{"id":13509,"date":"2020-04-25T21:30:25","date_gmt":"2020-04-26T01:30:25","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13509"},"modified":"2024-08-28T11:14:01","modified_gmt":"2024-08-28T15:14:01","slug":"malni-towards-the-ocean-towards-the-shore-2020-sky-hopinka","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13509","title":{"rendered":"Malni &#8211; towards the ocean, towards the shore (2020, Sky Hopinka)"},"content":{"rendered":"<p>Sorry, wordpress won&#8217;t take that third character in the title.  Opening musician was Ada Lea, a mumbly solo acoustic guitarist, who may have been missing some instruments or equipment in transit.  Opening short was <strong><em>Distancing<\/em> by Miko Revereza<\/strong>&#8230; talking with family about flying direct to Philippines on a one-way ticket, after the events of <em>No Data Plan<\/em>, which I tried to watch on the flight to Columbia, but it&#8217;s hard watching a slow film about transit, while in transit, while on dramamine.  In prep for the move, Revereza makes a show of ripping his discs of <em>Casablanca<\/em>, <em><a href=\"\/journal\/archives\/1723\">Chungking Express<\/a><\/em>, a Chantal Akerman, while film clips play on the soundtrack.  When the picture glitches out and the A-G tendencies take over, the sound succumbs to the standard practice of taking ugly electric noise and letting it buzz and fuzz for way too long.  After this, I was delighted to discover that our feature had the best sound design of anything we saw this week.<\/p>\n<p>Our final screening so we stayed for the Q&#038;A&#8230; Hopinka was not trying to manage equal representation and balance between all genders and types of people, but not not doing that either.  He&#8217;s being opaque about his intentions on purpose, for instance telling us there&#8217;s more to the fable he quotes, but he cut it off on purpose, because this is as much of the story as should be told in regular circumstances.  &#8220;People think that just because knowledge exists, they have the right to know it.&#8221;  Fighting back against anthropological history with his storytelling methods, long takes as unprivileged participant, brightly saturated colors.  I got exhausted with some shots\/scenes, but unlike the rest of today&#8217;s movies, I felt like I could live inside it for a while, and never wanted to nap.  Instead, the Ben Russell-ish handheld camera made me want to go shoot something while playing with the contrast setting&#8230; I thought of Katy and drawers, Jonas Mekas (mentioned a couple times this week, including in this film), Shorts Club, diary films, haiku video.  Someone lend me a gimbal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sorry, wordpress won&#8217;t take that third character in the title. Opening musician was Ada Lea, a mumbly solo acoustic guitarist, who may have been missing some instruments or equipment in transit. Opening short was Distancing by Miko Revereza&#8230; talking with family about flying direct to Philippines on a one-way ticket, after the events of No [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[2643,2656,2655,2245],"class_list":["post-13509","post","type-post","status-publish","format-standard","hentry","category-movie","tag-2020s","tag-miko-revereza","tag-sky-hopinka","tag-true-false"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13509"}],"version-history":[{"count":5,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13509\/revisions"}],"predecessor-version":[{"id":16766,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13509\/revisions\/16766"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}