{"id":11003,"date":"2016-04-15T19:00:25","date_gmt":"2016-04-16T00:00:25","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11003"},"modified":"2016-04-12T09:41:43","modified_gmt":"2016-04-12T14:41:43","slug":"inventory-r1ktspcrit-10th-blogniversary","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11003","title":{"rendered":"Inventory: R1K\/TSP\/CRIT (10th Blogniversary)"},"content":{"rendered":"

I’ve already mentioned<\/a> (numerous times<\/a>) my love for film critic Jonathan Rosenbaum<\/a>‘s writing and his lists of favorite films, including the big top-1000 list published in his “Essential Cinema” book. I hope to watch all of these, but probably never will.<\/p>\n

There’s also the top-1000 list at They Shoot Pictures, Don’t They?<\/a><\/em>, compiled from thousands of other lists (including Rosenbaum’s). I hope to watch all of these (except Warhol’s Empire<\/em>), and maybe someday I will.<\/p>\n

There’s also the Criterion Collection<\/a>, which I’ve been following since the early days of DVD, steadily releasing a series of great-looking films. I hope to watch all of these, but never will, since they keep putting out new ones.<\/p>\n

Any movie that appears on all three<\/strong> of these lists is obviously a must-see… and as of Shoah<\/a><\/em>, which I watched over the past few weeks, I think I’ve seen everything in this triple-list intersection. So for today, the tenth anniversary of the movie journal<\/strong>, I’m rounding up the R1K\/TSP\/CRIT meta-list<\/strong>.<\/p>\n

The sixty unlinked ones were last seen in the dark days before the blog started. I probably won’t keep this list updated, since the TSP list changes annually and Criterion releases new stuff all the time. So I’d have to add In a Lonely Place<\/em> in a few weeks, and Alice in the Cities<\/em> a month later, and it’s hard to keep track.<\/p>\n

This movie blog is months older than (public, non-academic) Facebook and only a few weeks younger than Twitter. But unlike those sites, I don’t think this one has any readers… it’s hard to tell since I disabled comments. So nobody is gonna congratulate me. But I’m pleased with myself! Here’s to another ten years. And if you’re reading: most of these are really good movies. You should check them out.<\/p>\n

Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles<\/a><\/em> (1976, Chantal Akerman)<\/strong>
\nKiss Me Deadly<\/a><\/em> (1955, Robert Aldrich)<\/strong>
\nRushmore<\/em> (1998, Wes Anderson)<\/strong>
\nL’Avventura<\/a><\/em> (1960, Michelangelo Antonioni)<\/strong>
\nL’Eclisse<\/em> (1962, Michelangelo Antonioni)<\/strong>
\nRed Desert<\/a><\/em> (1964, Michelangelo Antonioni)<\/strong>
\nSawdust and Tinsel<\/a><\/em> (1953, Ingmar Bergman)<\/strong>
\nPersona<\/em> (1966, Ingmar Bergman)<\/strong>
\nThe Last Emperor<\/em> (1987, Bernardo Bertolucci)<\/strong>
\nThe Act of Seeing With One’s Own Eyes<\/a><\/em> (1971, Stan Brakhage)<\/strong>
\nLes Dames du Bois de Boulogne<\/a><\/em> (1945, Robert Bresson)<\/strong>
\nA Man Escaped<\/a><\/em> (1956, Robert Bresson)<\/strong>
\nPickpocket<\/a><\/em> (1959, Robert Bresson)<\/strong>
\nAu Hasard Balthazar<\/em> (1966, Robert Bresson)<\/strong>
\nMouchette<\/a><\/em> (1967, Robert Bresson)<\/strong>
\nRosetta<\/a><\/em> (1999, Dardenne bros.)<\/strong>
\nViridiana<\/a><\/em> (1961, Luis Bu\u00f1uel)<\/strong>
\nThe Exterminating Angel<\/a><\/em> (1962, Luis Bu\u00f1uel)<\/strong>
\nBelle de Jour<\/a><\/em> (1967, Luis Bu\u00f1uel)<\/strong>
\nThe Discreet Charm of the Bourgeoisie<\/a><\/em> (1972, Luis Bu\u00f1uel)<\/strong>
\nPhantom of Liberty<\/em> (1974, Luis Bu\u00f1uel)<\/strong>
\nThat Obscure Object of Desire<\/em> (1977, Luis Bu\u00f1uel)<\/strong>
\nChildren of Paradise<\/a><\/em> (1945, Marcel Carn\u00e9)<\/strong>
\nShadows<\/a><\/em> (1959, John Cassavetes)<\/strong>
\nFaces<\/a><\/em> (1968, John Cassavetes)<\/strong>
\nA Woman Under the Influence<\/em> (1974, John Cassavetes)<\/strong>
\nThe Killing of a Chinese Bookie<\/em> (1976, John Cassavetes)<\/strong>
\nLove Streams<\/em> (1984, John Cassavetes)<\/strong>
\nThe Kid<\/em> (1921, Charles Chaplin)<\/strong>
\nThe Gold Rush<\/a><\/em> (1925, Charles Chaplin)<\/strong>
\nCity Lights<\/em> (1931, Charles Chaplin)<\/strong>
\nModern Times<\/a><\/em> (1936, Charles Chaplin)<\/strong>
\nThe Great Dictator<\/em> (1940, Charles Chaplin)<\/strong>
\nMonsieur Verdoux<\/em> (1947, Charles Chaplin)<\/strong>
\nLimelight<\/a><\/em> (1952, Charles Chaplin)<\/strong>
\nDaisies<\/a><\/em> (1966, Vera Chytilov\u00e1)<\/strong>
\nWages of Fear<\/a><\/em> (1953, Henri-Georges Clouzot)<\/strong>
\nBeauty and the Beast<\/a><\/em> (1946, Jean Cocteau)<\/strong>
\nOrpheus<\/a><\/em> (1949, Jean Cocteau)<\/strong>
\nVideodrome<\/em> (1983, David Cronenberg)<\/strong>
\nY tu mam\u00e1 tambi\u00e9n<\/a><\/em> (2001, Alfonso Cuar\u00f3n)<\/strong>
\nThe Long Day Closes<\/a><\/em> (1992, Terence Davies)<\/strong>
\nBicycle Thieves<\/em> (1948, Vittorio De Sica)<\/strong>
\nUmberto D.<\/em> (1952, Vittorio De Sica)<\/strong>
\nLola<\/a><\/em> (1961, Jacques Demy)<\/strong>
\nThe Young Girls of Rochefort<\/a><\/em> (1967, Jacques Demy)<\/strong>
\nThe Passion of Joan of Arc<\/em> (1928, Carl Theodor Dreyer)<\/strong>
\nVampyr<\/a><\/em> (1932, Carl Theodor Dreyer)<\/strong>
\nDay of Wrath<\/em> (1943, Carl Theodor Dreyer)<\/strong>
\nOrdet<\/a><\/em> (1955, Carl Theodor Dreyer)<\/strong>
\nGertrud<\/em> (1964, Carl Theodor Dreyer)<\/strong>
\nAlexander Nevsky<\/a><\/em> (1938, Sergei Eisenstein)<\/strong>
\nIvan the Terrible 1<\/em> (1945, Sergei Eisenstein)<\/strong>
\nIvan the Terrible 2<\/em> (1958, Sergei Eisenstein)<\/strong>
\n8\u00c2\u00bd<\/a><\/em> (1963, Federico Fellini)<\/strong>
\nNanook of the North<\/em> (1922, Robert Flaherty)<\/strong>
\nYoung Mr. Lincoln<\/a><\/em> (1939, John Ford)<\/strong>
\nMy Darling Clementine<\/a><\/em> (1946, John Ford)<\/strong>
\nAll That Jazz<\/a><\/em> (1979, Bob Fosse)<\/strong>
\nBlood of the Beast<\/a><\/em> (1949, Georges Franju)<\/strong>
\nThe Manchurian Candidate<\/em> (1962, John Frankenheimer)<\/strong>
\nPickup on South Street<\/a><\/em> (1953, Samuel Fuller)<\/strong>
\nShock Corridor<\/em> (1963, Samuel Fuller)<\/strong>
\nBreathless<\/a><\/em> (1960, Jean-Luc Godard)<\/strong>
\nContempt<\/em> (1963, Jean-Luc Godard)<\/strong>
\nBand of Outsiders<\/em> (1964, Jean-Luc Godard)<\/strong>
\nAlphaville<\/a><\/em> (1965, Jean-Luc Godard)<\/strong>
\nMasculine Feminine<\/em> (1965, Jean-Luc Godard)<\/strong>
\nTwo or Three Things I Know About Her<\/a><\/em> (1966, Jean-Luc Godard)<\/strong>
\nWeekend<\/a><\/em> (1967, Jean-Luc Godard)<\/strong>
\nOnly Angels Have Wings<\/a><\/em> (1939, Howard Hawks)<\/strong>
\nSafe<\/em> (1995, Todd Haynes)<\/strong>
\nTwo-Lane Blacktop<\/em> (1971, Monte Hellman)<\/strong>
\nThe 39 Steps<\/a><\/em> (1935, Alfred Hitchcock)<\/strong>
\nThe Lady Vanishes<\/a><\/em> (1938, Alfred Hitchcock)<\/strong>
\nRebecca<\/em> (1940, Alfred Hitchcock)<\/strong>
\nNotorious<\/em> (1946, Alfred Hitchcock)<\/strong>
\nStranger Than Paradise<\/em> (1983, Jim Jarmusch)<\/strong>
\nDown by Law<\/em> (1986, Jim Jarmusch)<\/strong>
\nIn the Mood for Love<\/em> (2000, Wong Kar-Wai)<\/strong>
\nClose Up<\/em> (1990, Abbas Kiarostami)<\/strong>
\nTaste of Cherry<\/em> (1997, Abbas Kiarostami)<\/strong>
\nThree Colors: Red<\/em> (1994, Krzysztof Kieslowski)<\/strong>
\nKilling, The<\/a><\/em> (1956, Stanley Kubrick)<\/strong>
\nPaths of Glory<\/em> (1957, Stanley Kubrick)<\/strong>
\nSpartacus<\/em> (1960, Stanley Kubrick)<\/strong>
\nIkiru<\/em> (1952, Akira Kurosawa)<\/strong>
\nM<\/em> (1931, Fritz Lang)<\/strong>
\nThe Testament of Dr. Mabuse<\/em> (1933, Fritz Lang)<\/strong>
\nShoah<\/a><\/em> (1985, Claude Lanzmann)<\/strong>
\nNight of the Hunter<\/em> (1955, Charles Laughton)<\/strong>
\nBrief Encounter<\/a><\/em> (1944, David Lean)<\/strong>
\nDo the Right Thing<\/a><\/em> (1989, Spike Lee)<\/strong>
\nA Hard Day’s Night<\/a><\/em> (1964, Richard Lester)<\/strong>
\nTrouble in Paradise<\/a><\/em> (1932, Ernst Lubitsch)<\/strong>
\nTwelve Angry Men<\/a><\/em> (1957, Sidney Lumet)<\/strong>
\nEraserhead<\/a><\/em> (1977, David Lynch)<\/strong>
\nMulholland Dr.<\/em> (2001, David Lynch)<\/strong>
\nThe Sweet Smell of Success<\/em> (1957, Alexander Mackendrick)<\/strong>
\nW.R.: Mysteries of the Organism<\/a><\/em> (1971, Dusan Makavejev)<\/strong>
\nBadlands<\/em> (1973, Terrence Malick)<\/strong>
\nThe Thin Red Line<\/a><\/em> (1998, Terrence Malick)<\/strong>
\nTouki Bouki<\/a><\/em> (1973, Djibril Diop Mambety)<\/strong>
\nLa Jet\u00e9e<\/a><\/em> (1962, Chris Marker)<\/strong>
\nSans Soleil<\/a><\/em> (1983, Chris Marker)<\/strong>
\nMake Way For Tomorrow<\/a><\/em> (1937, Leo McCarey)<\/strong>
\nArmy in the Shadows<\/a><\/em> (1969, Jean-Pierre Melville)<\/strong>
\nLife of Oharu<\/a><\/em> (1952, Kenji Mizoguchi)<\/strong>
\nUgetsu Monogatari<\/em> (1953, Kenji Mizoguchi)<\/strong>
\nSansho the Bailiff<\/a><\/em> (1954, Kenji Mizoguchi)<\/strong>
\nMadame de\u00e2\u20ac\u00a6<\/a><\/em> (1952, Max Oph\u00fcls)<\/strong>
\nLola Mont\u00e8s<\/em> (1955, Max Oph\u00fcls)<\/strong>
\nIn the Realm of the Senses<\/a><\/em> (1976, Nagisa Oshima)<\/strong>
\nI Was Born, But\u00e2\u20ac\u00a6<\/a><\/em> (1932, Yasujiro Ozu)<\/strong>
\nLate Spring<\/a><\/em> (1949, Yasujiro Ozu)<\/strong>
\nTokyo Story<\/a><\/em> (1953, Yasujiro Ozu)<\/strong>
\nRosemary’s Baby<\/a><\/em> (1968, Roman Polanski)<\/strong>
\nThe Thief of Bagdad<\/a><\/em> (1940, Michael Powell)<\/strong>
\nPeeping Tom<\/a><\/em> (1960, Michael Powell)<\/strong>
\nAnatomy of a Murder<\/em> (1959, Otto Preminger)<\/strong>
\nA Canterbury Tale<\/a><\/em> (1944, Pressburger & Powell)<\/strong>
\nI Know Where I’m Going!<\/a><\/em> (1945, Pressburger & Powell)<\/strong>
\nThe Red Shoes<\/a><\/em> (1948, Pressburger & Powell)<\/strong>
\nBigger Than Life<\/a><\/em> (1956, Nicholas Ray)<\/strong>
\nPather Panchali<\/a><\/em> (1955, Satyajit Ray)<\/strong>
\nAparajito<\/a><\/em> (1957, Satyajit Ray)<\/strong>
\nThe World of Apu<\/a><\/em> (1959, Satyajit Ray)<\/strong>
\nThe Third Man<\/em> (1949, Carol Reed)<\/strong>
\nBoudu Saved From Drowning<\/a><\/em> (1932, Jean Renoir)<\/strong>
\nGrand Illusion<\/a><\/em> (1937, Jean Renoir)<\/strong>
\nLa Bete Humaine<\/em> (1938, Jean Renoir)<\/strong>
\nRules of the Game<\/a><\/em> (1939, Jean Renoir)<\/strong>
\nGolden Coach, The<\/a><\/em> (1953, Jean Renoir)<\/strong>
\nNight and Fog<\/a><\/em> (1955, Alain Resnais)<\/strong>
\nHiroshima Mon Amour<\/a><\/em> (1959, Alain Resnais)<\/strong>
\nLast Year at Marienbad<\/a><\/em> (1961, Alain Resnais)<\/strong>
\nWalkabout<\/a><\/em> (1971, Nicolas Roeg)<\/strong>
\nMy Night at Maud’s<\/a><\/em> (1969, Eric Rohmer)<\/strong>
\nPaisan<\/a><\/em> (1946, Roberto Rossellini)<\/strong>
\nGermany Year Zero<\/a><\/em> (1948, Roberto Rossellini)<\/strong>
\nStromboli<\/a><\/em> (1949, Roberto Rossellini)<\/strong>
\nEuropa 51<\/a><\/em> (1952, Roberto Rossellini)<\/strong>
\nThe Rise of Louis XIV<\/a><\/em> (1966, Roberto Rossellini)<\/strong>
\nChronicle of a Summer<\/a><\/em> (1961, Jean & Edgar Morin Rouch)<\/strong>
\nSullivan’s Travels<\/a><\/em> (1941, Preston Sturges)<\/strong>
\nThe Palm Beach Story<\/a><\/em> (1942, Preston Sturges)<\/strong>
\nAndrei Rublev<\/em> (1969, Andrei Tarkovsky)<\/strong>
\nSolaris<\/em> (1972, Andrei Tarkovsky)<\/strong>
\nM. Hulot’s Holiday<\/a><\/em> (1953, Jacques Tati)<\/strong>
\nMon Oncle<\/em> (1958, Jacques Tati)<\/strong>
\nPlay Time<\/a><\/em> (1967, Jacques Tati)<\/strong>
\nThe 400 Blows<\/a><\/em> (1959, Francois Truffaut)<\/strong>
\nShoot the Piano Player<\/a><\/em> (1960, Francois Truffaut)<\/strong>
\nMy Own Private Idaho<\/em> (1991, Gus Van Sant)<\/strong>
\nCl\u00e9o from 5 to 7<\/a><\/em> (1961, Agn\u00e8s Varda)<\/strong>
\nVagabond<\/a><\/em> (1985, Agn\u00e8s Varda)<\/strong>
\nGilda<\/a><\/em> (1946, Charles Vidor)<\/strong>
\nZero for Conduct<\/a><\/em> (1933, Jean Vigo)<\/strong>
\nL’Atalante<\/a><\/em> (1934, Jean Vigo)<\/strong>
\nSenso<\/a><\/em> (1954, Luchino Visconti)<\/strong>
\nThe Leopard<\/a><\/em> (1963, Luchino Visconti)<\/strong>
\nDocks of New York<\/a><\/em> (1928, Josef von Sternberg)<\/strong>
\nThe Scarlet Empress<\/a><\/em> (1934, Josef von Sternberg)<\/strong>
\nAshes and Diamonds<\/a><\/em> (1958, Andrzej Wajda)<\/strong>
\nF For Fake<\/em> (1974, Orson Welles)<\/strong>
\nAce in the Hole<\/a><\/em> (1951, Billy Wilder)<\/strong>
\nA Brighter Summer Day<\/a><\/em> (1991, Edward Yang)<\/strong>
\nYi Yi<\/em> (2000, Edward Yang)<\/strong>
\nCrumb<\/a><\/em> (1994, Terry Zwigoff)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

I’ve already mentioned (numerous times) my love for film critic Jonathan Rosenbaum‘s writing and his lists of favorite films, including the big top-1000 list published in his “Essential Cinema” book. I hope to watch all of these, but probably never will. There’s also the top-1000 list at They Shoot Pictures, Don’t They?, compiled from thousands […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,1984],"class_list":["post-11003","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-journal"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11003"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11003\/revisions"}],"predecessor-version":[{"id":11018,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11003\/revisions\/11018"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}