{"id":12099,"date":"2017-06-15T20:04:19","date_gmt":"2017-06-16T01:04:19","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=12099"},"modified":"2017-06-15T20:04:44","modified_gmt":"2017-06-16T01:04:44","slug":"somebody-up-there-likes-me-2012-bob-byington","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/12099","title":{"rendered":"Somebody Up There Likes Me (2012, Bob Byington)"},"content":{"rendered":"<p>I was finally bullied into watching this by the poster in the Ross front entry&#8230; Byington must have visited when this opened (before I moved to town).  Story of Max (who carries a magic macguffin suitcase) and friends, jumping forward 5 years every 20 minutes (though the actors barely age).  The movie plays like a deadpan, vaguely absurd stand-up comedy act &#8211; a funny one, but it&#8217;s hard to tell if we&#8217;re meant to have any affection for these characters.<\/p>\n<p><em>Max and Kate:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image17\/somebody1.jpg\"><\/p>\n<p>Max is Keith Poulson (<em>Hermia &#038; Helena<\/em>, <em>Little Sister<\/em>) who befriends coworker Nick Offerman and marries coworker Jess Weixler (a Rigby in <em>The Disappearance of Eleanor Rigby<\/em>).  As time goes on, Offerman ends up with Weixler and first Max then his son will date the babysitter Stephanie Hunt.  Characters are unceremoniously killed &#8211; Weixler&#8217;s dad&#8217;s post-cancer-diagnosis suicide is played for laughs, and Max, now rich from running a pizza and ice cream franchise with Offerman, has a heart attack while racing a breadstick thief in the cemetery.<\/p>\n<p><em>Max and Jess:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image17\/somebody2.jpg\"><\/p>\n<p>The director, lead actor, and Max&#8217;s ex Kate Lyn Sheil are all Alex Ross Perry associates.  Byington&#8217;s followup starred Jason Schwartzman and Tunde Adebimpe and I have heard nothing about it.  His latest premiered a few months ago at SXSW and I have heard nothing about it either.<\/p>\n<p><em>My favorite visual joke: wedding singer with a four-man band who all look like the same guy.  Are those all the same guy??<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image17\/somebody3.jpg\"><\/p>\n<p>Rizov liked it roughly as much as I did:<\/p>\n<blockquote><p>What it basically comes down to is that I find Byington&#8217;s comic fixations \u2014 rudeness and morbidity \u2014 funny and compelling &#8230; It&#8217;s smart and sad about death, and the stupid decisions casually made on a day-to-day basis by adrift 20\/30somethings who think marriage will give them the stability and rigor they lack otherwise. &#8220;You never know what&#8217;s good for you,&#8221; Offerman says, and he&#8217;s right.<\/p><\/blockquote>\n<p>D&#8217;Angelo hated its guts:<\/p>\n<blockquote><p>[Max] just drifts through life, responding to decades of minor turmoil with the same vaguely bored sneer &#8230; there&#8217;s no indication here that Byington&#8217;s characters, or Byington himself, gives even half a shit about anything at all.  <em>Somebody Up There Likes Me<\/em> seems smugly pleased with its own detachment, a quality underlined by the cutesy-ironic score contributed by Vampire Weekend&#8217;s Chris Baio. (Hope you like tubas.)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>I was finally bullied into watching this by the poster in the Ross front entry&#8230; Byington must have visited when this opened (before I moved to town). Story of Max (who carries a magic macguffin suitcase) and friends, jumping forward 5 years every 20 minutes (though the actors barely age). The movie plays like a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,2295,2296,2284,251,267],"class_list":["post-12099","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-bob-byington","tag-kate-lyn-sheil","tag-lnkarno","tag-starts-at-the-end","tag-time"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=12099"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12099\/revisions"}],"predecessor-version":[{"id":12149,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12099\/revisions\/12149"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=12099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=12099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=12099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}