{"id":136,"date":"2006-11-06T11:35:50","date_gmt":"2006-11-06T15:35:50","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/archives\/136"},"modified":"2015-07-31T14:11:54","modified_gmt":"2015-07-31T19:11:54","slug":"tokyo-story-1953-yasujiro-ozu","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/136","title":{"rendered":"Tokyo Story (1953, Yasujiro Ozu)"},"content":{"rendered":"<p>After a decade of slow self-education in cinephilia, I&#8217;ve finally sat down and watched an Ozu movie.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tokyostory1.jpg\" alt=\"image missing\" \/><\/p>\n<p>These happy folks are travelling to the city to visit their children and grandchildren.  It&#8217;s implied that they won&#8217;t make the trip again, then right after they get home, the wife dies.  The kids aren&#8217;t very receptive, can&#8217;t be bothered to break away from their daily lives and jobs and make time to treat their parents with respect and attention.  Their daughter-in-law, though, wife of their deceased son, takes them in, takes time off work to entertain them, and is the one who seems saddest at the wife&#8217;s funeral.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tokyostory2.jpg\" alt=\"image missing\" \/><\/p>\n<p>Nicely paced, very well told story.  Liked it surprisingly well&#8230; figured it&#8217;d be an overlong slow-paced thing full of symbolism I don&#8217;t understand&#8230; but it&#8217;s just a modern family story.  Apparently all of Ozu&#8217;s films are modern family stories, each just like the last, and all just as good.  Looking forward to finding out for myself.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/deeperintomovies.net\/journal\/images\/tokyostory3.jpg\" alt=\"image missing\" \/><\/p>\n<p>Listened to thirty minutes of the commentary before my burned DVD crashed the computer and I gave up.  Remember allll the shots have those low camera angles demonstrated by the cinematographer in <em>Tokyo-Ga<\/em>.  He says something about ellipses in continuity, how actions are implied but not shown and how characters names and positions are slowly revealed instead of being explained up front&#8230; viewer has to pay closer attention than usual to figure out what&#8217;s happening.  Says Ozu&#8217;s signature dialogue is &#8220;It&#8217;s a beautiful day&#8221;, said twice in this movie.  Setsuko Hara (the daughter-in-law, above) was &#8220;one of the genuine superstars of Japanese cinema&#8221;.  Wenders&#8217; <em>Until the End of the World<\/em> is a tribute to Ozu (maybe I won&#8217;t hate it next time after I&#8217;ve seen a few Ozu films).  <em>Tokyo Story<\/em> is sometimes seen as a remake of Leo McCarey&#8217;s <em>Make Way For Tomorrow<\/em>.  And Ozu makes &#8220;mini documentaries of Japanese middle-class life&#8221;.<\/p>\n<p>Katy didn&#8217;t watch it.  Can&#8217;t even guess if she would&#8217;ve liked it or not.<br \/>\n<strong>EDIT 2015:<\/strong> Katy liked it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After a decade of slow self-education in cinephilia, I&#8217;ve finally sat down and watched an Ozu movie. These happy folks are travelling to the city to visit their children and grandchildren. It&#8217;s implied that they won&#8217;t make the trip again, then right after they get home, the wife dies. The kids aren&#8217;t very receptive, can&#8217;t [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[13,36,75],"class_list":["post-136","post","type-post","status-publish","format-standard","hentry","category-movie","tag-criterion","tag-japan","tag-yasujiro-ozu"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=136"}],"version-history":[{"count":3,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/136\/revisions"}],"predecessor-version":[{"id":10109,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/136\/revisions\/10109"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}