{"id":10782,"date":"2015-12-31T19:00:10","date_gmt":"2016-01-01T01:00:10","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=10782"},"modified":"2015-12-30T23:11:50","modified_gmt":"2015-12-31T05:11:50","slug":"favorite-shorts-of-2015","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/10782","title":{"rendered":"Favorite Shorts of 2015"},"content":{"rendered":"<p>Not included: <em><a href=\"\/journal\/archives\/9998\">World of Tomorrow<\/a><\/em>, which transcended the shorts category and made the main list, and all the Chaplin and Plympton I watched, which got <a href=\"\/journal\/archives\/10781\">their own section<\/a>.<\/p>\n<p>Top ten, chronologically:<\/p>\n<p><strong><em><a href=\"\/journal\/archives\/9998\">The Sinking of the Lusitania<\/a><\/em> (1918, Winsor McCay)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10745\">Trade Tattoo<\/a><\/em> (1937, Len Lye)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10144\">Portrait d&#8217;Henri Goetz<\/a><\/em> (1947, Alain Resnais)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/9998\">Closed Mondays<\/a><\/em> (1974, Will Vinton &#038; Bob Gardiner)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10698\">Zerox and Mylar<\/a><\/em> (1995, Joel Brinkerhoff)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10698\">The Boy Who Saw the Iceberg<\/a><\/em> (2000, Paul Driessen)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10684\">The Skywalk Is Gone<\/a><\/em> (2002, Tsai Ming-Liang)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10124\">Winnipegiana<\/a><\/em> (2014, Evan Johnson)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10656\">Deloused<\/a><\/em> (2014, Robert Morgan)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/9998\">Fears<\/a><\/em> (2015, Nata Metlukh)<\/strong><\/p>\n<p>Runners-up:<\/p>\n<p><strong><em><a href=\"\/journal\/archives\/9998\">Night Mail<\/a><\/em> (1936, Harry Watt &#038; Basil Wright)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10698\">Temptation of Mr. Prokouk<\/a><\/em> (1947, Karel Zeman)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10698\">Uncle<\/a><\/em> (1959, Jaromil Jires)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/9998\">Game of the Angels<\/a><\/em> (1964, Walerian Borowczyk)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/10124\">Only Dream Things<\/a><\/em> (2012, Guy Maddin)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/9812\">A Single Life<\/a><\/em> (2014, Blaauw &#038; Oprins &#038; Roggeveen )<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/9812\">The Dam Keeper<\/a><\/em> (2014, Robert Kondo &#038; Daisuke Tsutsumi)<\/strong><br \/>\n<strong><em><a href=\"\/journal\/archives\/9812\">Feast<\/a><\/em> (2014, Patrick Osborne)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not included: World of Tomorrow, which transcended the shorts category and made the main list, and all the Chaplin and Plympton I watched, which got their own section. Top ten, chronologically: The Sinking of the Lusitania (1918, Winsor McCay) Trade Tattoo (1937, Len Lye) Portrait d&#8217;Henri Goetz (1947, Alain Resnais) Closed Mondays (1974, Will Vinton [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-10782","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=10782"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10782\/revisions"}],"predecessor-version":[{"id":10794,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10782\/revisions\/10794"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=10782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=10782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=10782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}