{"id":11539,"date":"2016-10-31T21:00:51","date_gmt":"2016-11-01T02:00:51","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11539"},"modified":"2016-10-31T20:32:36","modified_gmt":"2016-11-01T01:32:36","slug":"the-wailing-2016-na-hong-jin","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11539","title":{"rendered":"The Wailing (2016, Na Hong-jin)"},"content":{"rendered":"<p>Bloody mess (in both bad ways and good) of an occult horror movie.  I missed Na Hong-jin&#8217;s <em>The Chaser<\/em> and <em>The Yellow Sea<\/em> &#8211; finally checking him out for SHOCKtober this year.  Lead policeman Jong-Gu (Kwak Do-won) is round-faced and dim and quite bad at his job, like Song Kang-ho&#8217;s character in <em><a href=\"\/journal\/archives\/236\">The Host<\/a><\/em> crossing over into <em><a href=\"\/journal\/archives\/6814\">Memories of Murder<\/a><\/em>.  He investigates a local family murder which is eventually blamed on &#8220;some fucked-up mushrooms,&#8221; and it seems like his incompetence is gonna be played for laughs until another family is killed and then his own daughter Hyo-jin starts showing the signs of possession that the other murderers displayed.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/wailing1.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/wailing3.jpg\"><\/p>\n<p>Jong-gu and his partner torment a Japanese man who recently moved in (Jun Kunimura of <em>Chaos<\/em>, <em>Audition<\/em> and <em>Kill Bill<\/em>), illegally searching and destroying his property.  When the Japanese man&#8217;s dog is killed and he&#8217;s chased almost to death through the woods I started to feel bad for him, but then again he&#8217;s got a photo wall of the recent killers and victims at home, and turns out to be an evil ghost.  There&#8217;s a mysterious woman who may also be a ghost, a showy shaman (Hwang Jung-min of <em>A Bittersweet Life<\/em>), naked cannibals and blood-eyed zombies, and the police all seem outmatched.  Oh, and someone gets struck by lightning.  I&#8217;m not always sure which parts were plot twists, and which parts were just me not being able to follow where the horror is supposed to be coming from now.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/wailing2.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image16\/wailing4.jpg\"><\/p>\n<p>D. Ehrlich:<\/p>\n<blockquote><p>Demented occult nonsense that gradually begins to feel less like a linear scary story than that it does a ritualistic invocation of the antichrist &#8230; <em>The Wailing<\/em> boasts all the tenets and tropes of a traditional horror movie, but it doesn&#8217;t bend them to the same, stifling ends that define Hollywood&#8217;s recent contributions to the genre . The film doesn&#8217;t use sound to telegraph its frights a mile away (there are no jump scares, here\u00e2\u20ac\u00a6 well, maybe one), nor does it build its scenes around a single cheap thrill.  On the contrary, this is horror filmmaking that&#8217;s designed to work on you like a virus, slowly incapacitating your defenses so it can build up and do some real damage.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Bloody mess (in both bad ways and good) of an occult horror movie. I missed Na Hong-jin&#8217;s The Chaser and The Yellow Sea &#8211; finally checking him out for SHOCKtober this year. Lead policeman Jong-Gu (Kwak Do-won) is round-faced and dim and quite bad at his job, like Song Kang-ho&#8217;s character in The Host crossing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,1420,110,229,2167],"class_list":["post-11539","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-demons","tag-ghosts","tag-korea","tag-na-hong-jin"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11539"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11539\/revisions"}],"predecessor-version":[{"id":11561,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11539\/revisions\/11561"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}