{"id":11321,"date":"2016-09-10T20:00:58","date_gmt":"2016-09-11T01:00:58","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11321"},"modified":"2016-09-07T22:29:45","modified_gmt":"2016-09-08T03:29:45","slug":"rock-docs-and-concerts-part-2","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11321","title":{"rendered":"Rock Docs and Concerts, part 2"},"content":{"rendered":"<p>I&#8217;ve already given up on the ratings system I established in <a href=\"\/journal\/archives\/10995\">the previous entry<\/a>.  Just can&#8217;t start giving number ratings to movies on the blog.  I have another, less specific idea, that I&#8217;ll unveil soon.<\/p>\n<p>&#8211;<br \/>\n<strong><em>The Color of Noise<\/em> (2015, Eric Robel)<\/strong><\/p>\n<p>Been listening to Boss Hog and Melvins lately, so here I am checking out another record label doc right after hating the K Records one.  This is two hours on Amphetamine Reptile Records and its founder Tom Hazelmyer, which sounded like it&#8217;d be punishing, so I planned to watch it in pieces.  But it turned out to be everything I&#8217;ve been looking for in a rock doc, full of great music and stories, giving valuable info on AmRep bands I&#8217;ve never listened to (and making me wish used CD stores still existed so I could go on a shopping spree).  And it&#8217;s great looking &#8211; slickly designed, with a ton of great visual material (oh, those posters!) from the defunct label&#8217;s history.  Watched on streaming then immediately bought the blu-ray to check out extra features.  This is the movie I&#8217;ll be recommending as the apex rock doc.  Bonus: the director is from Nebraska.<\/p>\n<p>The guy from God Bullies, I think:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/amrep1.jpg\"><\/p>\n<p>Boss Hog:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/amrep3.jpg\"><\/p>\n<p>Hazelmyer:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/amrep2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Sabbath In Paradise<\/em> (1998, Claudia Heuermann)<\/strong><\/p>\n<p>I guess I&#8217;ve given rock docs a bad rap, because this was great also.  Another John Zorn-and-gang doc, talking about their unique methods of making Jewish music.  Got me thinking about how many of the musicians I love the most &#8211; Robbie Fulks, Ted Leo, Yo La Tengo, lately Zorn &#8211; are enthusiastic, omnivorous music fans themselves, curating specific music histories through their own performances (and references, collaborators, cover songs), but this thought feels like it requires a book-length exploration, so I&#8217;ll stop there.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/zorn1.jpg\"><\/p>\n<p><em>This guy sits in a movie theater, reading from a holy book as if to narrate the action.<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/zorn2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Shield Around The K<\/em> (2000, Heather Rose Dominic)<\/strong><\/p>\n<p>Pretty amateur-looking&#8230; for a while I pretended that this was on purpose, intended to be charmingly lo-fi-looking to match the spirit of the music, but nah.  Not as informative as I&#8217;d hoped either, spending the entire first hour discussing the origins and career of flagship band Beat Happening, which I&#8217;ve already covered in <em>Our Band Could Be Your Life<\/em> and the <em>Crashing Through<\/em> box set.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/kshield1.jpg\"><\/p>\n<p>Halo Benders are seen but not mentioned.  Dub Narcotic and the Disco Plate series: not mentioned.  Cassette culture is covered, but there&#8217;s little about the twee-pop vs. riot-grrl mini-scenes.  I look at a list of K artists and wonder who ARE these groups&#8230; and there are an interesting few that I&#8217;ve heard (The Make-Up, Microphones, Lync, that one Beck album) which seem to have little in common, so I was hoping for some kinda artistic overview of the roster, but maybe that&#8217;s not possible in 90 minutes.  At least we got significant attention paid to the great Mecca Normal.<\/p>\n<p>Mecca Normal:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/kshield2.jpg\"><\/p>\n<p>Lois:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/kshield3.jpg\"><\/p>\n<p>Musically decent, with some good concert footage and songs (usually music videos) played all the way through.<\/p>\n<p>IMDB says the director played a crackhead in Schrader&#8217;s <em>Light Sleeper<\/em>.<\/p>\n<p>&#8211;<br \/>\n<strong><em>Jammin&#8217; the Blues<\/em> (1944, Gjon Mili)<\/strong><\/p>\n<p>&#8220;This&#8230; is a jam session.&#8221;<br \/>\nBeautifully lit, with singer Marie Bryant.<br \/>\nOscar-nominated, but a comedy short about talking animals took the prize.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/gjonmili1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/gjonmili2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>JATP<\/em> (1950, Gjon Mili)<\/strong><\/p>\n<p>This appears to be the movie called <em>Improvisation<\/em> on imdb.  Lackadaisically spoken cast credits come five minutes in.  Overall tinnier, compressed-sounding audio on my copy, and far less slickly produced than the 1944 short.  On the other hand, this one I&#8217;d actually believe is a documentary of a jam session, simply recorded, gradually adding more players until Ella Fitzgerald caps it off.  Not being a jazz follower I&#8217;m not getting the chills from seeing all these big names in person &#8211; Charlie Parker, Lester Young, Buddy Rich &#8211; just a pleasant 15 minutes of music.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/gjonmili3.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong>Burn to Shine &#8211; Atlanta, GA &#8211; 7.29.2007<\/strong><\/p>\n<p>I remember reading in Stomp &#038; Stammer that this was being filmed, and have been waiting the past decade to finally see it.  A very nice time capsule of the Atlanta rock scene, from approx. the year I was paying the most attention, taping local bands and buying all their 7&#8243; singles.<\/p>\n<p>The Selmanaires:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/burnshine1.jpg\"><\/p>\n<p>Delia Gartrell:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/burnshine2.jpg\"><\/p>\n<p>Coathangers:<br \/>\n<img decoding=\"async\" src=\"\/journal\/image16\/burnshine3.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong>Mike Patton&#8217;s Mondo Cane &#8211; Santiago, Chile 2011<\/strong><\/p>\n<p>I love how sometimes, when Mike smiles, you can tell that he&#8217;s the devil.<br \/>\nHad to re-sync the audio a few times, but otherwise this show is the greatest.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/patton.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong>Deerhunter at Coachella 2016<\/strong><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/deerhunter.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong>Tortoise at Primavera Sound 2016<\/strong><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/tortoise.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong>Wolf Parade at Best Kept Secret Fest 2016<\/strong><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/wolfparade.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong>Animal Collective on KCRW 2016<\/strong><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/acollective.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve already given up on the ratings system I established in the previous entry. Just can&#8217;t start giving number ratings to movies on the blog. I have another, less specific idea, that I&#8217;ll unveil soon. &#8211; The Color of Noise (2015, Eric Robel) Been listening to Boss Hog and Melvins lately, so here I am [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[684,1599,1148,1491,2074,2135,2073],"class_list":["post-11321","post","type-post","status-publish","format-standard","hentry","category-movie","tag-atlanta","tag-concert","tag-indie-rock","tag-jazz","tag-john-zorn","tag-nebraska","tag-rock-doc"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11321"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11321\/revisions"}],"predecessor-version":[{"id":11336,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11321\/revisions\/11336"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}