{"id":12572,"date":"2018-04-23T20:00:15","date_gmt":"2018-04-24T01:00:15","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=12572"},"modified":"2018-04-21T16:27:08","modified_gmt":"2018-04-21T21:27:08","slug":"the-wandering-soap-opera-2017-raoul-ruiz-valeria-sarmiento","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/12572","title":{"rendered":"The Wandering Soap Opera (2017, Raoul Ruiz &#038; Valeria Sarmiento)"},"content":{"rendered":"<p>Shot in 1990 by Ruiz and completed after his death by Sarmiento.  It&#8217;s political satire sketch-comedy&#8230; short films roughly stitched together &#8211; self-consciously artificial soap-opera episodes which sometimes comment on the nature of their own unreality (and\/or other soap operas).  Long takes with some purposeful camera moves.  I enjoy the crazy directions the movie took without following most of the Chilean political references.  Unlike <a href=\"\/journal\/archives\/12147\">the Oliveira<\/a>, I wonder if this one&#8217;s message suffered from being released two decades late &#8211; you&#8217;d have to ask a Chilean.  I also get the feeling from the subtitles that the characters&#8217; impenetrable conversations are full of puns or language jokes.  Ruiz mentions pirates, of course, brings up veils a bunch of times, shoots the actors and character-actors and actor-characters and apparitions, zombies and TV sets with his usual wild variety of camera setups and bizarre lighting.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/wandersoap1.jpg\"><\/p>\n<p>If you don&#8217;t count the live version of <em><a href=\"\/journal\/archives\/11919\">Did You Wonder Who Fired the Gun?<\/a><\/em>, this is the first 2017 Locarno competition film I&#8217;ve seen.  Not gonna try to parse all the actors, many of whom played multiple roles, but they include the dead guy in <em>A Fantastic Woman<\/em>, someone from <em>Tres Tristes Tigres<\/em>, and at least one actual soap star.<\/p>\n<p>Day 1: a woman is cheating on her older husband Humberto with his brother Antonio, is always concerned that &#8220;people&#8221; are watching them, but seems barely concerned when the husband walks in.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/wandersoap2.jpg\"><\/p>\n<p>Day 3: two dudes pretending to drive a car get shot, the assassins arrive to drop off their proclamation and they get shot, their killers show up with a new proclamation, get shot, etc.<\/p>\n<p>Day 4: &#8220;For those who&#8217;ve just arrived, nothing happens in this soap opera.  All we do is watch other soap operas and comment on them.&#8221;<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/wandersoap3.jpg\"><\/p>\n<p>Day 5: A stranger getting help with his car reveals that his name starts with an H, gets invited to the &#8220;Those with an H&#8221; bar, where they discuss&#8230; soap operas.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/wandersoap4.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shot in 1990 by Ruiz and completed after his death by Sarmiento. It&#8217;s political satire sketch-comedy&#8230; short films roughly stitched together &#8211; self-consciously artificial soap-opera episodes which sometimes comment on the nature of their own unreality (and\/or other soap operas). Long takes with some purposeful camera moves. I enjoy the crazy directions the movie took [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[451,2034,67,2421],"class_list":["post-12572","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1990s","tag-episodic","tag-raoul-ruiz","tag-soap-opera"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=12572"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12572\/revisions"}],"predecessor-version":[{"id":12625,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12572\/revisions\/12625"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=12572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=12572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=12572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}