{"id":13673,"date":"2020-08-21T22:00:37","date_gmt":"2020-08-22T02:00:37","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13673"},"modified":"2020-08-20T23:10:13","modified_gmt":"2020-08-21T03:10:13","slug":"five-by-kevin-jerome-everson","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13673","title":{"rendered":"Five by Kevin Jerome Everson"},"content":{"rendered":"<p>At True\/False we saw a couple movies by Everson: the one-take-whatever <em><a href=\"\/journal\/archives\/13506\">Partial Differential Equation<\/a><\/em>, and the very great <em><a href=\"\/journal\/archives\/13504\">Hampton<\/a><\/em>.  So I&#8217;m checking to see what else is out there.<\/p>\n<p>&#8211;<br \/>\n<strong><em>Workers Leaving the Job Site<\/em> (2013)<\/strong><\/p>\n<p>Silent handheld shot of the titular workers leaving the titular job site.  Five minutes in &#8211; an edit!  But it just cuts to another minute of the same thing.  My least favorite film of workers leaving a job site, after <a href=\"\/journal\/archives\/10858\">the Lumiere<\/a> and <a href=\"\/journal\/archives\/30\">the Kaurismaki<\/a> &#8211; or maybe it&#8217;s a tie for last with <a href=\"\/journal\/archives\/564\">the Farocki<\/a>.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/everson1.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Three Quarters<\/em> (2015)<\/strong><\/p>\n<p>Silent again, medium shots of two guys doing magic tricks with cards and string and quarters, a hundred times more fun than watching them leave the job site.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/everson2.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Ears, Nose and Throat<\/em> (2016)<\/strong><\/p>\n<p>1. Grainy outdoor night photography with fireflies, punctuated by left\/right hearing-test tones.<\/p>\n<p>2. Doctor with unsynched sound explains to patient that she has misaligned vocal cords and that&#8217;s why her voice gets tired.<\/p>\n<p>3. She&#8217;s in a sound booth, unsynched again, telling about an argument she witnessed leading neighbor Chris to kill his friend DeCarrio.  We&#8217;re outside the booth and I&#8217;m wondering if the opening scene was where the shooting happened.<\/p>\n<p>4. We&#8217;re in the sound booth with her, hearing the tones she&#8217;s hearing.<\/p>\n<p>5. Back at doctor&#8217;s office, room tone.<\/p>\n<p>Ohhhhhh wow, DeCarrio was the director&#8217;s son, and the sound-booth woman a witness to his murder.  That is a hell of a thing to make a film about.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/everson3.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Music from the Edge of the Allegheny Plateau<\/em> (2019)<\/strong><\/p>\n<p>Two music performances, living room gospel and pickup truck rap, merged at the end by messing with the sync.  The film title plus shots of a woman looking at a hillside through binoculars gives a (geo-)anthropological feeling, like the music is in the land and you can find it if you look hard enough.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/everson4.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>Black Bus Stop<\/em> (2019)<\/strong><\/p>\n<p>College(?) kids having non-sync discusions with imprecise focus and framing, start talking about a black bus stop and the sound doubles up on itself, cut to night with performance-art stances and choreographed performances and songs, I think all of them school\/greek-related&#8230; then back to the meta-cacophony about the bus stop.  Shot at the University of Virginia at Charlottesville, codirected with History Department chair Claudrena Harold.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/everson5.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At True\/False we saw a couple movies by Everson: the one-take-whatever Partial Differential Equation, and the very great Hampton. So I&#8217;m checking to see what else is out there. &#8211; Workers Leaving the Job Site (2013) Silent handheld shot of the titular workers leaving the titular job site. Five minutes in &#8211; an edit! But [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[236,2651,216,21,2245],"class_list":["post-13673","post","type-post","status-publish","format-standard","hentry","category-movie","tag-dance","tag-kevin-jerome-everson","tag-magic","tag-shorts","tag-true-false"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13673"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13673\/revisions"}],"predecessor-version":[{"id":13715,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13673\/revisions\/13715"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}