{"id":14155,"date":"2021-04-30T20:00:52","date_gmt":"2021-05-01T00:00:52","guid":{"rendered":"http:\/\/deeperintomovies.net\/journal\/?p=14155"},"modified":"2021-04-29T16:37:58","modified_gmt":"2021-04-29T20:37:58","slug":"the-wedding-party-and-home-movies-brian-de-palma","status":"publish","type":"post","link":"https:\/\/deeperintomovies.net\/journal\/archives\/14155","title":{"rendered":"The Wedding Party and Home Movies (Brian De Palma)"},"content":{"rendered":"<p><strong><em>Home Movies<\/em> (1980)<\/strong><\/p>\n<p>Framed as a lecture by professor Kirk Douglas on student Dennis, &#8220;an extra in his own life.&#8221;  Some of the framing in this is nice if one seeks that De Palma magic, but the action is silly-ass, with sped-up-film goofiness and pauses for laughter after clunker jokes.  It&#8217;s some consolation that it&#8217;s all meant to be a film-in-a-film with a self-consciously big music score.<\/p>\n<p>Kirk must&#8217;ve done this as a favor after <em><a href=\"\/journal\/archives\/533\">The Fury<\/a><\/em>.  Our main boy who films everything (including his cheating dad) is Keith Gordon, his girl is Nancy Allen, a year before they both appeared in the great <em><a href=\"\/journal\/archives\/105\">Dressed to Kill<\/a><\/em>.  I dig the energy of Keith&#8217;s cult leader brother Gerrit Graham, just off playing the title role in <em>C.H.U.D. II: Bud the Chud<\/em>.  As a cheapie exercise in film production assigned to De Palma&#8217;s real college students, it came out mostly fine, except maybe the blackface bit.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/depalma1.jpg\"><\/p>\n<p>&#8211;<br \/>\n<strong><em>The Wedding Party<\/em> (1969)<\/strong><\/p>\n<p>Another collaboration with Sarah Lawrence college, this time with De Palma the student, shot before <em><a href=\"\/journal\/archives\/2977\">Greetings<\/a><\/em> but released after Robert De Niro&#8217;s star rose.  More undercranking and dubbed voiceover, opening as madcap silent comedy &#8211; so this is where he learned it &#8211; and references to cross-dressing in both films prefigure <em>Dressed to Kill<\/em>.<\/p>\n<p>Charlie is a nervous groom, arriving with two groomsmen (RDN +1) at a wedding site with the bride&#8217;s too-large family.  Bride Jill Clayburgh is ironically best known for a film called <em>An Unmarried Woman<\/em>.  They each get advice from their people, Charlie waffles on the marriage and\/or cheating with piano girl Celeste.  The dialogue is better than the other movie, and editing is very fun, with jump cuts galore.  It gets a little long &#8211; hard to sustain wacky comedy for 90 minutes.<\/p>\n<p><img decoding=\"async\" src=\"\/journal\/image21\/depalma2.jpg\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Home Movies (1980) Framed as a lecture by professor Kirk Douglas on student Dennis, &#8220;an extra in his own life.&#8221; Some of the framing in this is nice if one seeks that De Palma magic, but the action is silly-ass, with sped-up-film goofiness and pauses for laughter after clunker jokes. It&#8217;s some consolation that it&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[537,38,1313,91,705],"class_list":["post-14155","post","type-post","status-publish","format-standard","hentry","category-movie","tag-blackface","tag-brian-de-palma","tag-double-feature","tag-filmmaking","tag-robert-deniro"],"_links":{"self":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/comments?post=14155"}],"version-history":[{"count":1,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14155\/revisions"}],"predecessor-version":[{"id":14199,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/posts\/14155\/revisions\/14199"}],"wp:attachment":[{"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/media?parent=14155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/categories?post=14155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/deeperintomovies.net\/journal\/wp-json\/wp\/v2\/tags?post=14155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}