{"id":11023,"date":"2016-04-28T20:00:25","date_gmt":"2016-04-29T01:00:25","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11023"},"modified":"2016-04-28T10:59:42","modified_gmt":"2016-04-28T15:59:42","slug":"mad-max-1979-george-miller","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11023","title":{"rendered":"Mad Max (1979, George Miller)"},"content":{"rendered":"<p>&#8220;I&#8217;m the (k)night rider.  The toe cutter, he knows who I am!&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/madmax1.jpg\"><\/p>\n<p>I was immediately impressed with the character names, but also confused by the movie.  Max is a cop, and yes his police station looks awfully run down, but it&#8217;s not some Tom Petty wasteland future &#8211; it&#8217;s all pretty much how I assume Australia looked in 1979.  So maybe the apocalypse happens before part two, and that&#8217;s when Max becomes Mad.  He gets pretty close to Mad in this one &#8211; give an awesomely dangerous guy <a href=\"\/journal\/archives\/5600\">a &#8220;Raindrops Keep Falling On My Head&#8221; montage<\/a> showing how much he loves his precious family, and guess what&#8217;s gonna happen to that family &#8211; but I wouldn&#8217;t call his murder-revenge spree against the biker gang that killed his family and his partner and broke his arm a permanent madness.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/madmax6.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/madmax2.jpg\"><\/p>\n<p>&#8220;Any longer out on that road and I&#8217;m one of them &#8211; a terminal crazy&#8221;<\/p>\n<p>Other Weirdness: the big cartoon music during tense scenes.  And Max locks a dude to a bomb, suggests he sever a limb to get free &#8211; an influence on <em>SAW<\/em>?  Pretty straightforward, sharp-looking movie.  And hey, the baddies only run down Max&#8217;s wife and kid &#8211; nobody gets tortured or raped, making this one of the more palatable 1970&#8217;s revenge movies.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/madmax4.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/madmax5.jpg\"><\/p>\n<p>We all know Mel Gibson went on to star in <em>The Beaver<\/em> and <em><a href=\"\/journal\/archives\/8886\">Machete Kills<\/a><\/em>, but who was everyone else?  Max&#8217;s wife Jessie was in early Nicole Kidman film <em>Nightmaster<\/em>.  Max&#8217;s even-madder partner Goose does a lotta TV, was recently in <em><a href=\"\/journal\/archives\/8704\">The Great Gatsby<\/a><\/em>.  Max&#8217;s boss &#8220;Fifi&#8221; was once in movies called <em>Stone<\/em> and <em>Stoner<\/em> in the same year.  Lead baddie Toecutter played lead baddie Immortan Joe in <a href=\"\/journal\/archives\/10120\">Mad Max 4<\/a>.  Shot by David Eggby (not Dave Eggers) who later shot a couple of Riddick movies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;I&#8217;m the (k)night rider. The toe cutter, he knows who I am!&#8221; I was immediately impressed with the character names, but also confused by the movie. Max is a cop, and yes his police station looks awfully run down, but it&#8217;s not some Tom Petty wasteland future &#8211; it&#8217;s all pretty much how I assume [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[400,187,1243,598],"class_list":["post-11023","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1970s","tag-australia","tag-gangsters","tag-george-miller"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11023"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11023\/revisions"}],"predecessor-version":[{"id":11044,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11023\/revisions\/11044"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}