{"id":13776,"date":"2020-10-03T21:00:49","date_gmt":"2020-10-04T01:00:49","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13776"},"modified":"2020-10-03T20:55:05","modified_gmt":"2020-10-04T00:55:05","slug":"henry-v-1944-laurence-olivier","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13776","title":{"rendered":"Henry V (1944, Laurence Olivier)"},"content":{"rendered":"<p>Since <a href=\"\/journal\/archives\/13770\">Garrick<\/a> reminded us of Olivier, and Steve was just talking about Shakespeare movies, this came to mind &#8211; a very early Criterion DVD I bought on sale and never watched, and now the disc is in storage but the movie&#8217;s on Criterion Channel in very nice quality.<\/p>\n<p>Opens with a super sweet model town, this should be the whole movie, minus that typical 40&#8217;s movie music that gets so choir-bombastic it overloads everything and just sounds like a dull roar of horrid horns.  The play is being framed as a debut performance at the Globe, complete with crowd reaction and backstage shots.  Leslie Banks (the Jimmy Stewart of the original <em>Man Who Knew Too Much<\/em>) returns as narrator before each act.  It starts raining at the largely outdoor theater before act 2, then the setting magically shifts to Southampton, the sets in the &#8220;real world&#8221; looking more fake than the Globe, but it&#8217;s nice to get outside.<\/p>\n<p>Olivier&#8217;s direction is fine and inventive, but the performances are super-declarative and I&#8217;m barely even trying to follow the action, except when <a href=\"\/journal\/archives\/9890\">Falstaff<\/a> shows up, dying in bed with sour memories of the King&#8217;s final kiss-off speech via voiceover.  The change in scenery allows for crowd scenes and big camera crane-ups, but I admit the endless speeches are less engaging without the crowd reactions &#8211; but the crowd in the early section was distracting when their laughter competed with the speeches, so apparently I cannot be pleased.  I thought the performance style was tuned to the Globe, but once we go offstage they yell just as much, in fact the king&#8217;s famous pre-battle Crispin&#8217;s Day speech sets a new movie record for yelling.  I was surprised to recognize John Laurie &#8211; the accent helps.  Two women speak French, and either subtitles hadn&#8217;t been invented yet or it&#8217;s assumed that anyone going to see an Olivier\/Shakespeare movie in the 1940&#8217;s would know French.  Olivier was given an honorary Oscar, after this movie lost all its category nominations to <em><a href=\"\/journal\/archives\/5914\">The Best Years of Our Lives<\/a><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since Garrick reminded us of Olivier, and Steve was just talking about Shakespeare movies, this came to mind &#8211; a very early Criterion DVD I bought on sale and never watched, and now the disc is in storage but the movie&#8217;s on Criterion Channel in very nice quality. Opens with a super sweet model town, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[416,13,799,524],"class_list":["post-13776","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1940s","tag-criterion","tag-laurence-olivier","tag-shakespeare"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13776"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13776\/revisions"}],"predecessor-version":[{"id":13796,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13776\/revisions\/13796"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}