{"id":10212,"date":"2015-09-27T20:00:00","date_gmt":"2015-09-28T01:00:00","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=10212"},"modified":"2015-09-23T14:08:08","modified_gmt":"2015-09-23T19:08:08","slug":"cover-girl-1944-charles-vidor","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/10212","title":{"rendered":"Cover Girl (1944, Charles Vidor)"},"content":{"rendered":"<p>A breakout role for Gene Kelly, who was starting to come into his own after the draft-dodging nonsense in <em><a href=\"\/journal\/archives\/9561\">For Me and My Gal<\/a><\/em>.  He runs a nightclub, is best friends with dancer Rusty (Rita Hayworth, before <em>Gilda<\/em> and <em><a href=\"\/journal\/archives\/6652\">Lady From Shanghai<\/a><\/em>) and comedian Genius (Phil Silvers, TV&#8217;s Sgt. Bilko).  Obviously Gene and Rita like each other, but Gene has to make the first move because it&#8217;s the 1940&#8217;s and he&#8217;s not good with feelings, so when she becomes a popular magazine cover girl, he lets her run off to a larger theater instead of asking her to stay.<\/p>\n<p>Eve Arden, the best part of <em><a href=\"\/journal\/archives\/10104\">One Touch of Venus<\/a><\/em> (she&#8217;s the poyle in the erster), plays the same sardonic type here, cutting through the music-fantasy atmosphere whenever she&#8217;s onscreen.  She works with businessman Otto Kruger (<em><a href=\"\/journal\/archives\/9830\">High Noon<\/a><\/em>, <em><a href=\"\/journal\/archives\/3865\">Power of the Press<\/a><\/em>), who has movie-padding flashbacks to when he almost married Rita&#8217;s grandmother.  Now Rita is being pushed to marry her new theater manager Lee Bowman (<em><a href=\"\/journal\/archives\/3663\">I Met Him In Paris<\/a><\/em>, <em>House by the River<\/em>), and there&#8217;s kind of an interesting ending, as Kruger gets her to leave him for Gene, leaving Lee to a life of romantic regret identical to Kruger&#8217;s.<\/p>\n<p>Not very memorable songs (the weird &#8220;Poor John&#8221; sung by flashback-Rita is all that comes to mind) but a decent movie.  Nice man-vs-reflection street dance number for Gene.  Weird trick-photography montage at the end with all the popular magazines&#8217; latest cover girls (IMDB says one had already been in numerous movies, one was Harold Lloyd&#8217;s daughter, and another would marry Jean Negulesco).  Leslie Brooks, also with Rita in <em><a href=\"\/journal\/archives\/9536\">You Were Never Lovelier<\/a><\/em>, is good as her dancer-frenemy.  And Genius, well, he&#8217;s grating and horrible as a comedian, but as a buddy of Gene and Rita, I eventually came around to him.<\/p>\n<p>Sequel <em>Xanadu<\/em> came out almost 40 years later.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A breakout role for Gene Kelly, who was starting to come into his own after the draft-dodging nonsense in For Me and My Gal. He runs a nightclub, is best friends with dancer Rusty (Rita Hayworth, before Gilda and Lady From Shanghai) and comedian Genius (Phil Silvers, TV&#8217;s Sgt. Bilko). Obviously Gene and Rita like [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[416,1996,1997,174,1384],"class_list":["post-10212","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1940s","tag-charles-vidor","tag-eve-arden","tag-gene-kelly","tag-rita-hayworth"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=10212"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10212\/revisions"}],"predecessor-version":[{"id":10217,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10212\/revisions\/10217"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=10212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=10212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=10212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}