{"id":13411,"date":"2020-02-09T21:00:45","date_gmt":"2020-02-10T02:00:45","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13411"},"modified":"2020-02-08T18:03:46","modified_gmt":"2020-02-08T23:03:46","slug":"animated-shorts-watched-january-2020","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13411","title":{"rendered":"Animated Shorts watched January 2020"},"content":{"rendered":"

Darkness\/Light\/Darkness<\/em> (1989 Jan Svankmajer)<\/strong><\/p>\n

I’ve seen stills from this, but somehow never watched it before. Peak Svankmajer claymation, a human gradually assembled from pieces entering a cramped apartment, including a dumb dick joke.<\/p>\n

Won an award at Berlin alongside a Petrov short, a Bruno Bozzetto animation, The Asthenic Syndrome<\/a><\/em> and, oh, Driving Miss Daisy<\/em>. One of Svank’s final shorts, post-Alice<\/em>, before he turned exclusively to features.<\/p>\n

<\/p>\n

<\/p>\n

–
\nPrometheus’ Garden<\/em> (1988 Bruce Bickford)<\/strong><\/p>\n

The Svankmajer turned out to be a gentle Claymation intro course compared to this batshit epic. Like a long, vaguely narrative music video, with no fixed sense of scale or permanence of scene or set or character. Watched in SD, would be amazing to see in a larger format<\/p>\n

Casual synth-rock on the soundtrack… in the machine-gun massacre scene, I appreciated the use of outer-space raygun effects instead of ratatatat.<\/p>\n

Apparently unreleased for twenty years until it came out on a 2008 DVD. RIP 2019 Bruce – I need to dig up his final feature Cas’l<\/em> and the other<\/a> doc about him, Monster Road<\/em>.<\/p>\n

<\/p>\n

<\/p>\n

–
\nPrinted Rainbow<\/em> (2006 Gitanjali Rao)<\/strong><\/p>\n

Gramma lives a dreary, blurry b\/w Rear Window<\/em> existence until she opens a case full of colorful matchbooks and experiences an open-eyed smiley-faced adventure in crisp color fantasy. The b\/w segments are in that smeary, charcoaly style where it appears that each frame is partially erased, the next frame drawn on top of it, leaving a smudge trail behind the action…OR ELSE it wasn’t animated that way at all, and my digital copy needed more keyframes. Kinda not my thing, but the ending is pretty good, and you can’t laugh off the dedication “to my mother and her cat.”<\/p>\n

Rao also acts, appeared in a Seven Samurai<\/em> remake in 1998, and she recently completed a hand-painted animated feature about Bombay’s history with Bollywood.<\/p>\n

<\/p>\n

<\/p>\n

–
\nOld Man and the Sea<\/em> (1999 Aleksandr Petrov)<\/strong><\/p>\n

Glorious paint or watercolor, with such good light and water and cloud – made for imax! English dialogue, new agey music. Shades of the Monk<\/a> when he becomes one with the Fish. Won a ton of awards including the oscar – fellow winners that year were Sam Mendes, All About My Mother<\/a><\/em>, The Matrix<\/em> and Phil Collins.<\/p>\n

<\/p>\n

<\/p>\n

–
\nThe House of Small Cubes<\/em> (2008 Kunio Kato)<\/strong><\/p>\n

Another old man in the sea, also beautiful. Dystopian story of a rising flood, building a new house atop the old one every few years, losing more items and people with each story. Hunched old man lives alone at the top, takes a diving expedition through his past.<\/p>\n

Kato is my age, has made a bunch more shorts. This one won the oscar too, beating that great undertaker short<\/a> and one of my favorite Pixars<\/a>, with fellow winners Penelope Cruz, the late Heath Ledger, Danny Boyle, A.R. Rahman, Benjamin Button’s makeup artists, WALL-E<\/em>, and Man on Wire<\/a><\/em>.<\/p>\n

<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Darkness\/Light\/Darkness (1989 Jan Svankmajer) I’ve seen stills from this, but somehow never watched it before. Peak Svankmajer claymation, a human gradually assembled from pieces entering a cramped apartment, including a dumb dick joke. Won an award at Berlin alongside a Petrov short, a Bruno Bozzetto animation, The Asthenic Syndrome and, oh, Driving Miss Daisy. One […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2608,96,2610,811,1750,2609,984,2607,21,590],"class_list":["post-13411","post","type-post","status-publish","format-standard","hentry","category-movie","tag-aleksandr-petrov","tag-animation","tag-bruce-bickford","tag-claymation","tag-fishes","tag-gitanjali-rao","tag-jan-svankmajer","tag-kunio-kato","tag-shorts","tag-stop-motion"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13411"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13411\/revisions"}],"predecessor-version":[{"id":13421,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13411\/revisions\/13421"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}