{"id":12090,"date":"2017-06-08T20:00:00","date_gmt":"2017-06-09T01:00:00","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=12090"},"modified":"2017-06-15T20:16:16","modified_gmt":"2017-06-16T01:16:16","slug":"lnkarno-locarno-in-lincoln-20122017","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/12090","title":{"rendered":"LNKarno: Locarno in Lincoln 2012\/2017"},"content":{"rendered":"

I noticed after watching The Ornithologist<\/a><\/em> that Switzerland’s Locarno Festival seems to be the source of all the critically-praised movies that never end up playing theaters near me, or even coming out on video in many cases. At the same time, I was reading about the Locarno In Los Angeles festival and wishing we had something like that. So, now we do… presenting the first annual LNKarno Festival, a reprise of Locarno’s lineup from five years ago.<\/p>\n

I’d already seen some of these – LNKarno-week viewings in red<\/font>.<\/p>\n

Main Competition:<\/strong><\/p>\n

The Last Time I Saw Macao<\/a><\/em> (Jo\u00e3o Pedro Rodrigues & Jo\u00e3o Rui Guerra da Mata)
\nThe End of Time<\/a><\/em> (Peter Mettler)
\nLeviathan<\/a><\/em> (Lucien Castaing-Taylor & Verena Paravel)
\nBerberian Sound Studio<\/a><\/em> (Peter Strickland)
\nMuseum Hours<\/font><\/a><\/em> (Jem Cohen)
\nJack & Diane<\/font><\/a><\/em> (Bradley Rust Gray)
\nGreatest Hits<\/font><\/a><\/em> (Nicol\u00e1s Pereda)
\nSomebody Up There Likes Me<\/font><\/a><\/em> (Bob Byington)
\nThe Girl from Nowhere<\/font><\/a><\/em> (Jean-Claude Brisseau)<\/p>\n

Filmmakers of the Present<\/strong> (first and second features)<\/p>\n

People’s Park<\/font><\/a><\/em> (Libbie Dina Cohn, J.P. Sniadecki)
\nApe<\/font><\/a><\/em> (Joel Potrykus)
\nOrl\u00e9ans<\/font><\/a><\/em> (Virgil Vernier)
\nTectonics<\/font><\/a><\/em> (Peter Bo Rappmund)<\/p>\n

Piazza Grande<\/strong> (open air screenings, out of competition)<\/p>\n

Motorway<\/font><\/a><\/em> (Soi Cheang)
\nSightseers<\/a><\/em> (Ben Wheatley)<\/p>\n

Histoire(s) du Cinema<\/strong> (sidebar devoted to film history)<\/p>\n

Life Without Principle<\/a><\/em> (Johnnie To)
\nDown Terrace<\/a><\/em> (Ben Wheatley)
\nKill List<\/a><\/em> (Ben Wheatley)
\nRoom 237<\/a><\/em> (Rodney Ascher)
\nCapital<\/font><\/a><\/em> (Sarah Morris)
\nAM\/PM<\/font><\/a><\/em> (Sarah Morris)<\/p>\n

Open Doors<\/strong> (region-specific section – this year: Sub-Saharan Africa)<\/p>\n

Bamako<\/a><\/em> (Abderrahmane Sissako)
\nChocolat<\/a><\/em> (Claire Denis)
\nGuimba the Tyrant<\/a><\/em> (Cheick Oumar Sissoko)
\nTouki Bouki<\/a><\/em> (Djibril Diop Mambety)
\nW\u00eand K\u00fbuni<\/a><\/em> (Gaston Kabor\u00e9)
\nYeelen<\/a><\/em> (Souleymane Ciss\u00e9)<\/p>\n

Pardi di domani<\/strong> (short films and special programs)<\/p>\n

As the Flames Rose<\/font><\/a><\/em> (Joao Rui Guerra da Mata)
\nBeauty and the Beat<\/font><\/a><\/em> (Yann Le Quellec)
\nChemin faisant<\/font><\/a><\/em> (Georges Schwizgebel)
\nOverseas<\/font><\/a><\/em> (Wichanon Somunjarn & Anocha Suwichakornpong)<\/p>\n","protected":false},"excerpt":{"rendered":"

I noticed after watching The Ornithologist that Switzerland’s Locarno Festival seems to be the source of all the critically-praised movies that never end up playing theaters near me, or even coming out on video in many cases. At the same time, I was reading about the Locarno In Los Angeles festival and wishing we had […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-12090","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=12090"}],"version-history":[{"count":7,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12090\/revisions"}],"predecessor-version":[{"id":12153,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12090\/revisions\/12153"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=12090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=12090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=12090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}