{"id":13722,"date":"2020-09-06T20:00:00","date_gmt":"2020-09-07T00:00:00","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13722"},"modified":"2020-09-05T15:56:15","modified_gmt":"2020-09-05T19:56:15","slug":"lnkarno-2015-2020","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13722","title":{"rendered":"LNKarno 2015\/2020"},"content":{"rendered":"

It’s the third annual* LNKarno Festival<\/strong>, a reprise of Locarno’s lineup from five years ago, viewed on my couch** in Lincoln***. The real Locarno was happening last week… or was it? They send me daily emails, and I have yet to really figure out what’s happening over there – I think a mix of in-person and online screenings of movies from previous years, and some panels about films that had to interrupt production this year. Anyway, that’s a problem for 2025 (if man’s still alive), because this weekend it’s all about looking back to 2015.<\/p>\n

* skipped last year, we had a mini true\/false weekend<\/a> instead
\n** bed *** Atlanta<\/p>\n

LNKarno-week viewings linked in green, regular blue links are films I’d seen previously, unlinked are films of interest that I haven’t watched yet.<\/p>\n

Main Competition:<\/strong><\/p>\n

No Home Movie<\/font><\/a><\/em> (Chantal Akerman)
\nLost and Beautiful<\/font><\/a><\/em> (Pietro Marcello)
\nEntertainment<\/font><\/a><\/em> (Rick Alverson)
\nWinter Song<\/font><\/a><\/em> (Otar Iosseliani)
\nRight Now, Wrong Then<\/a><\/em> (Hong Sang-soo)
\nChevalier<\/a><\/em> (Athina Rachel Tsangari)
\nCosmos<\/a><\/em> (Andrzej Zulawski)
\nThe Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers<\/em> (Ben Rivers)
\nHappy Hour<\/em> (Ry\u00fbsuke Hamaguchi)
\nOn Football<\/em> (Sergio Oksman)<\/p>\n

Filmmakers of the Present<\/strong> (first and second features)<\/p>\n

The Nightmare<\/font><\/a><\/em> (Achim Bornhak)
\nKaili Blues<\/a><\/em> (Bi Gan)
\nThe Movement<\/em> (Benjam\u00c3\u00adn Naishtat)
\nOlmo & the Seagull<\/em> (Petra Costa & Lea Glob)
\nDead Slow Ahead<\/em> (Mauro Herce)<\/p>\n

Critics’ Week<\/strong> (documentary section organized by a swiss film journalist group)<\/p>\n

Call Me Marianna<\/em> (Karolina Bielawska)
\nBrothers<\/em> (Wojciech Staron)<\/p>\n

Piazza Grande<\/strong> (open air screenings, out of competition)<\/p>\n

Ricki and the Flash<\/a><\/em> (Jonathan Demme)
\nTrainwreck<\/a><\/em> (Judd Apatow)
\nSummertime<\/em> (Catherine Corsini)<\/p>\n

Signs of Life<\/strong> (new forms and innovation)<\/p>\n

Deux Remi, deux<\/font><\/a><\/em> (Pierre Leon)
\n88:88<\/a><\/em> (Isiah Medina)
\nAcademy of Muses<\/em> (Jos\u00e9 Luis Guerin)
\nMachine Gun or Typewriter?<\/em> (Travis Wilkerson)<\/p>\n

Fuori Concorso<\/strong> (non-competitive, features and shorts by established filmmakers)<\/p>\n

The Glory of Filmmaking in Portugal<\/font><\/a><\/em> (Manuel Mozos)
\nEstratos de la imagen<\/font><\/a><\/em> (Lois Pati\u00f1o)
\nNoite sem distancia<\/font><\/a><\/em> (Lois Pati\u00f1o)
\nRiot<\/a><\/em> (Nathan Silver)
\nTopophilia<\/em> (Peter Bo Rappmund)
\nLe bois dont les reves sont faits<\/em> (Claire Simon)
\nL’architecte de Saint-Gaudens<\/em> (Julie Desprairies & Serge Bozon)<\/p>\n

Others on the program<\/strong>, including a Sam Peckinpah retrospective:<\/p>\n

I Don’t Belong Anywhere – Le cinema de Chantal Akerman<\/font><\/a><\/em> (Marianne Lambert)
\nKid<\/font><\/a><\/em> (J\u00falio Bressane)
\nThe Girl Chewing Gum<\/font><\/a><\/em> (1976, John Smith)
\nBring Me the Head of Alfredo Garcia<\/font><\/a><\/em> (1974)
\nRide the High Country<\/em> (1962)
\nMajor Dundee<\/em> (1965)
\nThe Wild Bunch<\/em> (1969)
\nThe Ballad of Cable Hogue<\/em> (1970)
\nStraw Dogs<\/em> (1971)
\nThe Getaway<\/em> (1972)<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s the third annual* LNKarno Festival, a reprise of Locarno’s lineup from five years ago, viewed on my couch** in Lincoln***. The real Locarno was happening last week… or was it? They send me daily emails, and I have yet to really figure out what’s happening over there – I think a mix of in-person […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[1588,2284],"class_list":["post-13722","post","type-post","status-publish","format-standard","hentry","category-movie","tag-inventory","tag-lnkarno"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13722"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13722\/revisions"}],"predecessor-version":[{"id":13748,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13722\/revisions\/13748"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13722"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13722"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}