{"id":13180,"date":"2019-11-12T23:00:06","date_gmt":"2019-11-13T04:00:06","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13180"},"modified":"2019-11-12T22:44:54","modified_gmt":"2019-11-13T03:44:54","slug":"the-canterbury-tales-1972-pier-paolo-pasolini","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13180","title":{"rendered":"The Canterbury Tales (1972, Pier Paolo Pasolini)"},"content":{"rendered":"<p>Too many closeups for a movie with such horrid dubbing.  I listened to the English version for a few minutes, which seems to have a more balanced sound mix, but reluctantly returned to the Italian.  I bought the Criterion box set of this trilogy, and in the extras you hear all about the difficulty in making these, the world travel adventures, filming on an active volcano, and the artistic work, recreating Bosch paintings with live actors, designing compositions and colors inspired by D\u00fcrer and Paolo Uccello&#8230; but while watching them, you can&#8217;t shake the feeling that they&#8217;re hastily-dubbed, silly-ass sex comedies.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image19\/canterbury3.jpg\"><\/p>\n<p>You know the setup: a diverse bunch of weirdos gather around, their guide says that on the way to Canterbury they should each tell a story.  Firstly, old rich dude (wicked-eyebrowed Hugh Griffith of the <em><a href=\"\/journal\/archives\/9391\">Dr. Phibes<\/a><\/em> movies) seeks a wife, finds hot young Josephine Chaplin (<em><a href=\"\/journal\/archives\/6845\">Shadowman<\/a><\/em>), but she falls for hip young Damiano and cucks her blind husband.  Buncha stuff happened in the second chapter &#8211; a dude is burned to death, the devil (<em>Accattone<\/em> star Franco Citti) tricks another dude into hell &#8211; then ol&#8217; Chaucer, played of course by our Pasolini, gets the idea to start writing these down.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image19\/canterbury2.jpg\"><\/p>\n<p>From one Chaplin to another &#8211; highlight of the movie is Ninetto Davoli, the messenger from <em><a href=\"\/journal\/archives\/9868\">Teorema<\/a><\/em>, doing a Chaplin parody as a cheerful tramp who is easily distracted by gambling and prostitutes.  More silliness follows, overlong episodes lacking the sped-up film effect of the Ninetto.  Two young dudes fight over Michael Balfour&#8217;s wife Jenny Runacre (star of <em>Jubilee<\/em> and <em>The Final Programme<\/em>).  Laura Betti of (<em><a href=\"\/journal\/archives\/11488\">A Bay of Blood<\/a><\/em>) marries a dull anti-feminist and so bites his nose off.  More wife-stealing, and multiple fart jokes &#8211; I liked the section where some stupid young men go on a quest to kill Death, and almost immediately get distracted and murder each other.<\/p>\n<p><em>Also featuring Welsh wrestler and Jon Langford subject Adrian Street &#8211; I think this is him?<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image19\/canterbury1.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Too many closeups for a movie with such horrid dubbing. I listened to the English version for a few minutes, which seems to have a more balanced sound mix, but reluctantly returned to the Italian. I bought the Criterion box set of this trilogy, and in the extras you hear all about the difficulty in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[400,2576,13,2107,225,424,1959],"class_list":["post-13180","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1970s","tag-chaucer","tag-criterion","tag-dubbing","tag-italy","tag-nudity","tag-pier-pasolini"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13180"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13180\/revisions"}],"predecessor-version":[{"id":13270,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13180\/revisions\/13270"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}