{"id":12718,"date":"2018-07-06T20:00:59","date_gmt":"2018-07-07T01:00:59","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=12718"},"modified":"2018-07-06T14:07:37","modified_gmt":"2018-07-06T19:07:37","slug":"lnkarno-locarno-in-lincoln-2013-2018","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/12718","title":{"rendered":"LNKarno: Locarno in Lincoln 2013\/2018"},"content":{"rendered":"

It’s the second annual LNKarno Festival, a reprise of Locarno’s lineup from five years ago, viewed on my couch in Lincoln. Last year<\/a> I watched ten features and some shorts in a long weekend – this time we have a busier summer so I spread things out over a couple weeks.<\/p>\n

LNKarno-week viewings in green<\/font>, regular links<\/a> for films I’d seen previously, unlinked might be good to watch in the future.<\/p>\n

Main Competition:<\/strong><\/p>\n

Gare du Nord<\/font><\/a><\/em> (Claire Simon)
\nWhat Now? Remind Me<\/font><\/a><\/em> (Joaquim Pinto)
\nPays Barbare<\/font><\/a><\/em> (Yervant Gianikian & Angela Ricci Lucchi)
\nWhen Evening Falls on Bucharest or Metabolism<\/font><\/a><\/em> (Corneliu Porumboiu)
\nShort Term 12<\/font><\/a><\/em> (Destin Daniel Cretton)
\nOur Sunhi<\/font><\/a><\/em> (Sang-soo Hong)
\nStory of My Death<\/a><\/em> (Albert Serra)
\nThe Strange Color of Your Body’s Tears<\/a><\/em> (H\u00e9l\u00e8ne Cattet & Bruno Forzani)
\nSentimental Education<\/em> (J\u00falio Bressane)
\nExhibition<\/em> (Joanna Hogg
\nWetlands<\/em> (David Wnendt)
\nReal<\/em> (Kiyoshi Kurosawa)
\nBackwater<\/em> (Shinji Aoyama)<\/p>\n

Filmmakers of the Present<\/strong> (first and second features)<\/p>\n

Sheep<\/font><\/a><\/em> (Gilles Deroo & Marianne Pistone)
\nThe Unity of All Things<\/font><\/a><\/em> (Alexander Carver & Daniel Schmidt)
\nThe Dirties<\/a><\/em> (Matt Johnson)
\nManakamana<\/em> (Stephanie Spray & Pacho Velez)
\nChameleon<\/em> (Elvin Adigozel & Ru Hasanov)
\nCoast of Death<\/em> (Lois Pati\u00f1o)
\nBy the River<\/em> (Nontawat Numbenchapol)
\nThe Ugly One<\/em> (Eric Baudelaire)<\/p>\n

Critics Week<\/strong> (new documentaries, selected by film journalists)<\/p>\n

Master of the Universe<\/font><\/a><\/em> (Marc Bauder)
\nWatermarks (Three Letters from China)<\/em> (Luc Schaedler)<\/p>\n

Signs of Life<\/strong> (first year)<\/p>\n

El Futuro<\/font><\/a><\/em> (Luis Lopez Carrasco)
\nA Spell to Ward Off the Darkness<\/a><\/em> (Ben Rivers and Ben Russell)
\nDignity<\/em> (James Fotopoulos)
\nHow to Disappear Completely<\/em> (Raya Martin)<\/p>\n

Piazza Grande<\/strong> (open air screenings, out of competition)<\/p>\n

Wrong Cops<\/font><\/a><\/em> (Quentin Dupieux)
\nBlue Ruin<\/a><\/em> (Jeremy Saulnier)
\nAbout Time<\/a><\/em> (Richard Curtis)
\nGloria<\/em> (Sebasti\u00e1n Lelio)<\/p>\n

Fuori Concorso<\/strong> (recent work by established filmmakers, out of competition)<\/p>\n

G\u00e9ographie Humaine<\/font><\/a><\/em> (Claire Simon)
\nIf I Were A Thief, I’d Steal<\/em> (Paulo Rocha)
\nDeath Row II<\/em> (Werner Herzog)
\nStrangers When We Meet<\/em> (Masahiro Kobayashi)
\nAmerica<\/em> (Valerie Massadian)
\nMahjong<\/em> (Jo\u00e3o Rui Guerra da Mata and Jo\u00e3o Pedro Rodrigues)
\nThe King’s Body<\/em> (Jo\u00e3o Pedro Rodrigues)
\nThe End Of Walnutgrove<\/em> (Eckhard & Fiala & Fiala & Haidl)
\nThe Green Serpent – Of Vodka, Men And Distilled Dreams<\/em> (Benny Jaberg)
\nUn Conte De Michel De Montaigne<\/em> (Jean-Marie Straub)<\/p>\n

Histoire(s) du Cinema<\/strong> (sidebar devoted to film history)<\/p>\n

L’Ours<\/em> (Daniel Karolewicz)
\nBatang West Side<\/em> (Lav Diaz)
\nCin\u00e9astes De Notre Temps: Conversation Avec George Cukor<\/em> (Andr\u00e9 S. Labarthe and Hubert Knapp)
\nJournal D’Un Montage<\/em> (Annette Dutertre)
\nNotes On Film 6B: A Masque Of Madness (Monologue 02)<\/em> (Norbert Pfaffenbichler)
\nRed Hollywood<\/em> (Thom Andersen)
\nRed Ashes<\/em> (Augusto Contento and Adriano Apr\u00c3\u00a0)
\nNetwork<\/em> (Sidney Lumet)
\nand tributes to Otar Iosseliani, Sergio Castellitto, Paulo Rocha and Anna Karina<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s the second annual LNKarno Festival, a reprise of Locarno’s lineup from five years ago, viewed on my couch in Lincoln. Last year I watched ten features and some shorts in a long weekend – this time we have a busier summer so I spread things out over a couple weeks. LNKarno-week viewings in green, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-12718","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=12718"}],"version-history":[{"count":6,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12718\/revisions"}],"predecessor-version":[{"id":12750,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/12718\/revisions\/12750"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=12718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=12718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=12718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}