{"id":11228,"date":"2016-08-09T20:00:30","date_gmt":"2016-08-10T01:00:30","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11228"},"modified":"2016-08-08T13:54:14","modified_gmt":"2016-08-08T18:54:14","slug":"anomalisa-2015-charlie-kaufman","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11228","title":{"rendered":"Anomalisa (2015, Charlie Kaufman)"},"content":{"rendered":"<p>Customer service expert Michael stays at a hotel named after a paranoid delusion in which all people appear to be the same person in different disguises.  I didn&#8217;t know this until after the movie, but it works anyway because everyone except Michael has the same face and voice (Tom Noonan, paterfamilias of <em><a href=\"\/journal\/archives\/5016\">The House of the Devil<\/a><\/em>).  Michael is dreamily British-accented but erratic-acting David Thewlis, and life&#8217;s the same old drab nightmare for him until he meets someone with a unique voice: Lisa (Jennifer Jason Leigh).  His awkward affair with her lasts one night, after which she becomes Noonan-voiced and Michael leaves her, runs home to his Noonan-family.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/anomalisa4.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/anomalisa5.jpg\"><\/p>\n<p>Full of small pleasures in dialogue and puppet movement, and larger, weirder wonders (Michael&#8217;s subterranean gay-panic dream, Japanese automaton from sex shop, stop-motion recreation of a <em><a href=\"\/journal\/archives\/1191\">My Man Godfrey<\/a><\/em> scene).  Surely need to watch again &#8211; need to watch all Kaufman&#8217;s movies again.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/anomalisa1.jpg\"><\/p>\n<p>Opened in Venice with <em><a href=\"\/journal\/archives\/11149\">A Bigger Splash<\/a><\/em>, <em><a href=\"\/journal\/archives\/11230\">Francofonia<\/a><\/em> and <em>The Clan<\/em>, winning what appears to be second place to <em>From Afar<\/em>.  Award shows mostly considered it in animation categories, where it universally lost to <em><a href=\"\/journal\/archives\/10029\">Inside Out<\/a><\/em>.  Made the top-ten in the Skandies anyway, along with acting and screenplay mentions.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/anomalisa3.jpg\"><\/p>\n<p>R. Porton in Cinema Scope:<\/p>\n<blockquote><p>The superb deployment of puppets and stop-motion animation in the work of Jan Svankmajer and the Quay Brothers highlight the vicissitudes of the macabre and the fantastic.  Kaufman and Johnson&#8217;s film, although superficially more prosaic, manages to make the banalities of a business trip as chilling as anything in <em>Alice<\/em> or <em>Street of Crocodiles<\/em>.  Towards the end of <em>Anomalisa<\/em>, Michael concludes that the real lesson of his visit to Cincinnati is &#8220;there&#8217;s no lesson at all,&#8221; a fitting coda to a movie which refuses to offer its audience glib bromides or anything more than cold comfort.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Customer service expert Michael stays at a hotel named after a paranoid delusion in which all people appear to be the same person in different disguises. I didn&#8217;t know this until after the movie, but it works anyway because everyone except Michael has the same face and voice (Tom Noonan, paterfamilias of The House of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,695,30,590],"class_list":["post-11228","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-charlie-kaufman","tag-identity","tag-stop-motion"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11228"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11228\/revisions"}],"predecessor-version":[{"id":11247,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11228\/revisions\/11247"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}