{"id":11314,"date":"2016-08-30T20:00:04","date_gmt":"2016-08-31T01:00:04","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11314"},"modified":"2021-10-28T11:00:15","modified_gmt":"2021-10-28T15:00:15","slug":"bbcs-list-of-the-21st-centurys-100-greatest-films","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11314","title":{"rendered":"BBC’s list of The 21st Century’s 100 Greatest Films"},"content":{"rendered":"

I’ve done this before<\/a> many times<\/a>, and there’s no point, but I can’t help myself. The only thing I like more than movie lists are lists of movie lists, and the BBC’s got a new one. I must turn it into a viewing list for myself, even though it’s Criterion Month now, and SHOCKtober is coming up, and when that’s over I will have forgotten all about this until I stumble upon it two years from now and get annoyed that I still haven’t watched any of these. Movies like Innocence<\/em> keep showing on these lists – it’s also here<\/a> and here<\/a> – but if I ever make a list comparing the frequency of titles on my various lists, someone will need to take this blog away from me. Anyway.<\/p>\n

–
\nMovies from the Top 100 that I’ve never seen, or never written about so should probably watch again, in increasing order of greatness<\/strong>
\n–<\/p>\n

Toni Erdmann<\/a><\/del> (Maren Ade, 2016)
\nThe Assassination of Jesse James by the Coward Robert Ford<\/a><\/del> (Andrew Dominik, 2007)
\nThe Secret in Their Eyes<\/em> (Juan Jos\u00e9 Campanella, 2009)
\nThe Pianist<\/em> (Roman Polanski, 2002)
\nFar From Heaven<\/em> (Todd Haynes, 2002)
\nA.I. Artificial Intelligence<\/em> (Steven Spielberg, 2001)
\nShame<\/em> (Steve McQueen, 2011)
\nThe Return<\/em> (Andrey Zvyagintsev, 2003)
\nDogville<\/em> (Lars von Trier, 2003)
\nSpring Breakers<\/em> (Harmony Korine, 2012)
\nSpring, Summer, Fall, Winter… and Spring<\/em> (Kim Ki-duk, 2003)
\nFish Tank<\/em> (Andrea Arnold, 2009)
\nThe Great Beauty<\/em> (Paolo Sorrentino, 2013)
\nA History of Violence<\/em> (David Cronenberg, 2005)
\nMoulin Rouge!<\/em> (Baz Luhrmann, 2001)
\nTropical Malady<\/em> (Apichatpong Weerasethakul, 2004)
\nGoodbye to Language<\/em> (Jean-Luc Godard, 2014)
\nAmour<\/a><\/del> (Michael Haneke, 2012)
\nCity of God<\/em> (Fernando Meirelles and K\u00e1tia Lund, 2002)
\nCrouching Tiger, Hidden Dragon<\/em> (Ang Lee, 2000)
\nSon of Saul<\/em> (L\u00e1szl\u00f3 Nemes, 2015)
\nOldboy<\/em> (Park Chan-wook, 2003)
\nCach\u00e9<\/em> (Michael Haneke, 2005)
\nLost in Translation<\/em> (Sofia Coppola, 2003)
\nYi Yi: A One and a Two<\/a><\/del> (Edward Yang, 2000)
\nEternal Sunshine of the Spotless Mind<\/em> (Michel Gondry, 2004)
\nSpirited Away<\/a><\/del> (Hayao Miyazaki, 2001)
\nIn the Mood for Love<\/a><\/del> (Wong Kar-wai, 2000)
\nMulholland Drive<\/a><\/del> (David Lynch, 2001)<\/p>\n

–
\nMust-see titles from the individual lists<\/strong>
\n–<\/p>\n

Sam Adams in Slate:<\/p>\n

As always, the real action is in the individual ballots, all 177 of them. That’s where you’ll find the outliers, the beloved orphans and oddball singularities … Polls tell us what everyone likes, but sometimes it’s more interesting to focus on the movies that just one person truly loves. <\/p><\/blockquote>\n

–<\/p>\n

Simon Abrams
\nThe White Meadows<\/a><\/del> (Mohammad Rasoulof, 2009)
\nNight Across the Street<\/a><\/del> (Raoul Ruiz, 2012)
\nSparrow<\/a><\/del> (Johnnie To, 2008)
\nFados<\/em> (Carlos Saura, 2007)<\/p>\n

Thelma Adams
\nSnow White<\/em> (Pablo Berger, 2012)
\nFrozen River<\/em> (Courtney Hunt, 2008)
\nGosford Park<\/em> (Robert Altman, 2001)<\/p>\n

Matthew Anderson
\nThe Piano Teacher<\/em> (Michael Haneke, 2001)
\nLourdes<\/em> (Jessica Hausner, 2009)
\nRed Road<\/em> (Andrea Arnold, 2006)
\nTony Manero<\/em> (Pablo Larra\u00c3\u00adn, 2008)<\/p>\n

Adriano Apr\u00c3\u00a0
\nThese Encounters of Theirs<\/em> (Dani\u00e8le Huillet and Jean-Marie Straub, 2006)
\nVincere<\/em> (Marco Bellocchio, 2009)
\nThe Profession of Arms<\/em> (Ermanno Olmi, 2001)
\nGostanza da Libbiano<\/em> (Paolo Benvenuti, 2000)<\/p>\n

Michael Arbeiter
\nThe Comedy<\/em> (Rick Alverson, 2012)
\nThe Congress<\/em> (Ari Folman, 2013)<\/p>\n

Cameron Bailey
\nMommy<\/em> (Xavier Dolan, 2014)
\nSelma<\/em> (Ava DuVernay, 2014)<\/p>\n

Lindsay Baker
\nI Am Love<\/em> (Luca Guadagnino, 2009)<\/p>\n

Diego Batlle
\nThe Son’s Room<\/em> (Nanni Moretti, 2001)
\nExtraordinary Stories<\/em> (Mariano Llin\u00e1s, 2008)<\/p>\n

Mahen Bonetti
\nCuba: An African Odyssey<\/em> (Jihan El-Tahri, 2007)
\nSexe, gombo et beurre sal\u00e9<\/em> (Mahamat-Saleh Haroun, 2008)
\nShoot the Messenger<\/em> (Ngozi Onwurah, 2006)
\nThe Colonial Misunderstanding<\/em> (Jean-Marie T\u00e9no, 2004)<\/p>\n

Richard Brody
\nButter on the Latch<\/a><\/del> (Josephine Decker, 2013)
\nHeaven Knows What<\/a><\/del> (Josh and Benny Safdie, 2014)
\nThe Future<\/em> (Miranda July, 2011)<\/p>\n

Enrico Chiesa
\nThe Three Burials of Melquiades Estrada<\/em> (Tommy Lee Jones, 2005)<\/p>\n

Robbie Collin
\nYou, The Living<\/em> (Roy Andersson, 2007)<\/p>\n

Colin Covert
\nManchester by the Sea<\/a><\/del> (Kenneth Lonergan, 2016)<\/p>\n

Mike D’Angelo<\/em> (via letterboxd)
\nAfterschool<\/em> (Antonio Campos, 2008)<\/p>\n

Ken Dancyger
\nLincoln<\/a><\/del> (Steven Spielberg, 2012)<\/p>\n

Fernand Denis
\nEldorado<\/em> (Bouli Lanners, 2008)<\/p>\n

Lindiwe Dovey
\nHooligan Sparrow<\/em> (Nanfu Wang, 2016)<\/p>\n

Alonso Duralde
\nWeekend<\/em> (Andrew Haigh, 2011)<\/p>\n

Bilge Ebiri
\nAn Injury to One<\/em> (Travis Wilkerson, 2002)
\nLove & Basketball<\/em> (Gina Prince-Bythewood, 2000)<\/p>\n

David Ehrlich
\nGirl Walk: All Day<\/a><\/del> (Jacob Krupnick, 2011)<\/p>\n

Kate Erbland
\nNightcrawler<\/a><\/del> (Dan Gilroy, 2014)<\/p>\n

Joseph Fahim
\nDivine Intervention<\/em> (Elia Suleiman, 2002)<\/p>\n

David Fear
\nHead-On<\/em> (Fatih Akin, 2004)<\/p>\n

Kenji Fujishima
\nIn Jackson Heights<\/em> (Frederick Wiseman, 2015)
\nLove Exposure<\/em> (Sion Sono, 2008)<\/p>\n

Owen Gleiberman
\nChuck & Buck<\/em> (Miguel Arteta, 2000)
\nMunich<\/em> (Steven Spielberg, 2005)
\nLilya 4-Ever<\/em> (Lukas Moodysson, 2002)<\/p>\n

Ed Gonzalez
\nFemme Fatale<\/em> (Brian De Palma, 2002)
\nTwo Lovers<\/em> (James Gray, 2008)<\/p>\n

Jean-Philippe Guerand
\nSaraband<\/em> (Ingmar Bergman, 2003)
\nImport Export<\/em> (Ulrich Seidl, 2007)<\/p>\n

Tom Gunning
\nDaylight Moon<\/em> (Lewis Klahr, 2002)
\nThe Fourth Watch<\/em> (Janie Geiser, 2000)
\nOur Daily Bread<\/em> (Nikolaus Geyrhalter, 2005)<\/p>\n

Angie Han
\nMe and You and Everyone We Know<\/em> (Miranda July, 2005)<\/p>\n

Aisha Harris
\nWhen the Levees Broke: A Requiem in Four Acts<\/em> (Spike Lee, 2006)
\nFruitvale Station<\/em> (Ryan Coogler, 2013)
\nBrick<\/em> (Rian Johnson, 2005)<\/p>\n

Tina Hassannia
\nClosed Curtain<\/em> (Jafar Panahi, 2013)
\nTangerine<\/a><\/del> (Sean Baker, 2015)<\/p>\n

Shiguehiko Hasumi
\nTriple Agent<\/em> (\u00c9ric Rohmer, 2004)
\nSeventh Code<\/em> (Kiyoshi Kurosawa, 2013)<\/p>\n

Katarina Hedr\u00e9n
\nDreams of a Life<\/em> (Carol Morley, 2011)
\nTey<\/em> (Alain Gomis, 2012)
\nEat, Sleep, Die<\/em> (Gabriela Pichler, 2012)
\nMiddle of Nowhere<\/em> (Ava DuVernay, 2012)<\/p>\n

Alexander Horwath
\nWolff Von Amerongen: Did He Commit Bankruptcy Offences?<\/em> (Gerhard Benedikt Friedl, 2004)
\nLonging<\/em> (Valeska Grisebach, 2006)
\nThe External World<\/em> (David O’Reilly, 2010)
\nSecret Sunshine<\/a><\/del> (Lee Chang-dong, 2007)
\nThe Holy Girl<\/em> (Lucrecia Martel, 2004)<\/p>\n

David Jenkins
\nEden<\/em> (Mia Hansen-L\u00f8ve, 2014)
\nPunch-Drunk Love<\/a><\/del> (Paul Thomas Anderson, 2002)
\nGhost World<\/em> (Terry Zwigoff, 2001)<\/p>\n

Kent Jones
\nMy Golden Days<\/em> (Arnaud Desplechin, 2015)
\nThe Son<\/em> (Jean-Pierre and Luc Dardenne, 2002)<\/p>\n

Butheina Kazim
\nTheeb<\/em> (Naji Abou Nowar, 2014)
\nA Time for Drunken Horses<\/em> (Bahman Ghobadi, 2000)<\/p>\n

Andreas Kilb
\nRust and Bone<\/em> (Jacques Audiard, 2012)
\n5×2<\/em> (Fran\u00e7ois Ozon, 2004)<\/p>\n

Uri Klein
\nThe Last of the Unjust<\/em> (Claude Lanzmann, 2013)
\nPolice, Adjective<\/em> (Corneliu Porumboiu, 2009)<\/p>\n

Eric Kohn
\nEnter the Void<\/em> (Gaspar No\u00e9, 2009)<\/p>\n

Dan Kois
\nYou Can Count On Me<\/em> (Kenneth Lonergan, 2000)
\nMorvern Callar<\/em> (Lynne Ramsay, 2012)
\nAnimal Kingdom<\/em> (David Mich\u00f4d, 2010)<\/p>\n

Tomris Laffly
\nFather of My Children<\/em> (Mia Hansen-L\u00f8ve, 2009)<\/p>\n

Rebecca Laurence
\nThe Consequences of Love<\/em> (Paolo Sorrentino, 2004)<\/p>\n

Maggie Lee
\nCaf\u00e9 Lumi\u00e8re<\/em> (Hou Hsiao-hsien, 2003)
\nMillennium Actress<\/a><\/del> (Satoshi Kon, 2001)<\/p>\n

Fiona Macdonald
\nThe Taste of Others<\/em> (Agn\u00e8s Jaoui, 2000)<\/p>\n

Hans-Christian Mahnke
\nDays of Glory<\/em> (Rachid Bouchareb, 2006)
\nWaltz with Bashir<\/em> (Ari Folman, 2008)<\/p>\n

Calum Marsh
\nMillennium Mambo<\/a><\/del> (Hou Hsiao-hsien, 2001)
\nWoman on the Beach<\/em> (Hong Sang-soo, 2006)<\/p>\n

Lee Marshall
\nSilent Souls<\/em> (Aleksey Fedorchenko, 2010)<\/p>\n

Adrian Martin
\nUn lac<\/em> (Philippe Grandrieux, 2008)
\nDetention<\/a><\/del> (Joseph Kahn, 2011)
\nMia Madre<\/a><\/del> (Nanni Moretti, 2015)<\/p>\n

Joe McElhaney
\nNo Home Movie<\/a><\/del> (Chantal Akerman, 2015)
\nThe Blues: Warming by the Devil’s Fire<\/em> (Charles Burnett, 2003)<\/p>\n

Farran Smith Nehme
\nAbout Elly<\/em> (Asghar Farhadi, 2009)<\/p>\n

Michael Phillips
\nPoetry<\/em> (Lee Chang-dong, 2010)<\/p>\n

Hannah Pilarczyk
\nBeyond the Hills<\/em> (Cristian Mungiu, 2012)<\/p>\n

Agn\u00e8s C Poirier
\nOasis<\/em> (Lee Chang-dong, 2002)
\nThe House of Mirth<\/em> (Terence Davies, 2000)<\/p>\n

Claudia Puig
\nSin Nombre<\/em> (Cary Joji Fukunaga, 2009)
\nNebraska<\/em> (Alexander Payne, 2013)<\/p>\n

Alberto Ramos Ruiz
\nThe Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers<\/em> (Ben Rivers, 2015)
\nFrom What Is Before<\/em> (Lav Diaz, 2014)
\nLost and Beautiful<\/a><\/del> (Pietro Marcello, 2015)<\/p>\n

Isabelle Regnier
\nThe Captive<\/em> (Chantal Akerman, 2000)
\nTie Xi Qu: West of the Tracks<\/em> (Wang Bing, 2002)
\nShara<\/em> (Naomi Kawase, 2003)
\nTwixt<\/em> (Francis Ford Coppola, 2011)
\nTo Die Like a Man<\/em> (Jo\u00e3o Pedro Rodrigues, 2009)<\/p>\n

Scott Renshaw
\nSita Sings the Blues<\/em> (Nina Paley, 2008)<\/p>\n

Vadim Rizov<\/em> (via twitter)
\nIn the City of Sylvia<\/a><\/del> (Jos\u00e9 Luis Guer\u00c3\u00adn, 2007)
\nHappy Hour<\/em> (Ry\u00fbsuke Hamaguchi, 2015)
\nCertain Women<\/a><\/del> (Kelly Reichardt, 2016)
\nCould See a Puma<\/em> (Eduardo Williams, 2011)<\/p>\n

Antonio Maz\u00f3n Robau
\nThe Beat That My Heart Skipped<\/em> (Jacques Audiard, 2005)
\nGood Bye Lenin!<\/em> (Wolfgang Becker, 2003)
\nIncendies<\/em> (Denis Villeneuve, 2010)<\/p>\n

Tim Robey
\nElena<\/a><\/del> (Andrey Zvyagintsev, 2011)<\/p>\n

Jonathan Romney
\nThe Arbor<\/a><\/del> (Clio Barnard, 2010)<\/p>\n

Rasha Salti
\nThe Time That Remains<\/em> (Elia Suleiman, 2009)<\/p>\n

Matt Zoller Seitz
\nGett: The Trial of Viviane Amselem<\/em> (Ronit Elkabetz and Shlomi Elkabetz, 2014)
\nThe Look of Silence<\/em> (Joshua Oppenheimer, 2014)
\nGodzilla<\/a><\/del> (Gareth Edwards, 2014)<\/p>\n

Avner Shavit
\nNo<\/em> (Pablo Larra\u00c3\u00adn, 2012)<\/p>\n

Matt Singer
\nStep Brothers<\/em> (Adam McKay, 2008)<\/p>\n

Justine A Smith
\nBright Star<\/a><\/del> (Jane Campion, 2009)
\nMr. Turner<\/em> (Mike Leigh, 2014)<\/p>\n

Fernanda Sol\u00f3rzano
\nStill Walking<\/em> (Hirokazu Koreeda, 2008)<\/p>\n

David Stratton
\nDistant<\/em> (Nuri Bilge Ceylan, 2002)
\nSamson & Delilah<\/em> (Warwick Thornton, 2009)
\nThe Man Without A Past<\/em> (Aki Kaurism\u00e4ki, 2002)<\/p>\n

C\u00e9dric Succivalli
\nSecret Things<\/em> (Jean-Claude Brisseau, 2002)
\nLa Ci\u00e9naga<\/a><\/del> (Lucrecia Martel, 2001)<\/p>\n

Ella Taylor
\nBurning Bush<\/em> (Agnieszka Holland, 2013)
\nBarbara<\/em> (Christian Petzold, 2012)<\/p>\n

Jake Wilson
\nI Don’t Want to Sleep Alone<\/em> (Tsai Ming-liang, 2006)<\/p>\n

Raymond Zhou
\nThe Sun Also Rises<\/em> (Jiang Wen, 2007)
\nLust, Caution<\/em> (Ang Lee, 2007)<\/p>\n

–<\/p>\n

My own top fifteen, at the moment, unranked:<\/p>\n

2046<\/a><\/em>
\n25th Hour<\/a><\/em>
\nBoyhood<\/a><\/em>
\nThe Forbidden Room<\/a><\/em>
\nHoly Motors<\/a><\/em>
\nHot Fuzz<\/a><\/em>
\nInglorious Basterds<\/a><\/em>
\nLe Havre<\/a><\/em>
\nMulholland Dr.<\/a><\/em>
\nThe New World<\/a><\/em>
\nThe Royal Tenenbaums<\/em>
\nThe Trap<\/a><\/em>
\nThe Turin Horse<\/a><\/em>
\nUp<\/a><\/em>
\nWorld of Tomorrow<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

I’ve done this before many times, and there’s no point, but I can’t help myself. The only thing I like more than movie lists are lists of movie lists, and the BBC’s got a new one. I must turn it into a viewing list for myself, even though it’s Criterion Month now, and SHOCKtober is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-11314","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11314"}],"version-history":[{"count":14,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11314\/revisions"}],"predecessor-version":[{"id":14604,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11314\/revisions\/14604"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}