{"id":11105,"date":"2016-06-09T20:00:53","date_gmt":"2016-06-10T01:00:53","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11105"},"modified":"2016-06-09T12:22:49","modified_gmt":"2016-06-09T17:22:49","slug":"lil-quinquin-2014-bruno-dumont","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11105","title":{"rendered":"Li&#8217;l Quinquin (2014, Bruno Dumont)"},"content":{"rendered":"<p>Dumont sure has a great sense of picture composition.  The last movie of his I watched was in a familiar mode: long-take elliptical arthouse cinema.  But what is this?  A comedy with no jokes, a miniseries detective story with no resolution.  On the basis of <em><a href=\"\/journal\/archives\/10917\">Hors Satan<\/a><\/em> alone, if you told me Dumont made a comedy miniseries, this is pretty much what I would&#8217;ve imagined, but the reality of it still comes as a surprise.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/quinquin4.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/quinquin5.jpg\"><\/p>\n<p>All the actors are unknowns, and at least the casting director deserves a mighty round of applause for the interesting new faces on display.  I did kinda tire of the extremely twitchy Inspector, who is visiting a coastal town with his dim assistant Lt. Carpentier to solve a murder &#8211; then a new murder occurs every episode, all spiraling around the family of P&#8217;tit Quinquin, who is generally more interested in hanging out with his racist buddies and bike-riding with his girlfriend Eve.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/quinquin1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/quinquin3.jpg\"><\/p>\n<p>Premiered at Cannes, watched here during Cannes Month two years later.  Film of the year according to Cahiers, so there must be more to it than I noticed&#8230; or maybe it&#8217;s just their ideal situation of a sharp-eyed arthouse auteur joining the Peak TV revolution.<\/p>\n<p>&#8220;All the suspects have been murdered.&#8221;<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/quinquin6.jpg\"><\/p>\n<p>Mike D&#8217;A:<\/p>\n<blockquote><p>Would have preferred an ending that feels less like a resigned shrug, personally, and fewer antics involving Quinquin&#8217;s brother &#8230; and I wish I could get that fucking &#8220;Cause I Knew&#8221; song out of my head for even ten minutes.<\/p><\/blockquote>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/quinquin2.jpg\"><\/p>\n<p>M. Sicinski:<\/p>\n<blockquote><p>Dumont shows us a world bigoted and illiberal enough that most anyone would harbour sentiments similar to those that prompted the murderer to kill &#8230; by the time we have reached the final episode, and the fourth murder, there is no hope for identification, and certainly no hope for resolution, much less justice.<\/p><\/blockquote>\n<p>Gotta read his great Cinema Scope article again after watching Dumont&#8217;s <em>L&#8217;humanit\u00e9<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dumont sure has a great sense of picture composition. The last movie of his I watched was in a familiar mode: long-take elliptical arthouse cinema. But what is this? A comedy with no jokes, a miniseries detective story with no resolution. On the basis of Hors Satan alone, if you told me Dumont made a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,2066,926,52],"class_list":["post-11105","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-bruno-dumont","tag-racism","tag-television"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11105"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11105\/revisions"}],"predecessor-version":[{"id":11158,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11105\/revisions\/11158"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}