{"id":13900,"date":"2020-11-21T21:00:43","date_gmt":"2020-11-22T02:00:43","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=13900"},"modified":"2020-11-21T17:36:29","modified_gmt":"2020-11-21T22:36:29","slug":"tales-from-the-hood-1995-rusty-cundieff","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/13900","title":{"rendered":"Tales from the Hood (1995, Rusty Cundieff)"},"content":{"rendered":"<p>Every SHOCKtober you&#8217;ve gotta watch an anthology horror&#8230; this played at the Plaza this month, but I didn&#8217;t feel like going out during the apocalypse so I watched the blu-ray at home.<\/p>\n<p>Three drug guys have heard that there&#8217;s a package for them at a funeral home, but before he&#8217;ll give them &#8220;the shit,&#8221; the mortician shows some bodies and tells how each met their demise.  So far, so anthology-horror, but the difference here is that the framing story is the best part, due to an incredible performance by mortician Clarence Williams III (Prince&#8217;s dad in <em><a href=\"\/journal\/archives\/115\">Purple Rain<\/a><\/em>, a lead on <em>The Mod Squad<\/em>, and hey, this is my <a href=\"\/journal\/archives\/13899\">second movie<\/a> in a row with an actor from <em>The Cool World<\/em>).  He plays it big and campy, with a comic unpredictability without losing his menacing edge, and whenever the three guys ask for their shit, he repeats &#8220;the shit&#8221; in the craziest way.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood01.jpg\"><\/p>\n<p>Anyway, story one: Anthony Griffith (of <em>Panther<\/em> the same year) is a rookie Black cop whose white partners beat a Black political rival (Tom Wright, also star of an anthology segment in <em>Creepshow 2<\/em>) to death while &#8220;Strange Fruit&#8221; plays &#8211; so it&#8217;s gonna be an unsubtle social issues movie.  Anthony can&#8217;t take the heat and leaves the force, but that&#8217;s not good enough.  &#8220;Where were you when I needed you?&#8221;  After hunting down and killing the three cops as brutally and ironically as possible, the vengeful ghost frames Anthony for their deaths.  One of the white cops was in <em>The Crow<\/em>, another in <em>Texas Chainsaw Massacre III<\/em>.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood02.jpg\"><\/p>\n<p>The next story involves extreme domestic abuse mixed with <em><a href=\"\/journal\/archives\/956\">It&#8217;s a Good Life<\/a><\/em>.  I dunno what made them cast David Alan Grier as a violent monster stepdad, but it works out.  The writer\/director plays a concerned teacher who comes to student Walter&#8217;s house, meets his hot mom (Paula Jai Parker of <em>She Hate Me<\/em> and <em>Friday<\/em>), and they all get tormented by wicked Grier until Walter (who later played Young Michael Jordan in <em>Space Jam<\/em>!) takes his psychic revenge.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood04.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood03.jpg\"><\/p>\n<p>A racist white southern politician named Duke (heh) is running on an anti-affirmative action platform while living in a house where a lot of bad historical shit went down, until a small army of stop-motion dolls imbued with the souls of murdered slaves take him out (this has better puppetry than the <em><a href=\"\/journal\/archives\/3505\">Puppet Master<\/a><\/em> movies).  Corbin Bernsen (between <em>Major League II<\/em> and <em>The Dentist<\/em>) is the main racist, and Roger Guenveur Smith (<em><a href=\"\/journal\/archives\/2800\">Do the Right Thing<\/a><\/em>&#8216;s Smiley) is his image consultant (who is also murdered).<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood05.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood06.jpg\"><\/p>\n<p>Starting to bring things home for the framing-story boys, the fourth body is a guy they knew.  Jerome (Lamont Bentley of TV&#8217;s <em>Moesha<\/em>) is a crazy murderous gangster paired up with a klansman in prison by &#8220;experimental&#8221; doctor Rosalind Cash (<em>Buckaroo Banzai<\/em>, <em>The Omega Man<\/em>) under the logic that they both killed a lotta Black people.  Jerome is tormented, but won&#8217;t repent, and all this turns out to be a years-long dying fantasy as he&#8217;s killed in the street in the first, pre-prison scene.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood07.jpg\"><\/p>\n<p><em>Cash died of cancer just months after this film&#8217;s release:<\/em><br \/>\n<img decoding=\"async\" src=\"\/journal\/image20\/taleshood08.jpg\"><\/p>\n<p>Obviously at this point the three dudes are gonna discover coffins of their own in the funeral home, though I didn&#8217;t need the mortician to turn into a literal demon, he was fine as he was.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood09.jpg\"><\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image20\/taleshood10.jpg\"><\/p>\n<p>Rusty also directed <em>Chappelle&#8217;s Show<\/em> and made <em>Fear of a Black Hat<\/em>, which suddenly seems essential.  One of his two belated sequels stars Keith David in the mortician role, which could work, and the other stars Tony Todd.  Rusty&#8217;s cowriter on all three films is Darin Scott (also: Vincent Price anthology <em>From a Whisper to a Scream<\/em>, Danny Trejo anthology <em>Mr. Malevolent<\/em>, and he directed Jeffrey Combs in <em>Dark House<\/em>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every SHOCKtober you&#8217;ve gotta watch an anthology horror&#8230; this played at the Plaza this month, but I didn&#8217;t feel like going out during the apocalypse so I watched the blu-ray at home. Three drug guys have heard that there&#8217;s a package for them at a funeral home, but before he&#8217;ll give them &#8220;the shit,&#8221; the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[451,532,136,54,926,2758],"class_list":["post-13900","post","type-post","status-publish","format-standard","hentry","category-movie","tag-1990s","tag-anthology-film","tag-drugs","tag-horror","tag-racism","tag-rusty-cundieff"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=13900"}],"version-history":[{"count":2,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13900\/revisions"}],"predecessor-version":[{"id":13925,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/13900\/revisions\/13925"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=13900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=13900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=13900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}