{"id":12649,"date":"2018-05-20T20:00:32","date_gmt":"2018-05-21T01:00:32","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=12649"},"modified":"2018-05-18T09:03:36","modified_gmt":"2018-05-18T14:03:36","slug":"ricky-dambrose-shorts","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/12649","title":{"rendered":"Ricky D&#8217;Ambrose shorts"},"content":{"rendered":"<p>I liked Ricky&#8217;s <em><a href=\"\/journal\/archives\/12025\">Spiral Jetty<\/a><\/em> and his comment about using the shorts to work out ideas before shooting his first feature, so I contributed to the feature&#8217;s kickstarter last year and got a bunch more shorts as thanks.<\/p>\n<p>&#8211;<br \/>\n<strong><em>The Stranger<\/em> (2011)<\/strong><\/p>\n<p>This one tells a more dramatically straightforward story (and is more of a comedy) than the other three.  Wide b\/w, divided into chapters, with some nice Hungarian music and heavy droning narration.<\/p>\n<p>&#8220;I&#8217;m not ideologically complicit about anything.  I read Zizek.&#8221;  Sarah-Doe Osborne and her man Michael Wetherbee are students who just moved into the perfect new apartment.  They humor a stranger who asks to stay with them, then quickly convinces them to leave their lives behind and join him.  &#8220;He said that moving and living with him would turn us into more admirable and interesting people.&#8221;  They quit their jobs, drop their classes, tear up all their issues of The Nation and Film Comment, then there&#8217;s a quite long montage of city scenery, and the stranger never returns.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/ricky1.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Pilgrims<\/em> (2013)<\/strong><\/p>\n<p>Wetherbee is back as narrator, but now he&#8217;s a friend of the couple from <em>The Stranger<\/em>, who get mentioned.  He&#8217;s stuck inside with health problems as protests rage outside, visited by a couple of friends and a priest.  This one&#8217;s in color, dividing scenes with handwritten diary entries (some nice German music).  No narration over the final unreadable entry, then he&#8217;s passed out on the ground, followed by still shots of the apartment (echoing the city scenes from the end of the previous short &#8211; these are playing well as a group).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/ricky2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Six Cents in the Pocket<\/em> (2015)<\/strong><\/p>\n<p>Wetherbee in color again, but female narration &#8211; letters from Risa, whose apartment he&#8217;s staying in while she&#8217;s on vacation.  Wetherbee takes a picture from the house to get reframed, goes to the movies and coffee shop and bookstore, gets stood up by dark-haired Ananda, runs short on cash (<em><a href=\"\/journal\/archives\/12256\">L&#8217;Argent<\/a><\/em>-referencing transaction shots), visits Risa&#8217;s sister (hey it&#8217;s someone I&#8217;ve seen before, <em><a href=\"\/journal\/archives\/8890\">The Unspeakable Act<\/a><\/em> star Tallie Medel) then learns Risa isn&#8217;t going to make it home (&#8220;460 on jet die in Queens crash&#8221;).  Some nice&#8230; Italian music?  Another city montage, and this one and <em>Pilgrims<\/em> both feature Wetherbee doing his own thing in an apartment while there&#8217;s chaos in the city outside.  The list of thanks in the closing credits add a new familiar name with each film: Fendt, <a href=\"\/journal\/archives\/9253\">Pi\u00f1eiro<\/a>, Sallitt.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image18\/ricky3.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I liked Ricky&#8217;s Spiral Jetty and his comment about using the shorts to work out ideas before shooting his first feature, so I contributed to the feature&#8217;s kickstarter last year and got a bunch more shorts as thanks. &#8211; The Stranger (2011) This one tells a more dramatically straightforward story (and is more of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1049,2265,21],"class_list":["post-12649","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2010s","tag-ricky-dambrose","tag-shorts"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=12649"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12649\/revisions"}],"predecessor-version":[{"id":12665,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12649\/revisions\/12665"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=12649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=12649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=12649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}