{"id":11666,"date":"2016-12-31T22:00:14","date_gmt":"2017-01-01T04:00:14","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=11666"},"modified":"2016-12-31T18:39:03","modified_gmt":"2017-01-01T00:39:03","slug":"favorite-2016-movies","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/11666","title":{"rendered":"Favorite 2016 Movies"},"content":{"rendered":"<p>As always, a &#8220;2016 movie&#8221; is defined as a movie released in 2016 (or the last couple years) which I had a reasonable opportunity to see (played theaters within an hour&#8217;s drive of here, or came out on blu-ray) for the first time in 2016.  So, <em>Carol<\/em> is a 2016 movie, and I guess <em>Elle<\/em> and <em>Jackie<\/em> will be 2017 movies.<\/p>\n<p>The ranking of some of these is shaky.  I&#8217;m not sure exactly how much I like <em>The Handmaiden<\/em> or <em>Cosmos<\/em> or <em>Hateful Eight<\/em> or <em>Everybody Wants Some!!<\/em> or a couple others until I watch them again.  I was going to make a separate &#8220;great but unranked&#8221; list but I&#8217;ll just wing it because who cares.<\/p>\n<p>1. <strong><em><a href=\"\/journal\/archives\/11024\">The Forbidden Room<\/a><\/em> (Guy Maddin)<\/strong><br \/>\n2. <strong><em><a href=\"\/journal\/archives\/10827\">Carol<\/a><\/em> (Todd Haynes)<\/strong><br \/>\n3. <strong><em><a href=\"\/journal\/archives\/11318\">Kubo and the Two Strings<\/a><\/em> (Travis Knight)<\/strong><br \/>\n4. <strong><em><a href=\"\/journal\/archives\/11409\">The Fits<\/a><\/em> (Anna Rose Holmer)<\/strong><br \/>\n5. <strong><em><a href=\"\/journal\/archives\/11076\">Experimenter<\/a><\/em> (Michael Almereyda)<\/strong><br \/>\n6. <strong><em><a href=\"\/journal\/archives\/11643\">Moonlight<\/a><\/em> (Barry Jenkins)<\/strong><br \/>\n7. <strong><em><a href=\"\/journal\/archives\/11613\">Arrival<\/a><\/em> (Denis Villeneuve)<\/strong><br \/>\n8. <strong><em>La La Land<\/em> (Damien Chazelle)<\/strong><br \/>\n9. <strong><em><a href=\"\/journal\/archives\/11391\">Hell or High Water<\/a><\/em> (David Mackenzie)<\/strong><br \/>\n10. <strong><em><a href=\"\/journal\/archives\/11514\">Lemonade<\/a><\/em> (Beyonc\u00e9 Knowles)<\/strong><\/p>\n<p>11. <strong><em><a href=\"\/journal\/archives\/11169\">The Lobster<\/a><\/em> (Yorgos Lanthimos)<\/strong><br \/>\n12. <strong><em><a href=\"\/journal\/archives\/11231\">Cosmos<\/a><\/em> (Andrzej Zulawski)<\/strong><br \/>\n13. <strong><em><a href=\"\/journal\/archives\/11569\">Certain Women<\/a><\/em> (Kelly Reichardt)<\/strong><br \/>\n14. <strong><em><a href=\"\/journal\/archives\/11000\">Show Me a Hero<\/a><\/em> (Paul Haggis)<\/strong><br \/>\n15. <strong><em><a href=\"\/journal\/archives\/11228\">Anomalisa<\/a><\/em> (Charlie Kaufman)<\/strong><br \/>\n16. <strong><em><a href=\"\/journal\/archives\/11587\">The Handmaiden<\/a><\/em> (Chan-wook Park)<\/strong><br \/>\n17. <strong><em><a href=\"\/journal\/archives\/10829\">The Revenant<\/a><\/em> (Alejandro Gonz\u00e1lez I\u00f1\u00e1rritu)<\/strong><br \/>\n18. <strong><em><a href=\"\/journal\/archives\/11051\">Everybody Wants Some!!<\/a><\/em> (Richard Linklater)<\/strong><br \/>\n19. <strong><em><a href=\"\/journal\/archives\/10815\">Hateful Eight<\/a><\/em> (Quentin Tarantino)<\/strong><br \/>\n20. <strong><em><a href=\"\/journal\/archives\/11408\">One More Time With Feeling<\/a><\/em> (Andrew Dominik)<\/strong><\/p>\n<p>21. <strong><em><a href=\"\/journal\/archives\/10916\">Hail, Caesar!<\/a><\/em> (Joel Coen)<\/strong><br \/>\n22. <strong><em><a href=\"\/journal\/archives\/11471\">Mia Madre<\/a><\/em> (Nanni Moretti)<\/strong><br \/>\n23. <strong><em><a href=\"\/journal\/archives\/10919\">The Witch<\/a><\/em> (Robert Eggers)<\/strong><br \/>\n24. <strong><em><a href=\"\/journal\/archives\/11149\">A Bigger Splash<\/a><\/em> (Luca Guadagnino)<\/strong><br \/>\n25. <strong><em><a href=\"\/journal\/archives\/11564\">HyperNormalisation<\/a><\/em> (Adam Curtis)<\/strong><br \/>\n26. <strong><em><a href=\"\/journal\/archives\/11106\">Love &#038; Friendship<\/a><\/em> (Whit Stillman)<\/strong><br \/>\n27. <strong><em><a href=\"\/journal\/archives\/11390\">Office<\/a><\/em> (Johnnie To)<\/strong><br \/>\n28. <strong><em><a href=\"\/journal\/archives\/11598\">Swiss Army Man<\/a><\/em> (Daniels)<\/strong><br \/>\n29. <strong><em><a href=\"\/journal\/archives\/11087\">Sing Street<\/a><\/em> (John Carney)<\/strong><br \/>\n30. <strong><em><a href=\"\/journal\/archives\/10920\">Chi-Raq<\/a><\/em> (Spike Lee)<\/strong><\/p>\n<p>Runners-up:<br \/>\n<em><a href=\"\/journal\/archives\/11652\">The Edge of Seventeen<\/a><\/em> (Kelly Fremon Craig)<br \/>\n<em><a href=\"\/journal\/archives\/11455\">The Invitation<\/a><\/em> (2015, Karyn Kusama)<br \/>\n<em><a href=\"\/journal\/archives\/11102\">The Meddler<\/a><\/em> (Lorene Scafaria)<br \/>\n<em><a href=\"\/journal\/archives\/10922\">Where to Invade Next<\/a><\/em> (2015, Michael Moore)<br \/>\n<em><a href=\"\/journal\/archives\/11230\">Francofonia<\/a><\/em> (2015, Aleksandr Sokurov)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, a &#8220;2016 movie&#8221; is defined as a movie released in 2016 (or the last couple years) which I had a reasonable opportunity to see (played theaters within an hour&#8217;s drive of here, or came out on blu-ray) for the first time in 2016. So, Carol is a 2016 movie, and I guess Elle [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[152],"class_list":["post-11666","post","type-post","status-publish","format-standard","hentry","category-movie","tag-lists"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=11666"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11666\/revisions"}],"predecessor-version":[{"id":11692,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/11666\/revisions\/11692"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=11666"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=11666"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=11666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}