{"id":11599,"date":"2016-12-14T20:00:02","date_gmt":"2016-12-15T02:00:02","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11599"},"modified":"2016-12-12T14:28:16","modified_gmt":"2016-12-12T20:28:16","slug":"exit-through-the-gift-shop-2010-banksy","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11599","title":{"rendered":"Exit Through The Gift Shop (2010, Banksy)"},"content":{"rendered":"<p>Catching up on recent true-falsey docs in prep for True\/False.  To be fair, nothing here can be proven false, but with all the identity-hiding, illegal activity, perspective-switching and popular suspicion that the whole thing might be a put-on, it totally counts.<\/p>\n<p>First half follows obsessive videographer Thierry who becomes fascinated with street artists (including Shepard Fairey, who I just saw in <em><a href=\"\/journal\/archives\/11321\">The Color of Noise<\/a><\/em>) and starts following them around, recording their work, claiming to be assembling a documentary about the scene.  Thierry finally meets his legendary hero Banksy, gains his confidence and documents some of his projects.  Then after Thierry&#8217;s idea of a street art documentary is revealed to be very different from everyone else&#8217;s, Banksy takes over the footage and turns the camera back on Thierry, who rebrands himself Mr. Brainwash, launching his own art career with an overly ambitious solo exhibit.<\/p>\n<p>Too bad <em>Inside Job<\/em> won the oscar, because I would&#8217;ve liked to see Banksy&#8217;s acceptance speech.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Catching up on recent true-falsey docs in prep for True\/False. To be fair, nothing here can be proven false, but with all the identity-hiding, illegal activity, perspective-switching and popular suspicion that the whole thing might be a put-on, it totally counts. First half follows obsessive videographer Thierry who becomes fascinated with street artists (including Shepard [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,93,91,2175,361],"class_list":["post-11599","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-documentary","tag-filmmaking","tag-graffiti","tag-new-york"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11599"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11599\/revisions"}],"predecessor-version":[{"id":11647,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11599\/revisions\/11647"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}