{"id":11185,"date":"2016-07-03T20:00:55","date_gmt":"2016-07-04T01:00:55","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11185"},"modified":"2016-06-22T16:10:06","modified_gmt":"2016-06-22T21:10:06","slug":"three-by-piotr-dumala","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11185","title":{"rendered":"Three by Piotr Dumala"},"content":{"rendered":"<p><strong><em>A Gentle Spirit<\/em> (1985)<\/strong><\/p>\n<p>Morphy, smeary animation beneath a crosshatched texture overlay.  Time is ticking away and people appear still and sad, a slow-motion human drama with insect cameos, until music ramps up to a climactic chase scene.  I couldn&#8217;t figure out the story, but I think Dumala assumed no viewer would be so uncultured as to be unfamiliar with the source Dostoevsky novel.  Will have to watch this again after seeing the Bresson version (<em>Une Femme Douce<\/em>, &#8220;a young woman kills herself, leaving no explanation to her grief-stricken pawnbroker husband&#8221;), which sounds like a barrel of laughs.  Some very cool effects in this, including a table transforming into a bed.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/dumala1.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Walls<\/em> (1988)<\/strong><\/p>\n<p>A man is trapped within some walls.  Sometimes things (drawers, insects) appear on their featureless surfaces.  I guess he goes mad from sensory deprivation, since his senses start freaking out, his eyes and ears transforming.  I liked it better than the previous movie.<\/p>\n<p>This would seem to be an inspiration for both Tool&#8217;s <em>Prison Sex<\/em> video and the movie <em><a href=\"\/journal\/archives\/7264\">Symbol<\/a><\/em>.  Dumala would further explore his interest in insects with <em><a href=\"\/journal\/archives\/3707\">Franz Kafka<\/a><\/em> before returning to Dostoevsky for his half-hour opus.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/dumala2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Crime and Punishment<\/em> (2000)<\/strong><\/p>\n<p>I don&#8217;t think it&#8217;s all drawing, looks like there are layers of filmed objects in there, though in standard-def it&#8217;s hard to tell.  Of course there are insects &#8211; buzzing flies in every scene &#8211; and I recognize the basic Crime (with an axe, killing the pawnbroker and a witness), but the crime is finished with only seven minutes to go in the film, so there&#8217;s little Punishment.  The killer sits at home feeling bad for a minute before Dumala goes outside to play with animals in the rain.  Perhaps a mute witness to the crime kills himself at the end?  There are some cool effects &#8211; I liked the liquid glimmer of nervous eyes in extreme close-up &#8211; but it&#8217;s so static it loses my attention repeatedly over the thirty minutes.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/dumala3.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/dumala4.jpg\"><\/p>\n<p><em>Raptor in the rain, a drop falling from its beak:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/dumala5.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Gentle Spirit (1985) Morphy, smeary animation beneath a crosshatched texture overlay. Time is ticking away and people appear still and sad, a slow-motion human drama with insect cameos, until music ramps up to a climactic chase scene. I couldn&#8217;t figure out the story, but I think Dumala assumed no viewer would be so uncultured [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[357,96,239,2109,318,21],"class_list":["post-11185","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1980s","tag-animation","tag-birds","tag-dostoevsky","tag-insects","tag-shorts"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11185"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11185\/revisions"}],"predecessor-version":[{"id":11200,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11185\/revisions\/11200"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}