{"id":10917,"date":"2016-04-01T20:00:02","date_gmt":"2016-04-02T01:00:02","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=10917"},"modified":"2016-03-31T11:41:37","modified_gmt":"2016-03-31T16:41:37","slug":"hors-satan-2011-bruno-dumont","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/10917","title":{"rendered":"Hors Satan (2011, Bruno Dumont)"},"content":{"rendered":"<p>Meditative drifter David Dewaele (a Dumont regular who died in 2013) and sad teenager with family problems (Alexandra Lem\u00e2tre of no other films) are apparently friends (I can&#8217;t shake K. Uhlich calling them &#8220;Hipster Jesus and Anime Goth Girl&#8221;), and in the opening minutes he murders her stepdad for her.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/horssatan4.jpg\"><\/p>\n<p>Rest of the film is less story-driven and more mystical than we&#8217;d expect from that opening.  David is some kind of a healer.  Alexandra is pursued by an amorous guard, but she likes the emotionally unavailable David instead.  There&#8217;s a forest-fire \/ walk-on-water scene that brings to mind <em><a href=\"\/journal\/archives\/5757\">Nostalghia<\/a><\/em>, a disturbing rabies-sex scene, the unexpected rape\/murder of Alexandra and her much-more-expected resurrection.  What does this mean for the case against her murderer, who gets caught in the previous scene?<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/horssatan1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/horssatan2.jpg\"><\/p>\n<p>Strange sound design &#8211; during long shots we hear someone (the cameraman?) breathing loudly.  I rather liked this movie, but my critics who&#8217;d seen his earlier work did not.  S. Tobias: &#8220;Another tedious variation on themes that would seem too specific to repeat &#8230; His impeccable style has never been in question; it&#8217;s his purpose that seems in doubt.&#8221;  I&#8217;m also not sure what it adds up to, but it&#8217;s mysterious and pretty enough (Cinematographer Yves Cape also worked on <em><a href=\"\/journal\/archives\/8274\">Holy Motors<\/a><\/em>) to keep me happy for a couple hours.<\/p>\n<p><em>Mom, on encountering her resurrected daughter:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/horssatan3.jpg\"><\/p>\n<p>Andr\u00e9a Picard defends the film in Cinema Scope:<\/p>\n<blockquote><p><em>Hors Satan<\/em>&#8216;s elliptical nature and multiple readings are firmly beholden to the film&#8217;s form; Dumont has referred to his emphasis on \u201csensations\u201d and the retrospective (instead of fleeting) meaning of images attained through careful composition and construction. With a striking refinement and reduction of his palette, and a sly sense of humour, Dumont has reached a new level in his filmmaking.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/horssatan5.jpg\"><\/p>\n<p>Played in some sub-category of Cannes with <em>Elena<\/em>, <em>The Day He Arrives<\/em> and <em><a href=\"\/journal\/archives\/7535\">Martha Marcy May Marlene<\/a><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Meditative drifter David Dewaele (a Dumont regular who died in 2013) and sad teenager with family problems (Alexandra Lem\u00e2tre of no other films) are apparently friends (I can&#8217;t shake K. Uhlich calling them &#8220;Hipster Jesus and Anime Goth Girl&#8221;), and in the opening minutes he murders her stepdad for her. Rest of the film is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,2066,842,34,274,317],"class_list":["post-10917","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-bruno-dumont","tag-devil","tag-france","tag-jesus","tag-resurrection"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=10917"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10917\/revisions"}],"predecessor-version":[{"id":10989,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/10917\/revisions\/10989"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=10917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=10917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=10917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}