain-resnais","tag-documentary","tag-painting"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=10144"}],"version-history":[{"count":4,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10144\/revisions"}],"predecessor-version":[{"id":10168,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10144\/revisions\/10168"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=10144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=10144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=10144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}