{"id":10672,"date":"2015-11-17T20:00:53","date_gmt":"2015-11-18T02:00:53","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=10672"},"modified":"2015-11-17T10:47:12","modified_gmt":"2015-11-17T16:47:12","slug":"day-for-night-1973-francois-truffaut","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/10672","title":{"rendered":"Day for Night (1973, Francois Truffaut)"},"content":{"rendered":"<p>Movie about chaos and joys of filmmaking, with producers and director, love affairs, on-set PR\/media crew, interfering locals, rumor monging, old friends, unexpectedly pregnant actors, stunt doubles, lab mistakes, uncooperative animals, movie references, flashbacks, breakdowns, and an Italian actress who can&#8217;t deal with sync sound.<\/p>\n<p><em>The torture of sync sound!<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/dayfornight1.jpg\"><\/p>\n<p><em>Real director playing fake director fake-showing his real actors how to act:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/dayfornight4.jpg\"><\/p>\n<p>Truffaut plays a director and Leaud plays his lead actor &#8211; imagine that.  The film-within&#8217;s plot is that Leaud&#8217;s young wife Jacqueline Bisset (Albert Finney&#8217;s ex-wife in <em><a href=\"\/journal\/archives\/6018\">Under The Volcano<\/a><\/em>) runs off with his dad Jean-Pierre Aumont (<em>Hotel du Nord<\/em>).  Meanwhile on set, Leaud&#8217;s girlfriend Dani leaves him (and abandons the film), Leaud goes a bit nuts, then nearly breaks up Bisset&#8217;s new marriage with her doctor.<\/p>\n<p><em>Bisset and her doctor:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/dayfornight2.jpg\"><\/p>\n<p>Leaud&#8217;s film-in-film mom is unstable Italian Valentina Cortese (star of <em>Thieves&#8217; Highway<\/em>, a friend in <em><a href=\"\/journal\/archives\/8535\">Juliet of the Spirits<\/a><\/em>), buzzing around set is script-girl Nathalie Baye (star of <em><a href=\"\/journal\/archives\/9758\">La M\u00e9moire Courte<\/a><\/em>), and in his only acting role, author Graham Greene plays the film&#8217;s insurer.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/dayfornight6.jpg\"><\/p>\n<p>My favorite bit: Truffaut, who has brought his experiences on other films into this one, stealing from real life to create fiction, has his director-character write his lead actress some last-minute dialogue stealing from something she&#8217;d said earlier.<\/p>\n<p><em>Equipage equipage equipage&#8230;<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image15\/dayfornight5.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image15\/dayfornight8.jpg\"><\/p>\n<p>This was the movie that Godard wrote a nasty letter over, ending his friendship with Truffaut.  Godard thought <em>Day For Night<\/em> was dishonest &#8211; M. D&#8217;Angelo only accuses it of being slight: &#8220;Truffaut shoots for amiable, and achieves it.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Movie about chaos and joys of filmmaking, with producers and director, love affairs, on-set PR\/media crew, interfering locals, rumor monging, old friends, unexpectedly pregnant actors, stunt doubles, lab mistakes, uncooperative animals, movie references, flashbacks, breakdowns, and an Italian actress who can&#8217;t deal with sync sound. The torture of sync sound! Real director playing fake director [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[400,1033,13,91,53,125],"class_list":["post-10672","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1970s","tag-cat-tossing","tag-criterion","tag-filmmaking","tag-francois-truffaut","tag-jean-pierre-leaud"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=10672"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10672\/revisions"}],"predecessor-version":[{"id":10690,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10672\/revisions\/10690"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=10672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=10672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=10672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}